Acadec art reproductions Side note: Pie is good, pi however is bad. The teal color is added facts
This is the revised test copy
Tripod Ritual Vessel Artist Unknown Shang Dynasty Bronze
13th Century B.C. 6 5/8 x 5 3/8 x 5 11/16 in. 16.83 x 13.65 x 14.45 cm
Pendant in the Form of a Dragon Artist Unknown Late Eastern Chou Dynasty Translucent green jade
475-221 B.C. H. 8 7/16 x W. ¾ x D. 5/16 in.
Female “Long-Sleeve” Dancer Artist Unknown Western Han Dynasty Earthenware
2nd Century B.C. 20 5/8 x 8 13/16 x 6 in. 52.39 x 22.38 x 15.24 cm
Earthenware: ceramic ware made of porous clay fired at low heat
Spirit jar (hun ping) Artist Unknown Western Chin Dynasty Yueh ware
(( porcelaneous stoneware with olive green glaze))
Yueh refers to all southern high-fired celadon wares
Celadon: a transparent green colour glaze.
Late 3rd Century 18 ½ x 11 1/8 in 46.99 x 28.26 cm
Exalted Gathering in the Green Woods Huang Ts’un-wu (active 17th century) and Tung Ch’i-Ch’ang (1555-1636) Ming and Wanli period c. 1620 Ink and colors on paper
c. 1620 10 ¼ x 36 ½ in 26.04 x 92. 71 cm
(image)
Boy Leading an Ox Along the Farm Path Artist Unknown Southern Sung Dynasty Ink and colors on silk
Late 13th Century 8 ¾ x 9 in. 22.23 x 22.86 cm
The Bodhisattva Kuan-yin Artist Unknown Sung Dynasty Wood, gesso, mineral pigments, and gold Gesso can be used as a layer between sculptured wood and goldleaf. Usually a layer of red hard paint called "assiete" is used to cover the gesso before applying the gold
Late 11th-Early 12th Century
Book of Sudhana from the Garland Sutra
((Hua-yan Ching Pu-hsien Hsing-yuan Pin))
Artist Unknown Ming Dynasty Woodblock print on paper
Late 16th Century 16 1/16 x 4 3/8 x 5/8 in. 40.8 x 11.11 x 1.59 cm
Verse in Cursive Script Chieh Chin (1369-1415) Ming Dynasty Ink on paper
c. 1410 44 3/8 x 20 ¼ in 112.71 x 51.44 cm
(image)
Bamboo and Rocks Cheng Hsieh (1693-1765) Ch’ing Dynasty Ink on paper
c. 1760 67 7/8 x 39 1/8 in. 172.4 x 99.38 cm
(image)
Taihe Dian Architect Unknown Ming Dynasty Beijing Wood timber with tile roofs
1627 90 ft high, 210 ft wide, and 120 ft deep (main hall) 27m high, 64 m wide, and 37 m deep (main hall)
Imperial Throne Artist Unknown Ch’ing Dynasty, Ch’ien-lung Period Polychrome lacquer over a softwood frame
Polychrome is one of the terms used to describe the use of multiple colors in one entity
Lacquer: A clear resin/solvent coating, usually glossy, applied to a printed sheet for protection or appearance.
18th Century H. 49 ¼ x W. 64 ½ x D. 41 ¾ in
Empress’s Twelve-Symbol Robe Artist Unknown Ch’ing Dynasty, Ch’ien-lung period Yellow satin, embroidered with silk and gold threads Satin: a smooth fabric of silk; has a glossy face and a dull back
18th-19th Century L. 51 1/8 in. (to collar)
Blue-and-White Dish Artist Unknown Yuan Dynasty Porcelain with molded and underglaze blue décor Ching-te-chen ware
14th Century 2 5/8 x 16 5/16 x 16 5/16 in. 6.67 x 41.43 x 41.43 cm
Pillow Li family workshop Sung-Chin Dynasty Stoneware with painted designs on white slip Tz’u-chou ware
12-13th Century 6 ¼ x 17 1/16 x 7 3/16 in. 15.88 x 43.34 x 18.26 cm
Official Seal Artist Unknown Han Dynasty Gilt bronze Gilt: a coating of gold or of something that looks like gold
2nd Century B.C.- 2nd Century A.D. H. 1 9/16 x W 1 5/16 x D. 1 ¼ in.
Cricket Container Artist Unknown Ch’ing Dynasty, Jiangqing Period Gourd with heat-incised decoration, ivory and tortoise-shell
Incised: A pattern or carving produced by cutting into a stone, wood, or other hard surface. The reverse of relief carving.
Late 17th Century 6 ½ x 2 7/8 in. 16.51 x 7.3 cm
Cosmetic Case and Mirror Stand Artist Unknown Ming Dynasty Huang-hua-li hardwood Huang-hua-li literally means "yellow flowering pear" wood. It is a member of the rosewood family
The finest huang-hua-li has a translucent shimmering surface with abstractly figured patterns that delight the eye Early 17th Century 31 ½ x 20 7/8 x 13 3/8 in. 80.01 x 53.02 x 33.97 cm