Recording

University of Adelaide

Recording Documentation Your Name __________edwardd kelly______________________________________________

Date/s of Recording ___________05 june 2008

Song Title __________You don’t know what love is______________________________________________

Format Sampling Rate ______48_____ Bit Depth __16__ Duration _6’30”___

Total Time Spent on Recording ___3__ Hours _____ Minutes

Notes/Issues/Commentary on Recording (Max 200 words) Live recording. Vocalist in dead room. Bass battery went flat (active). Bit of extra fuzz here and there.

Track Information Example Track 5

Instrument Performer Name Acoustic Guitar Joey Santiago Microphone Brand/Model/Pattern Placement technique Rode NT3 Cardioid Close Micing; 15cm slightly off axis with the hole Notes (Maximum 100 words per entry) Experimented widely with different placements in the room to find a suitable ‘acoustic’ and to obtain the right position in the ‘flame’. In the end a couple of other microphones and set-ups were used as a reference point to determine the most suitable colour or provide a means to blend differing colours. Following on listening to the final product the ‘hardness’ factor was clear in the NT3 i.e. too brittle and would require some significant work in the blending and EQ areas. "Chapter 3 – Recording Secrets". Stavrou, Michael Paul 2004, Mixing with your mind, Flux Research Pty Ltd, Mosman, Australia.

(Duplicate this table as necessary for each track) Track Instrument Performer Name #

01

Notes (Max 100 Words) Bass drum Shure Beta 52 a Version: 2 | Created: 26/6/08 | Saved: 26/6/08 | Printed: 26/6/08

University of Adelaide

02 03 04 05 06 07 08 09 10

Snare drum Shure SM 57 Hi Hats Neumann KM-84i Lo tom Sennheiser MD-421 Hi Tom Sennheiser MD-421 Overhead Rhode NT5 Overhead Rhode NT5 Bass Guitar DI Guitar Shure SM57 Vocals Neumann u_87, through avalon pre-amp.

Version: 2 | Created: 26/6/08 | Saved: 26/6/08 | Printed: 26/6/08