5 Note Extravaganza Ebook.pdf

FIVE NOTE EXTRAVAGANZA

An extravagant medley of pentatonic songs arranged by Julian

Bradley

5 note extravaganza



q = 120 straight backing track accompanied

 

Piano







C

Am



mf

 

    

Bm

   

Em

F

           

    

        Am

Am

     

Am

C

G

 

  

      

'mary had a little lamb'

F

      

Am

G

            



  

12

      

Pedal freely throughout





                 



5

9

Arranged by Julian Bradley

'under the bridge'

4 bars shaker intro

 



mp

A



   

Bm

Am

 

  

   



  

   

'voodoo child'

                4

3 2

1

3 2 1

4

                f

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(left hand optional)

 



16

'i know i'm not the only one' - sam smith C

E

C

E

Am

                

     mf     



20

         



F

Am

      

'just the two of us'

C

E

Am

C

G7

F

                

F

         

2

C

  

               

mp

                                                 

24



F

E

Am

3 1

4

Am

Gm

F

3 2 2 1

E

3 2 1

Am

Gm

F E 2 1 2 3 2 1                                            

28



F

E

3

               

31

Am9

Bm9

2

3

4

3

               Am9

Bm9

'summertime' - gershwin  

 

mf

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Am

Bm

  

  

  



3

 



34

Am

Bm

         



38



  

  



41

  



45

Am

    



      Am

F

3

  



  

Dm

         mf

  



3

4

  Am7





Am

   

G

Am





1

1

2

Am7

  

'american woman'

      

48

  

3

4

           



     

3

3

 

                    'chameleon'

 

f

(drums cut)

                4 3   3 4       

 D7                

                 mf

B¨

    

 

 

 

3

2

Am Bm

     

3           1

3

3 2 1 2

Bm

f

          

D7                 f         Am

   

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

G



Am

    

         





50

'confessions' - usher Dm

Em

F

F

G

4

Am

                                           



53

4

1

3 3 3 3 3 1

mf

ff

F

G

Am

    

 

 



 

                        



1

2 2 2 3 4 5

                                               4 4 2 1

miami vice 'crockett's theme'

B Am C  1 1                       

56





60

4

  B¨

    



63



G

    

4

       

     

4

f

  G

  

 

 B¨

   

     

Drums cut - slow down slightly

 



Dm

Am

            

G



 G

    

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 

  C

       Dm

   

            



66

5

'electric feel' - mgmt Am

Em

F

G

Em

F

Am

Em

F

                 mf 



1

      



1

1

 

 

G

Em

C

F



(Drums start)



       

 

 

1

  

   

         

1

1

 

      



   mp

 

'hold on' - drake

                                   

74

Dm

    



78

2. G

     

1.

C

  

 

G

 

Dm C                               

   

p

   LEARN TO PLAY MUSIC BY EAR www.TheMusicalEar.com

mp

 





              

82

1. G

2. G

87

    



91







mf

 

3

1



             Am

            

2 3 2

             1 2

 

1

 



 

 

'wake me up'

C

    



Dance music - speed up

  

  



D

'world ends' - britney spears 6

2

            

 

 

Am

          F

F

G

1 2 3 2

1 2 1

   ff

 

2   1                        

95

3

1

  



3

F

2

 

 

'glad you came' - the wanted

  

98

2 1 2

F

    f

  

Am

G

F



   







 

Am

G

 

 

  

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Am

 



5  2 3  1    

G







          

'home' - phillip phillips

 

F

102

   



108

ff (Drums stop)

G

     



 

 



  

  F

G



    

 



  

 

 

 

 



 

 

 

 



C

  

  

 

 

F



  

 

 

F

 



C

 





G

  

 4 4     2 1 2           3

    



p



 

Am9

Am



  



 

'amazing grace'

  

Am

 

 

Am





  

126

 

7

C

F

G

 

 

   

C

   

  2.

 

               

    G     

 

1.

114

121

     

Am

4

4

4

 

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4

4

4

4

4

ppp

 



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in my training, you will discover: - How to spot the 3 ‘tension notes’ – and their unique resolutions. - ‘Tonal Colors’ – how to recognize the unique ‘color’ of each note within the scale. - The Melody / Chord Relationship – if you know one, how to work out the other. - ‘Out of key Techniques’ - the Tierce de Picardie, Parallel major / minor, Modes, Modulation.

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