Signis Proj. Prop.

SIGNIS – Project Application Form

L’association catholique mondiale pour la communication The World Catholic Association for Communication La asociacion catolica mundial para la comunicacion

Rue de Saphir, 15 1030 Bruxelles Belgigue Tel: 32-02-734 97 08 Fax: 32-02-734 70 18 [email protected]

Project Application Form Application forms must be completed IN FULL. (i.e. Sections A, B, C, D and E). Applications must be typed. Handwritten applications will not be accepted. Additional sheets giving more information may be added. NOTE: If application is to be sent via electronic mail or re-typed for added space, applicants are informed that titles and subtitle captions used in this form along with the corresponding letter/number (e.g. A, A1, B, B1 etc.) must be reproduced correctly. Application forms must be sent to the Brussels General Secretariat AT THE LATEST by September 30 of each year. Please read Guidelines on Page 9 and 10.

A

APPLICANT’S PARTICULARS:

REGION: Africa Asia Eastern Europe Latin America Pacific A1 BENEFICIARY ORGANIZATION: DIOCESE: ___________________________ Name: Titus Brandsma Center-Media Program Address: 24 Acacia St., brgy. Mariana, New Manila 1112 City: Quezon City Country: Philippines Tel: (0063-2) 726-7763 Fax: (0063-2) 721-8677 [email protected] e-mail: A2

PERSON RESPONSIBLE FOR PROJECT: Name: Fr. Christian B. Buenafe, O. Carm Address: 3/F Teresa of Avila bldg., 28 Acacia St., Brgy. Mariana, New Manila City: Quezon City Country: Philippines Tel: (0063-2) 721-3391 Fax: (0063-2) 721-8677 [email protected] e-mail: Signature:

Important note: Although the application itself can be sent via electronic mail. The General Secretariat still requires that the written approval of the local Bishop or, in the case of national or regional projects, the Bishop in charge of Social Communications in the country / region (with official stamp) to be sent via post to its Brussels Office before September 30. A3a.

or A3b.

LOCAL BISHOP: Name: Rev. Fr. Jaime Cardinal Sin, DD Address: _____________________________________________________________________________ _____________________________________________________________________________ City: ______________________________________ Country: ______________________________ Signature and Stamp: ___________________________________________________________________ BISHOP IN CHARGE OF SOCIAL COMMUNICATIONS IN COUNTRY/REGION: Name: Bishop Jesus Cabrera Address: _____________________________________________________________________________ _____________________________________________________________________________ City: _____________________________________ Country: _______________________________ Signature and Stamp: ___________________________________________________________________

2 SIGNIS – Project Application Form

B

B1

PROJECT DESCRIPTION

OBJECTIVES OF PROJECT: The Titus Brandsma Center-Media Program (TBC-MP) is the primary mover of the Carmelite Media Ministry of the Order of Carmelites-Philippines. The program has existed for years now with which it envisions itself as:


An instrument to the formation of collective awareness regarding the potential and use of media and communication for local community development towards an active participation and re-appropriation of people’s own culture and




In the creation of an open space for people to become critically aware, to articulate own or reject the values and meanings as mediated by the media.

In the past three years, TBC-MP engaged itself among others in research, which prepared it to the next level of its course – the implementation. True to its visions, the Program in coordination with the local communities designed a project to facilitate the implementation of activities promoting critical awareness that would further develop their decision-making abilities. This is an effort to empower them as community able to solve their problems, on their own terms, resources and collective abilities. During the preparatory stage of this new project, continuous consultation was done with the local communities. With TBC-MP’s existence, it found out that media and communication has a very big role in the social development of a community. The project is then designed in the context of globalization due to its continued growth, demands and more often, its harsh effects brought about by technological revolutions in media; thus, the creation of global media. However, TBC-MP has learned that the solution to this is not to ban access but to educate society how to use these technologies for productive and creative rather than problematical ends. In response to the needs of the local communities and media practitioners – the formation of critical awareness for the enhancement of decision making capabilities and further pastoral care for media practitioners (brought about by the research findings), TBC-MP proposes the revival of traditional media as it continues to embark on its media literacy education program. This would strengthen the resilience of communities affected by an environment that is increasingly subjected to the impact of the modern mass media. As supplement to this alternative media, modern means of mass communication will still be utilized to serve these ends. Project is entitled: REVIVAL OF TRADITIONAL MEDIA WITHIN MODERN MASS MEDIA IN THE MEDIA EDUCATION PROGRAM OF THE CARMELITE MEDIA MINISTRY IN CARMELITE MISSION AREAS The TBC-MP project is designed in the context of globalization, more in particular in the context of the so-called Network Society. The new communication technologies play a central role in these new developments. They give a new and thus far unknown shape to the already dominant market economy. The following premises therefore guide the TBC-MP:







Globalization is not only a factual development but also an ideology used by the powerful in a deceptive way to lure people with the illusory benefits of modernity and progress. Hence, the need for critical community awareness and resilience. The mass media are increasingly in the hands and the control of few, large and powerful organizations linked to the interest of big capital. The ownership of radio/TV stations, publishing companies, cable networks, satellites, IT and film companies is interlinked with political lobbies, and big business, industrial and banking interests. Hence, the need for critical consciousness and response among media audience. Globalization, in its zeal to commercialize everything has turned culture into a product to be sold in the market. Hence, the need for community awareness that true development of human beings goes beyond material and technological advancement or mere economic growth. Economic globalization with information technology as its driving force has become instrument for

3


propagating Western culture. Abrupt Westernization undermines people’s existing values and culture – their spiritual and faith traditions are attacked. Thus, propagation of Philippine culture is essential. Global integration takes place at the expense of local disintegration; therefore the need to encourage unity and community development.

In other words:



Communities must stand united to safeguard national identity or sovereignty. Community-oriented social communication strengthens solidarity unlike globalization, which offers the uniformity of the same products we consume.

Since the project is aiming for the revival of traditional media with modern media as supplement for TBC-MP’s communication strategy, objectives are the following:

B2

1.

Revival of traditional media such as religious activities (witness of life, catechetic, personal contact, popular piety, liturgy and similar celebration (Lenten drama, Santacruzan), quasi religious expressions (ati-atihan, sinulog) and secular forms (drama, songs, proverbs and riddles) for critically analyzing development messages.

2.

Strengthening the organization and integration of development workers and media practitioners for the protection and promotion of family values and community welfare.

3.

Sharpening and heightening the utilization of social communication means for intellectual development, social responsiveness and cultural enrichment of Christian communities especially the youth sector.

4.

Tightening the internal structures of local media programs in schools and parishes for effective and efficient implementation and management of projects and activities and for skills training of project implementers.

AREA TO BE SERVED BY PROJECT: The following mission areas to be served by the project are:







Parish of Our Lady of Mt. Carmel and Basic Christian communities in Escalante, Negros Occidental Mount Carmel College in Escalante, Negros Occidental Parish of the Sacred Heart of Jesus through its Basic Christian communities and Mount Carmel College in San Francisco, Agusan del Sur (ADS) Parish of the Most Holy Rosary and its Basic Christian communities and Mount Carmel School, ADS Parish of San Vicente Ferrer and its Basic Christian Communities, Patin-Ay, Agusan del Sur (ADS) Parish of St. Michael the Archangel and its Basic Christian Communities and Urios High School in Prosperidad, Agusan del Sur

Thus, the two major areas to benefit from the project are Escalante, Negros Occidental community in Visayas and Agusan del Sur community in Mindanao.

B3

PERSON/GROUP RESPONSIBLE FOR CARRYING OUT PROJECT: Board of Directors of Titus Brandsma Center (BOD) – its responsibilities involved the defining of strategic direction of the Center, formulation of policies, assessment of project implementation and evaluation of the results and impact of the project and activities. Advisory group in the project sites – assistance in the enrichment of the specific direction of social communication, conceptual and technical aid for accreditation of folk media groups and requests for financial assistance, assessment and approval of plan of action, review and evaluation of the progress of project. TBC-MP – management of project implementation in all project sites, conducts research/study in the areas, implementation of specific steps approaches to specific activities, discuss and process specific requirements and remedial actions to be taken with project head, monitor development of project and activities and submission of regular and periodic reports to project head and undergo self-appraisal of contributions to project development.

4 Key persons to handle the project are: coordinator (Jofti Villena) and three facilitators (Frs. Christian Buenafe, Reynold Caigoy, O. Carm and Noel Valencia).

B4

SOCIAL, ECONOMIC AND RELIGIOUS SITUATION OF PROJECT AREA: Economically, people in the barrios are materially handicapped. They are deficient of the basic needs and services. Major form of livelihood is farming. As farmers here in the Philippines, they cultivate vast lands but they own no land or there is no security of land. Most of them are dependent to what the landowners

would give them for the day’s work. Like in Escalante, “hacienda” workers are living below the poverty line and receive way below the minimum wage. Most of them come from families with 5-6 children. They eat the same meal course everyday and of course, the children have no opportunity for education. Thus, they depend on loaning with interest or what is called as 5’6” to support their daily cost of living. Socially, people are very much inclined in taking chances or playing the games of luck through gambling such as “tongits”, gambling with the use of playcards and cockfighting. Though, people manifest patience and faith in God. Also, people have always time for celebrations like in fiestas and other traditional events. People in barrios are still into practicing traditional religious customs like novenas, “pasyon” during holy week wherein you sing the life of Christ, procession of patron saints and walking in knees while praying. Also, barrio people or those Basic Christian Communities (BCC) engage in Bible sharings and dialogue with family groupings.

B5

COMMUNICATIONS SITUATION OF PROJECT AREA: (Include new technologies) True enough to reports that the Philippines is the text capital of the world, provinces especially our areas have also gone ga-ga over text messaging (SMS). Both the biggest telecommunication companies have their cell site on the areas and even some barrios will establish their own attenna to access these cell sites. Furthermore, the Internet made a position for itself in the barrios since computer courses are being offered to major schools and universities. Manifestations are Internet Cafés scattered all over the area. Usually, students make use of the Internet prepaid cards to avail access even just to check their e-mails. Radio, TV/cable and print media are very much present in the areas. Same goes for all areas.

5 B6

DESCRIPTION OF PROJECT AND ITS PARTICULAR NEED IN THE AREA: At the backdrop of the pervasive influence of the modern mass media, the Carmelite media ministry through the TBC-MP has designed a program to respond to the needs of the local communities. The program aims at the revival of the traditional media in order to strengthen the resilience of communities affected by an environment that is increasingly subjected to the impact of the modern mass media. The modern means of mass communication will thus ideally function as supplement to the traditional media, rather than to serve as main source of communication, information and entertainment. The revival of traditional media is necessary because the following reasons:






Communication creates community: communication including the use of alternative media can revitalize communities and rekindle community spirit; Communication is participatory: the more widespread and powerful the media has become, the greater the need for people to engage in their own local or inter-group communication activities. In this way, they will also rediscover and develop traditional forms of communication; Communication supports and develops cultures: communicators have the responsibility to use and develop indigenous forms of communication; There has been reluctance to focus on...meetings, dances, songs and drama, storytelling and other interpersonal means of communication. These will need to be rehabilitated. Affirms people’s identity, names their values and is a tool for finding, maintaining and reclaiming social meaning.

Traditional media would mean:









All communicative possibilities existing and inherited in a given culture; Not only distinctive technical means but also a part of lifestyle and worldview of a culture; Related to the deep-rooted values of a group of people; An initiative to know and to take the communicative dimension of every culture seriously; Includes technical means, key community persons, places (geographical) and places (in time-life cycles or course of the year); Material culture/symbols is included like the plastic arts – sculpture, masks, drawings and symbol; Criteria: simple in form, generally available to all at no material cost, public domain, anonymous in origin, communicating directly through any of the senses, dialogic, function/utilitarian, constant presence of one or more surrounding listeners or participants; Purpose: to provide teaching and initiation; imparting traditional esthetic, historical, technical, social, ethical and religious values; to provide a legal code, which rests in stories and proverbs; mobilizing people’s awareness on their own history; to unite people and give them cohesion of ideas and emotions.

Integrating traditional and modern media suggests:




Adapting the content and uses of modern media to cultural needs and expressions and involving grassroots participation especially in rural communities; Use modern media technologies to reflect and promote indigenous cultures and traditions; Technology would be used in a manner that makes them adaptable to the immediate needs and concerns of the people.

Modern media, on the other hand, function as supplement to traditional media, how:






The cultural potential of media can be found in their service to the traditional folk arts of the country, where stories, plays, songs and dance still express an ancient traditional inheritance. Because of their modern techniques, the media can make these achievements widely known. In this way, the media help to impress on a nation a proper sense of its cultural identity and by expressing this delight and enrich other cultures and countries as well. (Communio et Progessio, No. 51). Grassroots and traditional media not only an important forum for local cultural expression but develop competence for active participation in shaping and using mass media. Traditional media can use new technology creatively to support mobilization at the community level.

6 The TBC-MP sees the necessity to emphasize both “education for media” through its project on media literacy education and “media for education” by utilizing traditional and modern media for classroom and training instruction. Thus, “The integration of modern media as supplement to the revival of traditional media for the enhancement of critical and discerning stance on the contents of the messages presented to media readers, listeners and viewers within communities through media literacy education,” will be the priority aspect of the project and the particular need seen in the two major mission areas. Primary channels are Carmelite schools and parishes while the auxiliary channel is the community media. This proposed contribution of TBC-MP is based on the essence of social communication as family-focused, community-oriented and people-based which can help bring communities of people to a higher level of development. Potential/actual projects and activities to undertake are as follows: group study/analysis of folk literature, focus group discussion on major media contents and issues of grassroot-Church-school communicators, community media and development workers, media literacy education and series of workshops/trainings. Group Study/Analysis and Theatre Program is an activity of the folk/theatre groups that will be formed in the communities. This is a regular session of dialogue, sharing and critical analysis of oral media content such as folklores, legends, epics, myths, short stories, poetry and proverbs. Discussions will include sharing of experience, relevance and application in present day situations (family, community and society). Mini play/drama of chosen folk literature will be presented before discussion starts. Implementation will be during the first year of the three-year project. As a result of this program, outputs will be a module on the analysis and application of folk literature in everyday life, series of concerts of mini plays (showcase of cultural presentations) and major productions during the third year. Focus Group Discussion is a twice a month session, which discusses issues confronting communicators/ community media in their everyday routine. Also, they will analyze content of news/feature reports, documentaries and other media artifacts on issues (more or less monitoring each others’ works, thus, to achieve balance reporting of every issues at hand. This will be a part of the output during the third year: two-part module on process/findings of focus group discussion and media education (series of media ed will try to answer issues and tries to educate people on how to analyze media content/coverage as part of the communicators’ group contribution) and development of communication courses. Series of Workshops and Trainings (folk/theatre groups) quarterly workshops of three days each on skill building and enhancement. For the first year of implementation, following courses will be taken up: basic acting incl. cultural presentation, basics in stage management, directorial and basics in technical production (lights & sounds); (communicators’ group with invited media workers) twice a year of three days each training for the communicators for updating of skills and specialization. First year will focus on public/countryside journalism and integration of social communication. Media Literacy Education twice a year public discussion on issues. The focus of this dialogue between the communicators’ group and community members (grassroot people) will be to arrive at a new understanding of how media can contribute to social development and how both can collaborate to achieve this. All these activities are due for implementation during the first year of the three-year project and would immensely contribute to the productivity of output/results on the third year.

B7

RESULTS EXPECTED FROM THIS PROJECT (Include any aspects of marketing that might be involved in the project.): Key result areas are the following:


Formation of community-based organization of various folk media groups Result: regular and concrete projects implemented and supported by private groups and local government organizations

7


Interactive communication structures with small media groups Result: in the community, town and provincial level




Youth sector including the students and members of Christian communities Result: critical analysis of media content and guided by their Christian faith




Installed and operational internal structures Result: provide communication management systems for continuing access to and involvement of community media in the system and decision making process

Aside from these key result areas, the success of this three-year project can be measured if the following results are achieved:       B8

Produced effective local media educators. Produced critically motivated barrio people. Well-planned activities that would engage the barrio people in development programs and church activities with the help of their enhanced skills in participatory communication. Communities have engaged in dialogue, which is required in decision-making or problem solving in different probing issues facing the areas. Media Education is fully integrated in the school curricula and has completed the module for the elementary, high school and collegiate levels. Media Education is considered as an important activity in our day-to-day life and has accepted it as regular project of the local media program.

HOW DOES THIS PROJECT FIT INTO THE NATIONAL/REGIONAL/DIOCESAN PASTORAL PLAN? (Please indicate if and how the project is linked to other National/Regional/Diocesan projects.) The Titus Brandsma Center-Media Program is one of the major programs of the Philippine Commissariate of the Order of Carmelites. Therefore, its projects are taken into priority. Right now, the Program is already half way in the process of becoming regional with its successful media education series last year. The Order sees the importance of deepening their media apostolate in the grassroot areas and of course the significance of media and communication in our everyday life. How it affects the decision-making abilities of the people especially in the local communities and their outlook towards life and faith. The three-year project that your agency will partly finance (if, God-willing, approved) will be the major take off of the Carmelite media ministry in the two major regions through the TBC-MP. After the three-year time frame, the Program expects the full integration of media literacy education in the school curriculum (particularly, schools run by the Carmelites) and in the process of community life. Moreover, has developed people socially and thus, depend on themselves in uplifting their conditions. Continuous production of media artifacts and initiatives on upgrading their skills are also expected from the communities and the students. Also, there an attached supporting document which will explain the flow of the project (project framework). This diagram will also reflect the major groups, which will be involved and responsible in the project implementation. TBC-MP will be responsible for the over-all management and implementation of the project. Moreover, will be incharge of the disbursement of funds to activities of the local communities as approved and discussed by TBC-MP Board and advisory groups. Local media core groups will manage the resource and databank center, which will become the central office in the communities and would then facilitate the implementation of the project and reporting to TBC-MP. Thus, the center is an integral part of the project framework and would signal a start for the communities considering the materials and equipment they would need to guide them thru.

8 SIGNIS – Project Application Form

C

BUDGET DETAILS OF PROJECT : Number and describe each item on the project budget, including items to be covered by the Local Contribution. Amounts must be given in local currency and US dollars, indicating the exchange rate used.

C1 EXCHANGE RATE USED: C2

US $ 1 = P 55.00

DETAILS FOR PURCHASE OF EQUIPMENT SUBSIDY: C2a. Briefly describe existing equipment: _________________________________________________ ____________________________________________________________________________________ ____________________________________________________________________________________ ____________________________________________________________________________________ ____________________________________________________________________________________ ____________________________________________________________________________________ ____________________________________________________________________________________ ____________________________________________________________________________________ C2b. How does the new equipment compliment/complete or replace old equipment? ____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ C2c. How often will new equipment be used? (daily/weekly/monthly/yearly) ____________________________________________________________________________________ _____________________________________________________________________________________ C2d. Detailed price list of new equipment : Item Description No.

TOTAL

Local Amount

US $ Amount

9 C3

DETAILS FOR TRAINING PROGRAM SUBSIDY: C3a. Briefly describe the aim of the program: The Training Program of the folk media group and the communicators’ group is composed of major activities such as: Folk Media Group / Theatre Group







Group Study/Analysis and Theatre Program this aims to develop the act of dialogue/interaction reflection/critical analysis and its integration to community/school routine. Materials to be used to facilitate the process is folk literature known in the area (folklores, legends, epics, myths and short stories, poetry and proverbs which are often neglected. Through this program, folk literature will now be practically applied to at least respond to the present day situation. Series of Workshops and Trainings this aims to develop, enhance and update skills needed for theatre productions. These skills will be in handy during their mini-plays/dramas, cultural presentations and major theatre productions. Focus Group Discussion this activity aims to respond to the issues confronting communicators themselves and to find possible solutions to these issues. This also aims to monitor and analyze media content/coverage, to function as watchdogs to themselves and evaluate the quality of their own works. Media Literacy Education to educate community members/grassroot people how to critically analyze media content, to what kinds of content to patronize or reject and use for practical applications in everyday life.

C3b. Target group (Provide list of participants or describe target group): Target groups are the flok media/theatre groups, communicators’ group and local community members (grassroot people) and others who are within the mission areas mentioned. C3c. List of trainors/animators/facilitators: Facilitators will be Carmelite Friars namely: Frs. Christian Buenafe (TBC-Media Program Director), Reynold Caigoy, O.Carm (International Committee on Communication Representative of the Order) and Noel Valencia (Carmelite consultant). C3d. Describe or provide outline of program (e.g. Number of courses and duration of each course, date and venue): Program 1.

2.

3.

4.

Duration

Month

Venue

Group Study/Analysis & Theatre Program (critical analysis of folk literature for practical application)
School based folk media group
Community-based (BCCs)

12 sessions 4 sessions

all months end of quarter

MCC - School Community Hall

Focus Group Discussion (gathering of communicators’ group to respond to confronting issues and critical analysis of media content/coverage)

24 sessions

twice every month

MCC – School

Media Literacy Education (twice a year public discussion on issues involving grassroot people, educating them) Series of Workshops and Trainings
Folk Media Group – basic acting, stage mgt, directorial, lights & sounds
Communicators’ Group – public/ countryside journalism

2 sessions

June and December Community Hall

12 sessions

end of every quarter Hotel/Seminar H.

6 sessions

June and December Hotel/Seminar H.

10 C3e. Detailed Cost of training program: No. Description (per program)

Local Amount (local contribution)

US $ Amount (foreign contribution)

11 1

Group Study/Analysis and Theatre Group Area: Escalante and Agusan Comm’ties Group: 4 (2 grps/area, 80 members) Duration: 16 session (12-school, 4-comm’ty) Budget: Food Allowance: P500/session x 16 sessions x 2 areas Logistics: P1,000 x 16 sessions x 2 areas Venue: P500/half-day x 12 sessions x 2 areas P1,000/day x 4 sessions x 2 areas TOTAL

2

PHP16,000 ($290.90) 32,000 ($581.82) 12,000 8,000 20,000 ($363.64)

48,000 ($872.73)

Focus Group Discussion Area: Escalante and Agusan Comm’ties Group: 2 (1/area, 20 members) Duration: 24 sessions (twice a month) Budget: Food Allowance: P500/session x 24 sessions x 2 areas Logistics: P500 x 24 sessions x 2 areas Venue: P500/day x 24 sessions x 2 areas TOTAL

3

24,000 ($436.36) 24,000 ($436.36) 24,000 24,000 ($436.36)

48,000 ($872.73)

Media Literacy Education Area: Escalante and Agusan Comm’ties Group: 2 (50 pax) Duration: twice a year, whole day Budget: Transportation (barrio people only): P30/pax x 20 pax x 2 x 2 sessions x 2 areas Food Allowance: P150/pax x 50 pax x 2 sessions x 2 areas Honorarium/Token for speaker: P1,000 x 2 speakers x 2 sessions x 2 areas Venue: P1,000/day x 2 sessions x 2 areas Logistics: P500 x 2 sessions x 2 areas TOTAL

2,400 ($43.64) 30,000 ($545.45) 8,000 4,000 2,000 ($36.36) 12,000 ($218.18)

34,400 ($625.45)

Series of Workshops & Trainings 4 A. Folk Media Groups Area: Escalante and Agusan Comm’ties Group: 4 (2 grps/area, 80 members) Duration: 12 sessions (quarterly, 3 days each Budget: Community-based groups Transportation: P30/pax x 50 pax x 12 sessions x 2 areas

36,000 ($654.54)

12 Food Allowance: P150/day/pax x 52 pax (incl. facilitators) x 12 sessions x 2 areas Logistics: P3,000 x 4 series x 2 areas Honorarium for facilitators/token: P1,500 x x 2 facilitators x 12 sessions x 2 areas Venue: P1,000/day x 12 sessions x 2 areas

124,800 ($2,269.10) 24,000 ($436.36) 24,000 24,000

School-based groups: Transportation (bus rental): P3,000/quarterly x 4 series x 2 areas Board&Lodging: P300/day x 32 pax (incl. speakers) 12 sessions x 2 areas Venue: P1,000/day x 12 sessions x 2 areas Equipment fee: P500/series x 4 series x 2 areas Honorarium for speakers: P1,200 x 2 speakers x 4 series x 2 areas Logistics: P3,000 x 4 series x 2 areas

24,000

TOTAL

95,200 ($1,730.91)

12,000 ($218.18) 76,800 ($1,396.36) 4,000 19,200 24,000 ($436.36) 297,600 ($5,410.91)

B. Communicators’ Group Area: Escalante and Agusan Comm’ties Group: 2 (1 grp/area, 50 members each) Duration: 6 sessions (twice a year, 3 days each) Budget: Transportation (bus rental): P3,000 x 2 series Board&Lodging: P150/day x 6 sessions x 50 pax x 2 areas Logistics: P3,000/series x 2 series x 2 areas Equipment Fee: P500/series x 2 series x 2 2 areas Honorarium/Token and transpo (facilitator): P1,500 x 2 facilitators x 2 areas x 2 series Venue: P1,000/day x 6 sessions x 2 areas

6,000 ($109.09) 90,000 ($1,636.36) 12,000 ($218.18) 2,000 12,000 12,000

TOTAL

26,000 ($472.73)

108,000 ($1,963.64)

TOTAL AMOUNTS

177,200 ($3,221.82)

536,000 ($ 9,745.45)

GRAND TOTAL - COST of PROJECT

Php 713,200

$ 12,967.27 (total in dollar)

C3f. Income – Contributions : No. 1 2 __ __ __ __

Description Boarding and lodging Travel Other

Local Amount NOT APPLICABLE

US $ Amount NOT APPLICABLE

TOTAL AMOUNTS:

NOT APPLICABLE

NOT APPLICABLE

13 SIGNIS – Project Application Form

C4

DETAILS FOR PRODUCTION SUBSIDY: C4a. Briefly describe the production: ______________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ C4b. Target group: _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ C4c. List technical elements (video/film/audio/TV/format/duration): _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ C4d. Detailed Cost of Production : No. Description Pre-production (script/location scouting, etc.) 1 --------Production (crew, rentals, cast, etc.) 2 ---------Post-production (editing, etc.) ---Broadcasts/telecast air-time Marketing/advertising/sales Other ___ ___ TOTAL AMOUNTS : C4e. Production Revenues No. Description Sales of rights : 1 Sales of copies : 2 Other : __ __ TOTAL AMOUNTS :

Local Amount

US $ Amount

__________________

________________

Local Amount

US $ Amount

14 SIGNIS – Project Application Form

D

PROJECT FINANCING : In each case indicate the Budget item No. and amount in US $

D1

LOCAL CONTRIBUTION TO THE PROJECT : Budget item No. / Description :

US $ Amount :

1. Venue – a place/hall where the training will be held 2. Honorarium – small cash/token for facilitators/speakers 3. Equipment hire – audio-visual facilities to be used in the presentation

Total : D2

$ 1,963.64 1,149.09 109.09

$ 3,221.82 (for all programs, rounded off)

SUBSIDIES REQUESTED FROM OTHER SOURCES FOR THIS PROJECT : Budget item No. / Description : US $ Amount :

NOT APPLICABLE

D3

SUBSIDY REQUESTED FROM SIGNIS FOR THIS PROJECT : Budget item No. / Description : 1. Food Allowance – meals and snacks during group discussions (no overnight) particularly the group study and focus group discussions 2. Board & Lodging – food and lodging space 3. Logistics – materials/handouts/kits to be prepared for participants 4. Transportation – plane, boat and busses

Total:

US $ Amount : $ 3,541.82 3,032.73 2,145.45 1,025.45

$ 9,745.45 (for all programs, rounded off)

D4 TOTAL COST OF PROJECT US $ :

$ 12,967.27

15

SIGNIS – Project Application Form

APPLICATION HISTORY :

E E1

RE-APPLICATION If the current application is for a project, which was funded, only partially funded or refused funds in the past, indicate new reasons for re-application.

THIS IS A NEW APPLICATION FOR FUNDING.

If the applicant received funds from SIGNIS for any other project in the past, please indicate how those funds Were put to use in last project funded. AMOUNT OF SUBSIDY RECEIVED FOR LAST PROJECT : E2

YEAR : __________________________________ E3

US $ : _NOT APPLICABLE

PROJECT FOR WHICH FUNDING WAS RECEIVED:

NOT APPLICABLE

E4

HOW AND WHEN WAS PROJECT IMPLEMENTED:

NOT APPLICABLE

E5

TOTAL COST OF PROJECT: US $ : NOT APPLICABLE

E6

RESULTS OF PROJECT:

NOT APPLICABLE

16