Hamshahri Javan

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‫‪ 30‬ﺗﻮﻣــﺎﻥ‬ ‫‪ 68 //87‬ﺻﻔﺤــﻪ‪00 /‬‬ ‫‪ 2/190‬ﺁﺫﺭ ‪87‬‬ ‫ﻫﻔﺘﻪ ﻧﺎﻣــﻪ ﻓﺮﻫﻨﮕــﻲ ‪ -‬ﺍﺟﺘﻤﺎﻋــﻲ ﺟﻮﺍﻧــﺎﻥ‪ /‬ﺳــﺎﻝ ﭘﻨﺠــﻢ‪ /‬ﺷــﻤﺎﺭﻩ ‪190‬‬

‫‪ISSN 1 7 3 5 - 5 8 1 8‬‬

‫‪H A M S H A H R I J A V A N‬‬

‫ﺍﻳﻨﺠﺎ ﺑﻮﺭﺱ ﺣﻴﻮﺍﻧﺎﺕ ﻋﺠﻴﺐ ﻭ ﻏﺮﻳﺐ ﺍﺳﺖ‬

‫ﺯﻳﺮﮔﺬﺭﻋﻘﺮﺏﻫﺎ‬ ‫ﺳﺎﻣﻴﻪﻟﻚ‪،‬ﺑﺎﺯﻳﮕﺮﺳﺮﻳﺎﻝﻣﺮگﺗﺪﺭﻳﺠﻲﻳﻚﺭﺅﻳﺎ‬ ‫ﺍﺯﺷﺎﻳﻌﺎﺕﻣﻲﮔﻮﻳﺪ‬

‫ﺑﺮﺍﻱﻧﻘﺶﻣﺎﺭﺍﻝﭘﻮﻝﻧﺪﺍﺩﻡ‬ ‫ﻣﺎﻳﻜﻞﻛﺮﺍﻳﺘﻮﻥ‪،‬ﻣﻌﺮﻭﻑﺗﺮﻳﻦﻧﻮﻳﺴﻨﺪﻩ‬ ‫ﺍﺩﺑﻴﺎﺕﻋﻠﻤﻲ–ﺗﺨﻴﻠﻲ‪،‬ﺧﺎﻣﻮﺵﺷﺪ‬

‫ﭘﺎﺭﻙژﻭﺭﺍﺳﻴﻚﺗﻌﻄﻴﻞﺷﺪ‬

‫ﺑﺎ ﻳﻚ ﺍﺑﺘﻜﺎﺭ ﺟﺪﻳﺪ‬ ‫ﻣﻮﺝ ﻓﺮﺍﮔﻴﺮ ﺑﺎﺯﻱﻫﺎﻱ ﺭﺍﻳﺎﻧﻪﺍﻱ‬ ‫ﮔﺮﻓﺖ‬ ‫ﺍﻳﺮﺍﻧﻲ ﺮ‬ ‫ﺑﻮﻱ ﻳﺮ ﻲ‬ ‫ﺭﺭﻧﮓﻭﻭﺑﻮﻱ‬

‫ﻫﻤﺮﺍﻩ ﺑﺎ ﺧﻮﺭﻩﻫﺎﻱ ﺑﺎﺯﻱ ﻓﻴﻔﺎ‪:‬‬ ‫ﺍﺣﻤﺪﺭﺿﺎ ﻋﺎﺑﺪﺯﺍﺩﻩ‪ ،‬ﻋﻠﻴﺮﺿﺎ ﻧﻴﻜﺒﺨﺖﻭﺍﺣﺪﻱ‪،‬‬ ‫ﻓﺮﻫﺎﺩ ﻣﺠﻴﺪﻱ‪ ،‬ﻭﺣﻴﺪ ﻃﺎﻟﺐﻟﻮ‪ ،‬ﻣﻬﺮﺍﺏ ﻭ‬ ‫ﭘﻴﻤﺎﻥ ﻗﺎﺳﻢﺧﺎﻧﻲ‪ ،‬ﺳﻴﺎﻣﻚ ﺍﻧﺼﺎﺭﻱ ﻭ ﺭﺿﺎ ﺷﻔﻴﻌﻲﺟﻢ‬

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‫ﺍﺯ ﺯﺑﺎﻧﺖ ﺑﺘﺮﺱ ﻭ ﺁﻥ ﺭﺍ ﻛﻨﺘﺮﻝ ﻛﻦ‬

‫ﻃﺮﺡ‪ :‬ﺳﻌﻴﺪ ﺑﻬﺪﺍﺩ‬ ‫ﭘﻴﺎﻣﺒﺮ)ﺹ( ‪/‬ﻣﺤﺠﻪ ﺍﻟﺒﻴﻀﺎ ‪،‬ﺟﻠﺪ ‪ 4‬ﺹ ‪193‬‬

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‫ﻧﺎﻣﻪﻫﺎ‬

‫‪[email protected]‬‬

‫ﺑﺎﺯﺗﺎﺏﻫﺎ‬

‫ﺳﻴﻨﻤﺎ‪ /‬ﺩﻋﻮﺕ ﺑﻪ ﻣﺮﺍﺳﻢ ﺗﻌﻮﻳﺾ ﺍﺑﺮﺍﻫﻴﻢ‬ ‫ﺷﻤﺎﺭﻩ ‪ ،١٨۶‬ﺻﻔﺤﻪ ‪ ٣۴‬ﻭ ‪٣۵‬‬ ‫ﻣﺘﻔﺎﻭﺕ ﺗﺮﻳﻦ ﻓﻴﻠﻢ ﺍﺑﺮﺍﻫﻴﻢ ﺣﺎﺗﻤﻲ ﻛﻴﺎ؛ ﺍﺯ ﻫﻤﺎﻥ ﺭﻭﺯﻫﺎﻱ ﺍﻭﻟﻲ ﻛﻪ ﺯﻣﺰﻣﻪ‬ ‫ﺳﺎﺧﺖ ﺩﻋﻮﺕ ﺷﺮﻭﻉ ﺷﺪ‪ ،‬ﺍﻳﻦ ﻋﺒﺎﺭﺕ ﻣﺪﺍﻡ ﺗﻜﺮﺍﺭ ﻣﻲﺷﺪ؛ ﺑﻪ ﺧﺼﻮﺹ ﻛﻪ‬ ‫ﻫﻤﺎﻥ ﺭﻭﺯﻫﺎ ﻫﻢ ﺍﻳﻦ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺑﺎ ﺳﺮﻳﺎﻝ ﺍﺟﺘﻤﺎﻋﻲ – ﻣﻌﻨﺎﮔﺮﺍﻳﺎﻧﻪ »ﺣﻠﻘﻪ ﺳﺒﺰ«‬ ‫ﻭ ﺣﺴﻦﮔﻼﺑﺶ‪ ،‬ﻣﻮﺝ ﺟﺪﻳﺪﻱ ﺭﺍ ﺍﻳﺠﺎﺩ ﻛﺮﺩﻩ ﺑﻮﺩ ﻭ ﺍﻳﻦ ﺑﺮﺍﻱ ﺁﻧﻬﺎﻳﻲ ﻛﻪ ﺍﻭ ﺭﺍ ﺑﻪ‬ ‫ﻋﻨﻮﺍﻥ ﻛﺎﺭﮔﺮﺩﺍﻧﻲ ﺟﻨﮕﻲﺳﺎﺯ ﻣﻲﺷﻨﺎﺧﺘﻨﺪ‪ ،‬ﻋﺠﻴﺐ ﺑﻮﺩ‪» .‬ﺩﻋﻮﺕ« ﺩﺭ ﺳﻜﻮﺕ‬ ‫ﺧﺒﺮﻱ ﻣﺤﺾ ﻭ ﺑﺎ ﺣﺠﻢ ﺯﻳﺎﺩﻱ ﺍﺯ ﺑﺎﺯﻳﮕﺮﺍﻥ ﺳﺘﺎﺭﻩ‪ ،‬ﺑﻪ ﺻﻮﺭﺕ ﺍﭘﻴﺰﻭﺩ ﻭ ﺑﺎ ﻳﻚ‬ ‫ﺳﻮژﻩ ﺣﺴﺎﺱ ﺍﺟﺘﻤﺎﻋﻲ ﺳﺎﺧﺘﻪ ﺷﺪ‪.‬‬

‫ﻫﻤﻪ ﺑﺎﺯﻱﻫﺎ ﺧﻮﺏ ﻧﺒﻮﺩ‬ ‫ﻋﻠﻲ ﻭﺯﻳﻨﻲ‪ /‬ﻣﻮﺿﻮﻉ ﺧﻮﺑﻲ ﺑﺮﺍﻱ ﻓﻴﻠﻢ ﺍﻧﺘﺨﺎﺏ ﺷــﺪﻩ ﺍﻣﺎ ﺣﺎﺗﻤﻲﻛﻴﺎ‬ ‫ﺍﻳﻦ ﺑﺎﺭ ﺩﺭ ﺍﻧﺘﺨﺎﺏ ﺑﺎﺯﻳﮕﺮ ﺩﻗﺖ ﻧﻜﺮﺩﻩ ﻭ ﺳﻄﺢ ﻛﺎﺭ ﺭﺍ ﭘﺎﻳﻴﻦ ﺁﻭﺭﺩﻩ؛ ﻣﺜﻼ ﺩﺭ‬ ‫ﺍﭘﻴﺰﻭﺩ ﺍﻭﻝ ﺑﺎ ﺍﻧﺘﺨﺎﺏ ﻣﻬﻨﺎﺯ ﺍﻓﺸﺎﺭ ﺑﺮﺍﻱ ﺑﺎﺯﻱ ﺩﺭ ﻧﻘﺶ ﺳﻮﭘﺮﺍﺳﺘﺎﺭ ﺳﻴﻨﻤﺎ‬ ‫ﻧﺸــﺎﻥ ﺩﺍﺩﻩ ﻛﻪ ﺍﻳﻦ ﺍﻭﻟﻴﻦ ﺍﻧﺘﺨﺎﺏ ﺻﺤﻴﺢ ﺍﻭ ﺑﻮﺩﻩ ﻭﻧﻤﺮﻩ ‪ 20‬ﻓﻴﻠﻢ‪ ،‬ﮔﻮﻫﺮ‬ ‫ﻼ ﺭﺿﺎ ﺑﺎﺑﻚ ﻭ ﺷﺮﻳﻔﻲﻧﻴﺎ ﺑﺮﺍﻱ ﻧﻘﺸﺸﺎﻥ ﺯﺣﻤﺖ‬ ‫ﺧﻴﺮﺍﻧﺪﻳﺶ ﺍﺳﺖ ﺍﻣﺎ ﻣﺜ ً‬ ‫ﺯﻳﺎﺩﻱ ﻧﻜﺸﻴﺪﻩﺍﻧﺪ‪.‬‬ ‫ﺁﻥ ﺻﺤﻨﻪ ﻫﻠﻲﻛﻮﭘﺘﺮ ﻛﻪ ﺷﻬﺮ ﺭﺍ ﺍﺯ ﺑﺎﻻ ﻧﺸــﺎﻥ ﻣﻲﺩﻫﺪ ﻭ ﺍﺯ ﺭﻭﻱ ﻧﺎﭼﺎﺭﻱ‬ ‫ﮔﺬﺍﺷﺘﻪ ﺷﺪﻩ ﻛﻪ ﺍﭘﻴﺰﻭﺩﻫﺎ ﺭﺍ ﺑﻪ ﻫﻢ ﻭﺻﻞ ﻛﻨﺪ‪ ،‬ﺭﻭﻱ ﺍﻋﺼﺎﺏ ﺁﺩﻡ ﺭﺍﻩ ﻣﻲﺭﻭﺩ‬ ‫ﻭ ﺧﻴﻠﻲ ﻧﭽﺴﺐ ﺍﺳﺖ‪ .‬ﺣﺎﺗﻤﻲﻛﻴﺎ ﺍﺯ ﭼﻴﺰﻫﺎﻳﻲ ﺑﻬﺘﺮ ﻣﻲﺗﻮﺍﻧﺴﺖ ﺍﺳﺘﻔﺎﺩﻩ‬ ‫ﻛﻨﺪ ﻛﻪ ﺧﻮﺷﮕﻞﺗﺮ ﺑﺎﺷﺪ ﻭ ﺧﻴﻠﻲ ﺧﻮﺏ ﺟﻮﺍﺏ ﺑﺪﻫﺪ ﺍﻣﺎ ﻣﺘﺎﺳﻔﺎﻧﻪ ﺑﺪﺗﺮﻳﻦ‬ ‫ﻣﺪﻝ ﺭﺍ ﺍﻧﺘﺨﺎﺏ ﻛﺮﺩﻩ ﻭ ﺍﺯ ﻛﺎﺭﻫﺎﻳﻲ ﺍﺳﺖ ﻛﻪ ﻧﻤﺮﻩ ﺍﻭ ﺭﺍ ﻛﻢ ﻣﻲﻛﻨﺪ‪.‬‬ ‫ﻣﻲﺗﻮﺍﻥ ﺑﻪ ﺧﺎﻧﻢ ﺩﻛﺘﺮﻱ ﻛﻪ ﺑﺎ ﻣﻨﺸﻲﺍﺵ ﺩﺭ ﻫﻤﻪ ﺍﭘﻴﺰﻭﺩﻫﺎ ﺣﻀﻮﺭ ﺩﺍﺭﺩ ﻫﻢ‬ ‫ﻧﻤﺮﻩ ﻣﺜﺒﺖ ﺩﺍﺩ‪ .‬ﺧﺎﻧﻢ ﺩﻛﺘﺮ‪ -‬ﺁﻧﺎﻫﻴﺘﺎ ﻧﻌﻤﺘﻲ‪ -‬ﺧﻴﻠﻲ ﺧﻮﺏ ﺑﺎﺯﻱ ﻣﻲﻛﻨﺪ ﻭ‬ ‫ﻫﻤﺎﻥ ﻛﺎﺭ ﺩﻛﺘﺮﻫﺎ ﺭﺍ ﺍﻧﺠﺎﻡ ﻣﻲﺩﻫﺪ‪ .‬ﺍﻣﺎ ﻧﻘﺶ ﻣﻨﺸﻲ ﺍﺻﻼ ﺧﻮﺏ ﻧﻴﺴﺖ‪.‬‬ ‫ﺭﺍﺳــﺘﻲ‪ ،‬ﺗﻴﺰﺭ ﺗﺒﻠﻴﻐﺎﺗﻲ ﺣﺎﺗﻤﻲﻛﻴﺎ ﻫﻢ ﻣﺘﻔﺎﻭﺕ ﺑﻮﺩ ﻭ ﻣﺘﻔﺎﻭﺕﺗﺮ ﺍﺯ ﻫﻤﻪ‬ ‫ﺗﻴﺰﺭﻫﺎ ﻭ ﺑﺎﺯﻳﮕﺮﺍﻧﻲ ﻫﻤﭽﻮﻥ ﻣﻬﻨﺎﺯ ﺍﻓﺸﺎﺭ‪ ،‬ﮔﻮﻫﺮ ﺧﻴﺮﺍﻧﺪﻳﺶ ﻭ ﻣﺮﻳﻼ ﺯﺍﺭﻋﻲ‬ ‫ﻣﺎ ﺭﺍ ﺑﻪ ﺩﻳﺪﻥ ﺟﺪﻳﺪﺗﺮﻳﻦ ﻓﻴﻠﻢ ﺣﺎﺗﻤﻲﻛﻴﺎ ﺩﻋﻮﺕ ﻣﻲﻛﻨﻨﺪ ﻭ ﺍﻳﻦ ﻫﻢ ﺑﺮگ‬ ‫ﺑﺮﻧﺪﻩ ﺣﺎﺗﻤﻲﻛﻴﺎﺳﺖ!‬ ‫ﻭ ﺍﻳﻦ ﺑﻮﺩ ﭘﺎﻳﺎﻧــﻲ ﻧﻴﻤﻪ ﻣﻄﻠﻮﺏ ﻭ ﻛﻤــﻲ ﺍﺯ ﺭﻭﻱ ﻧﺎﭼﺎﺭﻱ ﺑــﺮﺍﻱ ﺍﺑﺮﺍﻫﻴﻢ‬ ‫ﺣﺎﺗﻤﻲﻛﻴﺎ! ﺩﺳﺘﺶ ﺩﺭﺩ ﻧﻜﻨﺪ!‬

‫ﺩﺍﺳﺘﺎﻥ ﺍﻣﺮﻭﺯﻱ ﺑﻮﺩ‬ ‫ﻣﺤﺒﻮﺑﻪ ﻣﻴﺮﺯﺍ ﻣﺤﻤﺪ‪ /‬ﻳﻜﻲ ﺍﺯ ﺍﻗﻮﺍﻡ ﺩﻭﺭ ﻣﺎ ﺑﻌﺪ ﺍﺯ ‪2‬ﺑﺎﺭ ﺯﺍﻳﻤﺎﻥ‪ ،‬ﺩﭼﺎﺭ‬ ‫ﻣﺸﻜﻠﻲ ﺷﺪﻩ ﺑﻮﺩ ﻛﻪ ﺑﺎﺭﺩﺍﺭﻱ ﻣﺠﺪﺩ ﺑﺮﺍﻳﺶ ﺑﺴﻴﺎﺭ ﺧﻄﺮﻧﺎﻙ ﺑﻮﺩ‪ .‬ﺑﻨﺎﺑﺮﺍﻳﻦ‬ ‫ﺍﻭ ﻧﺒﺎﻳﺪ ﺩﻳﮕﺮ ﺑﺎﺭﺩﺍﺭ ﻣﻲﺷﺪ ﺍﻣﺎ ﺩﺭ ﺁﺳﺘﺎﻧﻪ ‪40‬ﺳــﺎﻟﮕﻲ ﺑﺎﺭﺩﺍﺭ ﺷﺪ ﻭ ﺑﻨﺎ ﺑﻪ‬ ‫ﺗﻮﺻﻴﻪ ﭘﺰﺷــﻜﺎﻥ ﺩﺭ ﻳﻜﻲ ﺍﺯ ﻣﺠﻬﺰﺗﺮﻳﻦ ﺑﻴﻤﺎﺭﺳــﺘﺎﻥﻫﺎ ﻭ ﺗﻮﺳﻂ ﻳﻜﻲ ﺍﺯ‬ ‫ﺑﻬﺘﺮﻳﻦ ﺩﻛﺘﺮﻫﺎ ﺍﻗﺪﺍﻡ ﺑﻪ ﺳــﻘﻂ ﺟﻨﻴﻦ ﻛﺮﺩ‪ .‬ﺑﻌﺪ ﺍﺯ ﭼﻨﺪ ﻣﺎﻩ ﻣﺘﻮﺟﻪ ﺷﺪ‬ ‫ﻛﻪ ﻫﻨﻮﺯ ﺑﺎﺭﺩﺍﺭ ﺍﺳﺖ ﻭ ﺑﭽﻪ ﺣﺘﻲ ﺑﻌﺪ ﺍﺯ ﻋﻤﻞ ﻛﻮﺭﺗﺎژ ﻫﻢ ﻫﻨﻮﺯ ﺯﻧﺪﻩ ﺍﺳﺖ‪.‬‬ ‫»ﺗﻮ ﻓﻜﺮ ﻣﻲﻛﻨﻲ ﺯﻧﻲ ﻛﻪ ﺳﺎﻝﻫﺎ ﺑﺎ ﻧﺎﺯﺍﻳﻲﺍﺵ ﺩﺳﺖ ﻭ ﭘﻨﺠﻪ ﻧﺮﻡ ﻛﺮﺩﻩ‪ ،‬ﺍﮔﺮ‬ ‫ﺑﻔﻬﻤﺪ ﺑﺎﺭﺩﺍﺭ ﺍﺳﺖ‪ ،‬ﭼﻪ ﻛﺎﺭ ﻣﻲﻛﻨﺪ«‪.‬‬ ‫ﺍﻳﻦ ﺑﺮﺍﻱ ﻣﻦ‪ ،‬ﺟﺰﻭ ﻫﻤﺎﻥ ﻟﺤﻈﻪﻫﺎﻱ ﻧﺎﺏ ﺍﺳــﺖ؛ ﻫﻤﺎﻥﻫﺎﻳﻲ ﻛﻪ ﺑﺎ ﻫﻴﭻ‬ ‫ﻋﻠﻢ ﻭ ﻣﻨﻄﻘﻲ ﻗﺎﺑﻞ ﺗﻮﺟﻴﻪ ﻧﻴﺴﺘﻨﺪ ﻭ ﺗﻨﻬﺎ ﻣﻲﺗﻮﺍﻥ ﮔﻔﺖ ﺍﻳﻦ ﻛﺎﺭ ﻓﻘﻂ ﻛﺎﺭ‬ ‫ﺧﺪﺍﺳﺖ ﻭ ﻣﻦ ﺗﻨﻬﺎ ﺑﻪ ﺧﺎﻃﺮ ﻫﻤﻴﻦ ﻳﻚ ﻟﺤﻈﻪ ﻧﺎﺏ ﻫﻢ ﻛﻪ ﺷﺪﻩ‪» ،‬ﺩﻋﻮﺕ«‬ ‫ﺣﺎﺗﻤﻲﻛﻴﺎ ﺭﺍ ﻣﻲﭘﺬﻳﺮﻡ‪.‬‬

‫ﻟﻬﺠﻪﺍﺵ ﺍﺷﺘﺒﺎﻫﻲ ﺍﺳﺖ‬ ‫ﺯﻱ ﺯﻱ ‪ /723‬ﻟﻬﺠــﻪ ﺿﺎﻳﻊ ﺍﺷــﻜﺎﻥ ﺧﻄﻴﺒﻲ ﺩﺭ ﺳــﺮﻳﺎﻝ »ﮔﻞﻫﺎﻱ‬ ‫ﮔﺮﻣﺴﻴﺮﻱ« ﻛﻪ ﺷﻤﺎ ﺁﻥ ﺭﺍ ﺑﺎﻋﺚ ﺩﻟﻨﺸﻴﻦ ﺷﺪﻥ ﻧﻘﺶ ﺍﻭ ﻣﻲﺩﺍﻧﻴﺪ‪ ،‬ﭼﻴﺰﻱ‬ ‫ﻧﻴﺴﺖ ﺟﺰ ﻣﻠﻐﻤﻪﺍﻱ ﺍﺯ ﻟﻬﺠﻪﻫﺎﻱ ﺑﻲﺭﺑﻂ ﻟﺮﻱ‪ ،‬ﻛﺮﺩﻱ ﻭ ﮔﺎﻫﻲ ﻫﻢ ﻟﻬﺠﻪ‬ ‫ﻓﺮﺩ ﻋﺮﺏ ﺯﺑﺎﻧﻲ ﻛﻪ ﺑﻪ ﺳﺨﺘﻲ ﻓﺎﺭﺳﻲ ﺣﺮﻑ ﻣﻲﺯﻧﺪ ﻛﻪ ﺍﻳﻦ ﺁﺧﺮﻱ ﺍﺯ ﺟﻮﺍﻧﻲ‬ ‫ﻛﻪ ﺩﺭ ﺗﻬﺮﺍﻥ ﺩﺍﻧﺸﺠﻮﺳﺖ‪ ،‬ﺑﻌﻴﺪ ﺍﺳﺖ‪ .‬ﺷــﻤﺎ ﻛﻪ ﺍﺷﻜﺎﻥ ﺧﻄﻴﺒﻲ ﺭﺍ ﺑﺮﺍﻱ‬ ‫ﺑﺎﺯﻱ ﺩﺭ ﺍﻳﻦ ﺳﺮﻳﺎﻝ‪ ،‬ﭼﻬﺮﻩ ﻫﻔﺘﻪ ﻣﻌﺮﻓﻲ ﻛﺮﺩﻩﺍﻳﺪ‪ ،‬ﻓﻜﺮ ﻧﻤﻲﻛﻨﻴﺪ ﺍﻳﻦ ﺁﻗﺎﻱ‬ ‫ﺑﺎﺯﻳﮕﺮ ﺑﺮﺍﻱ ﺁﺷﻨﺎﻳﻲ ﺑﻴﺸﺘﺮ ﺑﺎ ﻧﻘﺸــﻲ ﻛﻪ ﺑﺮﺁﻣﺪﻩ ﺍﺯ ﻣﺤﻴﻄﻲ ﻧﺎﺁﺷﻨﺎﺳﺖ‬ ‫)ﺧﻮﺯﺳﺘﺎﻥ(‪ ،‬ﺍﮔﺮ ﺗﻨﻬﺎ ﭼﻨﺪ ﺭﻭﺯ ﺭﺍ ﺩﺭ ﻣﻴﺎﻥ ﺟﻮﺍﻧﺎﻥ ﺟﻨﻮﺑﻲ ﻣﻲﮔﺬﺭﺍﻧﺪ ﻭ ﺑﻪ‬ ‫ﻟﻬﺠﻪ ﺁﻧﻬﺎ ﻭ ﻃﺮﺯ ﺗﻠﻔﻆ ﺍﺻﻄﻼﺣﺎﺕ ﻋﺮﺑﻲ ﺗﻮﺟﻪ ﻣﻲﻛﺮﺩ‪ ،‬ﻣﻲﺗﻮﺍﻧﺴﺖ ﺩﺭ‬ ‫ﺍﻳﻔﺎﻱ ﻧﻘﺸﺶ ﻣﻮﻓﻖﺗﺮ ﺑﺎﺷﺪ؟! ﻧﻪ ﺍﻳﻨﻜﻪ ﻓﻘﻂ ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ »ﻗﻮﻩ ﺗﺨﻴﻞ«)!(‬ ‫ﺩﺭ ﻛﻨﺎﺭ ﺩﻳﮕﺮ ﺑﺎﺯﻳﮕﺮﺍﻥ ﻧﻘﺶﻫﺎﻱ ﻋﺮﺑﻲ‪ ،‬ﻟﺤﻈﺎﺕ ﺧﻨﺪﻩﺩﺍﺭﻱ ﺭﺍ ﺧﻠﻖ ﻛﻨﺪ‬ ‫ﻛﻪ ﻣﻮﺟﺐ ﺍﻧﺒﺴﺎﻁ ﺧﺎﻃﺮ ﺷﻮﺩ‪.‬‬

‫ﺍﺯ ﺩﻏﺪﻏﻪﻫﺎﻱ ﺍﺻﻠﻲ ﺍﺳﺖ‬ ‫ﻣﺤﺒﻮﺑﻪ‪ .‬ﺡ ‪ /‬ﻣﻦ »ﻛﻨﻌﺎﻥ« ﺭﺍ ﺑﻪ ﺳﻔﺎﺭﺵ ﺷــﻤﺎ ﺩﻳﺪﻡ ﻭ »ﺩﻋﻮﺕ« ﺭﺍ‬ ‫ﻓﻘﻂ ﺑﻪ ﺧﺎﻃﺮ ﻧﺎﻡ ﺣﺎﺗﻤﻲﻛﻴﺎ‪ .‬ﺍﺯ ﺩﻳﺪﻥ ﻫﺮ ﺩﻭ‪ ،‬ﻫﻢ ﻟﺬﺕ ﺑﺮﺩﻡ ﻭ ﻫﻢ ﻛﻤﻲ ﺟﺎ‬ ‫ﺧﻮﺭﺩﻡ‪ .‬ﻧﻪ »ﻛﻨﻌﺎﻥ« ﺑﻪ ﺁﻥ ﺧﻮﺑﻲ ﺑﻮﺩ ﻛﻪ ﺷﻤﺎ ﮔﻔﺘﻪ ﺑﻮﺩﻳﺪ ﻭ ﻧﻪ »ﺩﻋﻮﺕ«‬ ‫ﺑﻪ ﻗﻮﺕ ﺳــﻴﻨﻤﺎﻱ ﺣﺎﺗﻤﻲﻛﻴﺎ ﺑﻮﺩ ﺍﻣﺎ ﺑﺎ ﺩﻳﺪﻥ ﭘﺮﻭﻧﺪﻩ »ﻛﻨﻌﺎﻥ« ﻭ ﺑﺴﻨﺪﻩ‬ ‫ﻛﺮﺩﻥ ﺑﻪ ﺍﻇﻬﺎﺭﻧﻈﺮﻫﺎﻱ ﺷﺨﺼﻲ ﺩﺭﺑﺎﺭﻩ »ﺩﻋﻮﺕ«‪ ،‬ﻛﻤﻲ ﺑﻪ ﺍﻧﺼﺎﻓﺘﺎﻥ ﺷﻚ‬ ‫ﻛﺮﺩﻡ‪ .‬ﺷﻤﺎ ﻳﺎ ﺟﻮﺍﻥ ﻧﻴﺴﺘﻴﺪ‪ ،‬ﻳﺎ ﺍﺯﺩﻭﺍﺝ ﻧﻜﺮﺩﻩﺍﻳﺪ ﻳﺎ ﻫﻨﻮﺯ ﺩﺭ ﺑﺮﺯﺥ ﺩﻋﻮﺕ‬ ‫ﻛﺮﺩﻥ ﻳﺎ ﻧﻜﺮﺩﻥ ﮔﻴﺮ ﻧﻜﺮﺩﻩﺍﻳﺪ ﻳﺎ ﺑﻲﺍﻧﺼﺎﻓﻴﺪ‪.‬‬ ‫ﻗﺒﻮﻝ ﻛﻨﻴﺪ ﻛﻪ »ﻛﻨﻌﺎﻥ« ﺩﺍﺳﺘﺎﻥ ﺧﺎﺹ ﺁﺩﻡﻫﺎﻱ ﺧﺎﺻﻲ ﺍﺳﺖ ﻛﻪ ﺑﻪ ﺷﻴﻮﻩ‬ ‫ﺧﺎﺻﻲ ﻫﻢ ﺑﻪ ﺗﺼﻮﻳﺮ ﻛﺸﻴﺪﻩ ﺷﺪﻩ ﺍﺳﺖ )ﺍﮔﺮﭼﻪ ﺑﺎﺯﻱﻫﺎ ﻓﻮﻕﺍﻟﻌﺎﺩﻩﺍﻧﺪ( ﺍﻣﺎ‬ ‫ﺩﻋﻮﺕ ﻳﻜﻲ ﺍﺯ ﺩﻏﺪﻏﻪﻫﺎﻱ ﺍﺻﻠﻲ ﺟﺎﻣﻌﻪ ﺍﻣﺮﻭﺯ ﻣﺎﺳﺖ ﺍﮔﺮﭼﻪ ‪2‬ﺍﭘﻴﺰﻭﺩ ﺍﻭﻝ‬ ‫ﺁﻥ ﻧﺎﺍﻣﻴﺪﻛﻨﻨﺪﻩ ﺍﺳﺖ ﺍﻣﺎ ﭼﻄﻮﺭ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﺑﺎ ﺩﻳﺪﻥ ﺗﻘﺮﻳﺒﺎ ﻧﻴﻤﻪ ﺑﺪ ﻓﻴﻠﻢ‪،‬‬ ‫ﻫﻨﻮﺯ ﺻﻨﺪﻟﻲ ﺳﻴﻨﻤﺎ ﺭﺍ ﺗﺮﻙ ﻧﻤﻲﻛﻨﻨﺪ؟(‪.‬‬ ‫ﺑﻪ ﻧﻈﺮ ﻣﻦ‪ ،‬ﻓﻘﻂ ﻓﺮﻭﺵ ﺑﺎﻻﻱ ﺩﻋﻮﺕ ﻣﻲﺗﻮﺍﻧﺴﺖ ﺩﻟﻴﻞ ﺧﻮﺑﻲ ﺑﺮﺍﻱ ﭼﺎپ‬ ‫ﻳﻚ ﭘﺮﻭﻧﺪﻩ ﭘﺮ ﻭ ﭘﻴﻤﺎﻥ ﺑﺎﺷﺪ‪.‬‬

‫ﻭﻟﻲ ﻟﻬﺠﻪ ﺍﺷﻜﺎﻥ ﺧﻄﻴﺒﻲ ﺩﺭ »ﮔﻞﻫﺎﻱ ﮔﺮﻣﺴﻴﺮﻱ« ﺍﻳﻦ ﻗﺪﺭﻫﺎ ﻫﻢ ﻛﻪ ﺷﻤﺎ‬ ‫ﻣﻲﮔﻮﻳﻴﺪ‪ ،‬ﺗﺎﺑﻠﻮ ﻧﻴﺴﺖ ﻫﺎ‪ .‬ﺍﺣﺴﺎﻥ ﺭﺿﺎﻳﻲ‬

‫ﺑﻠﻪ‪ ،‬ﺣﻖ ﺑﺎ ﺷﻤﺎﺳﺖ‪ .‬ﺑﺮﺍﻱ ﺩﻋﻮﺕ ﻫﻢ ﺑﺎﻳﺪ ﭘﺮﻭﻧﺪﻩ ﭘﺮ ﻭ ﭘﻴﻤﺎﻥﺗﺮﻱ ﻣﻲﺭﻓﺘﻴﻢ‬ ‫ﻛﻪ ﻣﺘﺎﺳﻔﺎﻧﻪ ﻧﺸﺪ ﻭ ﺁﻗﺎﻱ ﺣﺎﺗﻤﻲﻛﻴﺎ ﻧﺨﻮﺍﺳﺖ ﻣﺼﺎﺣﺒﻪ ﻛﻨﺪ ﻭ‪ ...‬ﺍﻥﺷﺎءﺍﷲ ﺩﻓﻌﻪ‬ ‫ﺑﻌﺪ‪ .‬ﺍﺣﺴﺎﻥ ﻧﺎﻇﻢ ﺑﻜﺎﻳﻲ‬

‫ﻳﺎﺩﺩﺍﺷﺖ‪ /‬ﺁﺧﺮﻳﻦ ﻭﺻﻴﺖﻧﺎﻣﻪ‬ ‫ﺷﻤﺎﺭﻩ ‪ ،١٨۵‬ﺻﻔﺤﻪ‪ ٨‬ﻭ ‪٩‬‬ ‫‪7-8‬ﺳﺎﻝ ﺑﻴﺸﺘﺮ ﻧﺪﺍﺷﺘﻢ‪ .‬ﺩﺍﺷﺘﻢ ﻣﻲﺭﻓﺘﻢ ﺧﺎﻧﻪ ﻣﺎﺩﺭﺑﺰﺭﮔﻢ‪ .‬ﻧﺰﺩﻳﻜﻲ ﻛﻮﭼﻪ ﻛﻪ‬ ‫ﺭﺳﻴﺪﻡ‪ ،‬ﻣﺮﺩﻱ ﻣﻴﺎﻧﺴﺎﻝ ﺟﻠﻮﻱ ﻣﻦ ﺗﻠﭗ ﺍﻓﺘﺎﺩ ﺯﻣﻴﻦ‪ .‬ﭼﻨﺪ ﻧﻔﺮﻱ ﺩﻭﺭﺵ ﺣﻠﻘﻪ‬ ‫ﺯﺩﻧﺪ‪ .‬ﺭﻓﺘﻢ ﭘﻴﺶ ﻣﺎﺩﺭﺑﺰﺭگ‪ .‬ﻧﻴﻢ ﺳﺎﻋﺖ ﺑﻌﺪ ﻛﻪ ﺑﺮﮔﺸﺘﻢ ﺳﺮﻛﻮﭼﻪ‪ ،‬ﺩﻳﺪﻡ‬ ‫ﻫﺮﻛﺲ ﺭﺩ ﻣﻲﺷﻮﺩ‪ ،‬ﺭﻭﻱ ﺁﻥ ﻣﺮﺩ ﭘﻮﻝ ﻣﻲﺍﻧﺪﺍﺯﺩ‪ .‬ﻳﻚ ﺭﻭﺳﺮﻱ ﺯﻧﺎﻧﻪ ﻫﻢ ﺭﻭﻱ‬ ‫ﺳﺮﺵ ﺍﻧﺪﺍﺧﺘﻪ ﺑﻮﺩﻧﺪ‪ .‬ﺁﻥ ﻣﺮﺩﻩ ﻣﺮﺩ ﺑﻮﺩ‪ .‬ﺍﻧﺪﻳﺸﻪ ﻣﺮگ‪10-12‬ﺳﺎﻟﻲ ﺍﺳﺖ ﻛﻪ‬ ‫ﺑﺪﺟﻮﺭﻱ ﺍﻓﺘﺎﺩﻩ ﺑﻪ ﺟﺎﻧﻢ؛ ﺍﻳﻨﻜﻪ ﻣﻦ ﻗﺒﻞ ﺍﺯ ﺑﺮﺍﺩﺭﻡ ﻣﻲﻣﻴﺮﻡ ﻳﺎ ﺍﻭ ﻗﺒﻞ ﺍﺯ ﻣﻦ؟‬

‫ﻣﺮگ ﺭﺍ ﻧﺒﺎﻳﺪ ﻓﺮﺍﻣﻮﺵ ﻛﺮﺩ‬ ‫ﻧﺪﺍ ﺭﺣﻴﻤـﻲ‪ /‬ﻣﻦ ﻫﻢ ﺑﻪ ﻣﻮﺿﻮﻋــﻲ ﻛﻪ ﺁﻗﺎﻱ ﺑﺎﺭﻧﺠﻲ ﺩﺭ ﻳﺎﺩﺩﺍﺷــﺖ‬ ‫ﺧﻮﺩﺷــﺎﻥ ﺍﺷــﺎﺭﻩ ﻛﺮﺩﻩ ﺑﻮﺩﻧﺪ‪ ،‬ﺧﻴﻠﻲ ﻭﻗﺖ ﺑﻮﺩ ﻛﻪ ﻓﻜﺮ ﻣﻲﻛﺮﺩﻡ ﻭﻗﺘﻲ‬ ‫ﻳﺎﺩﺩﺍﺷــﺖ ﺁﺧﺮﻳﻦ ﻭﺻﻴﺘﻨﺎﻣﻪ ﺭﺍ ﺧﻮﺍﻧﺪﻡ‪ ،‬ﻭﺍﻗﻌﺎ ﺑﻪ ﺍﺣﺴﺎﺳﺎﺕ ﺧﻮﺩﻡ ﻓﻜﺮ‬ ‫ﻛﺮﺩﻡ؛ ﺍﻳﻨﻜﻪ ﭼﻘﺪﺭ ﺑﻪ ﻣﺮگ ﻧﺰﺩﻳﻚ ﺷﺪﻩﺍﻡ ﻳﺎ ﭼﻘﺪﺭ ﺍﺯ ﺁﻥ ﺩﻭﺭﻡ‪ .‬ﻣﻤﻨﻮﻧﻢ‬ ‫ﻛﻪ ﻣﺎ ﺭﺍ ﺑﻪ ﻓﻜﺮ ﻣﻲﺍﻧﺪﺍﺯﻳﺪ‪ .‬ﺍﻳﻦ ﺟﻮﺭ ﭼﻴﺰﻫﺎ ﺭﺍ ﻧﺒﺎﻳﺪ ﻓﺮﺍﻣﻮﺵ ﻛﻨﻴﻢ‪.‬‬

‫ﭼﻬﺮﻩ ﺩﺭ ﻫﻔﺘﻪ‪ /‬ﻳﻚ ﭘﺮﺵ ﺧﻮﺏ‬ ‫ﺷﻤﺎﺭﻩ ‪ ،١٨٧‬ﺻﻔﺤﻪ ‪ ١۶‬ﻭ‪١٧‬‬ ‫ﻳﻚ ﭘﺴﺮ ﺟﻮﺍﻥ ﻣﻮﻓﺮﻓﺮﻱ ﺑﺎ ﺻﻮﺭﺕ ﺁﻓﺘﺎﺏ ﺧﻮﺭﺩﻩ ﻭ ﺳﺒﺰﻩ ﻭ ﺑﺎ ﻟﻬﺠﻪﺍﻱ ﻛﻪ‬ ‫ﺁﻭﺍﻫﺎﻱ ﺟﻨﻮﺑﻲ ﻏﻠﻴﻈﻲ ﺩﺍﺭﺩ؛ ﺍﻳﻦ ﺗﺎﺯﻩﺗﺮﻳﻦ ﺗﺼﻮﻳﺮﻱ ﺍﺳﺖ ﻛﻪ ﺍﻳﻦ ﺭﻭﺯﻫﺎ ﺍﺯ‬ ‫ﺍﺷﻜﺎﻥ ﺧﻄﻴﺒﻲ ﻣﻲﺑﻴﻨﻴﻢ‪ .‬ﺳﺮﻳﺎﻝ »ﮔﻞﻫﺎﻱ ﮔﺮﻣﺴﻴﺮﻱ« ﻛﻪ ﻫﻨﻮﺯ ﭼﻨﺪ ﻗﺴﻤﺖ‬ ‫ﺑﻴﺸﺘﺮ ﺍﺯ ﭘﺨﺶ ﺁﻥ ﻧﮕﺬﺷﺘﻪ‪ ،‬ﺍﺣﺘﻤﺎﻻ ﭘﺮﺵ ﺧﻮﺑﻲ ﺑﺮﺍﻱ ﺧﻄﻴﺒﻲ ﺧﻮﺍﻫﺪ ﺑﻮﺩ‪.‬‬ ‫ﻣﺤﻤﺪﻣﻬﺪﻱ ﻋﺴﮕﺮﭘﻮﺭ ﺑﻪ ﺧﻄﻴﺒﻲ ﻓﺮﺻﺖ ﺩﺍﺩﻩ ﺗﺎ ﻧﻘﺶ ﺟﻮﺍﻥ ﺍﻭﻝ ﺳﺮﻳﺎﻟﺶ ﺭﺍ‬ ‫ﺑﺎﺯﻱ ﻛﻨﺪ؛ ﻳﻚ ﭘﺴﺮ ﺟﻨﻮﺑﻲ ﻛﻪ ﺩﺭ ﺗﻬﺮﺍﻥ ﻣﺸﻐﻮﻝ ﺩﺭﺱ ﺧﻮﺍﻧﺪﻥ ﺍﺳﺖ ﻭ ﺍﻓﻜﺎﺭ‬ ‫ﺍﻧﻘﻼﺑﻲﺍﺵ ﺍﺣﺘﻤﺎﻻ ﻛﺎﺭ ﺩﺳﺘﺶ ﻣﻲﺩﻫﺪ‪.‬‬

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‫ﻳﺎﺩﺩﺍﺷﺖ‬

‫ﻳﺎﺩﺩﺍﺷﺖ‪ /‬ﺳﺆﺍﻝﻫﺎﻱ ﺩﺭﺩﺁﻭﺭ‬ ‫ﺷﻤﺎﺭﻩ ‪ ،١٨٧‬ﺻﻔﺤﻪ ‪ ٨‬ﻭ ‪٩‬‬ ‫ﺻﺪﺍﻳﺶ ﮔﻮﺵﻫﺎ ﺭﺍ ﻗﻠﻘﻠﻚ ﻣﻲﺩﺍﺩ؛ ﺻﺪﺍﻳﻲ ﺑﻴﻦ ﺑﺎﺯﻱ ﺑﭽﮕﺎﻧﻪ‪ ،‬ﺷﻌﺮ ﺧﻮﺍﻧﺪﻥ ﻭ‬ ‫ﺷﺎﻳﺪ ﺗﻘﻠﻴﺪ ﺻﺪﺍ ﻳﺎ ﺣﺘﻲ ﺳﻮﺕ ﺯﺩﻥ؛ ﺧﻼﺻﻪ ﻳﻚ ﺻﺪﺍ ﻳﺎ ﻧﺠﻮﺍﻱ ﺭﻳﺰ ﺁﻫﻨﮕﻴﻦ‬ ‫ﺑﻮﺩ ﻛﻪ ﺍﺯ ﭘﺎﻳﻴﻦ ﭘﺎ ﻣﻲﺁﻣﺪ‪ .‬ﻫﻤﻪ ﭼﻴﺰ ﺍﺯ ﺷﻨﻴﺪﻥ ﺻﺪﺍ ﻭ ﺗﺤﻠﻴﻞ ﻛﺮﺩﻧﺶ ﺩﺭ ﻳﻚ‬ ‫ﺛﺎﻧﻴﻪ ﺍﺗﻔﺎﻕ ﺍﻓﺘﺎﺩ‪ .‬ﺑﺮﺍﻱ ﭘﻴﺪﺍ ﻛﺮﺩﻥ ﺻﺎﺣﺐ ﺻﺪﺍ‪ ،‬ﻳﻚ ﭼﺮﺧﺶ ﺑﻪ ﭼﭗ ﻻﺯﻡ ﺑﻮﺩ‬ ‫ﻭ ﺑﻌﺪ ﺧﻢ ﺷﺪﻥ ﺑﻪ ﭘﺎﻳﻴﻦ‪ .‬ﺧﻨﺪﻩ ﻗﺸﻨﮕﻲ ﺭﻭﻱ ﻟﺐﻫﺎﻱ ﻛﻮﭼﻜﺶ ﻧﺸﺴﺘﻪ ﺑﻮﺩ ﻭ‬ ‫ﺑﺎ ﺷﻴﻄﻨﺖ ﻣﻌﺼﻮﻣﺎﻧﻪﺍﻱ ﻧﮕﺎﻫﺶ ﺭﺍ ﺭﻭﻱ ﺧﻴﺎﺑﺎﻥ ﻣﻲﺭﻳﺨﺖ ﻭ ﺑﻲﺗﻔﺎﻭﺕ ﺟﻤﻌﺶ‬ ‫ﻣﻲﻛﺮﺩ‪ .‬ﺑﺴﺘﻪ ﺁﺩﺍﻣﺲ ﻣﻮﺯﻱ ﺭﺍ ﺩﺭ ﺩﺳﺘﺎﻥ ﺳﻴﺎﻩ ﺷﺪﻩﺍﺵ ﮔﺮﻓﺘﻪ ﺑﻮﺩ ﻭ ﭘﺎﻫﺎﻳﺶ‬ ‫ﺭﺍ ﺑﺎ ﺁﻫﻨﮓ ﺑﻪ ﺯﻣﻴﻦ ﻣﻲﻛﻮﺑﻴﺪ‪.‬‬

‫ﻣﻲﺗﻮﺍﻧﻴﺪ ﺑﻪ ﺑﭽﻪﻫﺎ ﻛﻤﻚ ﻛﻨﻴﺪ‬ ‫ﻑ‪.‬ﻛﺴـﻤﺎﻳﻲ‪ /‬ﺁﻗﺎﻱ ﺷــﺎﺩﻣﺎﻧﻲ‪ ،‬ﺟﺎﻳﻲ ﺍﺯ ﻣﻄﻠﺒﺘﺎﻥ ﮔﻔﺘــﻪ ﺑﻮﺩﻳﺪ ﻛﻪ‬ ‫»ﺧﺪﺍ ﺭﺍ ﺷﻜﺮ ﻛﻪ ﻧﻪ ﭘﻮﻝ ﺩﺍﺭﻡ‪ ،‬ﻧﻪ ﻣﺴﺆﻭﻟﻴﺖ«؛ ﺑﺎﻳﺪ ﺑﮕﻮﻳﻢ ﺩﺭ ﺍﻳﻨﻜﻪ ﻫﻤﻪ‬ ‫ﻣﺴﺆﻭﻟﻴﺖ ﺩﺍﺭﻳﻢ ﺑﺤﺜﻲ ﻧﻴﺴﺖ ﺍﻣﺎ ﺍﮔﺮ ﺑﺪﺍﻧﻴﺪ ﺑﺎ ﻛﻤﺘﺮ ﺍﺯ ‪10‬ﻫﺰﺍﺭ ﺗﻮﻣﺎﻥ ﺩﺭ‬ ‫ﻣﺎﻩ ﻣﻲﺗﻮﺍﻧﻴﺪ ﻫﺰﻳﻨﻪ ﺗﺤﺼﻴﻞ ﻳﺎ ﺧﻮﺭﺍﻙ ﻭ ﭘﻮﺷﺎﻙ ﻳﻜﻲ ﺍﺯ ﻫﻤﻴﻦ ﺑﭽﻪﻫﺎ ﺭﺍ‬ ‫ﺗﺎﻣﻴﻦ ﻛﻨﻴﺪ‪ ،‬ﺑﺎﺯ ﻫﻢ ﺍﺣﺴﺎﺱ ﻣﻲﻛﻨﻴﺪ ﭘﻮﻝ ﻧﺪﺍﺭﻳﺪ؟ ﺧﺪﺍ ﺭﺍ ﺷﻜﺮ ﻛﺴﺎﻧﻲ‬ ‫ﻗﺒﻞ ﺍﺯ ﻣﺎ ﺑﻪ ﻓﻜﺮ ﺍﻳﻦ ﺑﭽﻪﻫﺎ ﻭ ﺧﺎﻧﻮﺍﺩﻩﻫﺎ ﺑﻮﺩﻩﺍﻧﺪ ﻭ ﻣﻮﺳﺴــﻪﻫﺎﻱ ﺧﻴﺮﻳﻪ‬ ‫ﻛﻮﭼﻚ ﻭ ﺑﺰﺭگ ﺯﻳﺎﺩﻱ ﺭﺍ ﺗﺸــﻜﻴﻞ ﺩﺍﺩﻩﺍﻧﺪ‪ .‬ﺁﻧﻬﺎ ﺧﻮﺩﺷــﺎﻥ ﻣﻲﮔﺮﺩﻧﺪ‪،‬‬ ‫ﻧﻴﺎﺯﻣﻨﺪﺍﻥ ﺭﺍ ﭘﻴﺪﺍ ﻣﻲﻛﻨﻨﺪ‪ ،‬ﺑﺮﺭﺳﻲ ﻣﻲﻛﻨﻨﺪ ﻭ ﺑﻪﺷﺎﻥ ﭘﻮﺷﺶ ﻣﻲﺩﻫﻨﺪ‪.‬‬ ‫ﺗﻨﻬﺎ ﻛﺎﺭﻱ ﻛﻪ ﺷﻤﺎ ﺑﺎﻳﺪ ﺑﻜﻨﻴﺪ‪ ،‬ﺍﻳﻦ ﺍﺳــﺖ ﻛﻪ ﻣﺎﻩ ﺑﻪ ﻣﺎﻩ ﻳﻚ ﺳﺮ ﺑﻪ ﺑﺎﻧﻚ‬ ‫ﺑﺰﻧﻴﺪ ﻭ ﻣﺒﻠﻐﻲ ﺭﺍ ﻛﻪ ﺩﺭ ﺣﺴﺎﺏ ﺧﺮﺝ ﻭ ﻣﺨﺎﺭﺝ ﺍﻻﻥ‪ ،‬ﻫﻴﭻ ﻫﺴﺖ‪ ،‬ﺑﻪ ﺣﺴﺎﺏ‬ ‫ﺑﭽﻪﻫﺎ ﺑﺮﻳﺰﻳﺪ؛ ﺑﻪ ﻫﻤﻴﻦ ﺭﺍﺣﺘﻲ‪.‬‬

‫ﺁﺭﺯﻭﻫﺎﻱ ﺑﺰﺭگ‬

‫ﻣﺜﻞ ﻫﻤﻪ ﺁﺩﻡﻫﺎﻱ ﺩﻧﻴﺎ‬

‫ﺭﺅﻳﺎ ﻧﺎﺩﺭﻱ‬ ‫ﻫﻤﻴﺸﻪ ﺧﺪﺍ ﺑﺎ ﻳﻚ ﻓﻬﺮﺳﺖ ﺑﻠﻨﺪ ﺑﺎﻻ ﭘﺮ ﺍﺯ ﺣﺎﺟﺎﺕ ﺭﻧﮓ ﻭ ﻭﺍﺭﻧﮓ ﻭ ﻛﻮﭼﻚ ﻭ‬ ‫ﺑﺰﺭگ ﺭﻭﺑﻪﺭﻭﻳﺶ ﻣﻲﺍﻳﺴﺘﻴﻢ ﻭ ﺍﻟﺘﻤﺎﺱ ﻣﻲﻛﻨﻴﻢ ﻛﻪ ﺗﻮ ﺭﺍ ﺑﻪ ﺧﺪﺍﻳﻲﺍﺕ ﻗﺴﻢ!‬ ‫ﺣﺎﺟﺎﺗﻤﺎﻥ ﺭﺍ ﺭﻭﺍ ﺑﻔﺮﻣﺎ‪ .‬ﺑﻌﺪ ﻫﻢ ﺳــﺮﮔﺮﻡ ﺁﺭﺯﻭﻫﺎﻱ ﺩﻭﺭ ﻭ ﺩﺭﺍﺯﻣﺎﻥ ﻣﻲﺷﻮﻳﻢ‪.‬‬ ‫ﺁﻥﻗﺪﺭ ﺍﻃﺮﺍﻑ ﺧﻮﺩﻣﺎﻥ ﺭﺍ ﺷﻠﻮﻍ ﻛﺮﺩﻩﺍﻳﻢ ﻛﻪ ﺻﺪﺍﻱ ﺧﺪﺍﻱ ﻣﻬﺮﺑﺎﻧﻤﺎﻥ ﺭﺍ ﻫﻢ‬ ‫ﻧﻤﻲﺷﻨﻮﻳﻢ ﻛﻪ ﻣﻲﻓﺮﻣﺎﻳﺪ ﺍﻳﻦ ﺭﺍ ﻧﻴﺰ ﺑﺮﺁﻭﺭﺩﻡ ﻭ ﻫﻤﻴﻦ ﻃﻮﺭ ﻛﻨﺎﺭ ﻫﺮ ﺣﺎﺟﺖ ﺁﻥ‬ ‫ﻓﻬﺮﺳﺖ ﺑﻠﻨﺪ ﺑﺎﻻ ﺗﻴﻚ ﻣﻲﺧﻮﺭﺩ ﻛﻪ ﻳﻌﻨﻲ ﺑﺮﺁﻭﺭﺩﻩ ﺷﺪ‪ .‬ﺍﻣﺎ ﻣﺎ ﺁﻥﻗﺪﺭ ﺳﺮﮔﺮﻡ‬ ‫ﺩﻧﻴﺎﻱ ﺧﻮﺩﻣﺎﻥ ﻫﺴﺘﻴﻢ ﻛﻪ ﺧﻴﻠﻲ ﻭﻗﺖﻫﺎ ﻳﺎﺩﻣﺎﻥ ﻣﻲﺭﻭﺩ ﭼﻪ ﭼﻴﺰﻫﺎﻳﻲ ﺍﺯ ﺍﻭ‬ ‫ﺧﻮﺍﺳﺘﻪ ﺑﻮﺩﻳﻢ ﻭ ﺩﺭ ﺑﺮﺍﺑﺮ ﺭﺳﻴﺪﻥ ﺑﻪ ﺁﻧﻬﺎ ﺣﺘﻲ ﻳﻚ ﺗﺸﻜﺮ ﺧﺸﻚ ﻭ ﺧﺎﻟﻲ ﻫﻢ ﺍﺯ‬ ‫ﺍﻳﻦﺑﺨﺸﻨﺪﻩﺑﺰﺭگﻧﻤﻲﻛﻨﻴﻢ‪.‬ﺗﻘﺼﻴﺮﺧﻮﺩﻣﺎﻥﻧﻴﺴﺖ؛ﺁﺧﺮﮔﺎﻫﻲﺍﺻﻼﻣﺘﻮﺟﻪ‬ ‫ﺁﻧﻬﺎ ﻧﻤﻲﺷﻮﻳﻢ‪ ،‬ﻳﺎ ﺣﺘﻲ ﺑﺪﺗﺮ‪ ،‬ﮔﺎﻫﻲ ﺍﻳﻦ ﺍﻟﻄﺎﻑ ﺧﺪﺍﻭﻧﺪﻱ ﺭﺍ ﺍﺯ ﭼﺸﻢ ﺁﺩﻡﻫﺎﻱ‬ ‫ﺯﻣﻴﻨﻲ ﺍﻃﺮﺍﻓﻤﺎﻥ ﻣﻲﺑﻴﻨﻴﻢ ﻭ ﺩﺭ ﻗﺒﺎﻝ ﺁﻧﻬﺎ ﻣﺮﺍﺗﺐ ﺗﺸﻜﺮ ﻭ ﺳﭙﺎﺳﮕﺰﺍﺭﻱ ﺭﺍ ﺑﻪ‬ ‫ﺟﺎ ﻣﻲﺁﻭﺭﻳﻢ‪ .‬ﺍﮔﺮ ﺑﺮﺍﻱ ﺍﻋﻤﺎﻟﻤﺎﻥ ﺩﻓﺘﺮﻱ ﺩﺍﺷﺘﻴﻢ ﻭ ﻣﻲﺗﻮﺍﻧﺴﺘﻴﻢ ﻫﺮ ﭼﻨﺪ ﻭﻗﺖ‬ ‫ﻳﻚﺑﺎﺭ‪ ،‬ﺻﻔﺤﻪﺍﻱ ﺑﻪ ﻋﻘﺐ ﺑﺮﮔﺮﺩﻳﻢ ﻭ ﺑﺎ ﺩﻗﺖ ﺑﻪ ﺁﻥ ﻧﮕﺎﻩ ﻛﻨﻴﻢ ﺗﺎﺯﻩ ﻣﻲﻓﻬﻤﻴﺪﻳﻢ‬ ‫ﻛﻪ ﭼﻘﺪﺭ ﻣﺪﻳﻮﻥ ﺍﻭﻳﻴﻢ؛ ﺑﺮﺍﻱ ﻟﺤﻈﻪ ﻟﺤﻈﻪﻫﺎﻱ ﺯﻧﺪﮔﻲﻣﺎﻥ‪.‬‬

‫ﺳﻴﺪﺍﺣﻤﺪ‪.‬ﺏ‬ ‫ﺍﻣﺮﻭﺯ ﻣﺜﻞ ﺗﻤﺎﻡ ﺁﺩﻡﻫﺎﻱ ﺩﻧﻴﺎ ﻛﻪ ﻧﻤﺎﺯ ﺻﺒﺢ ﻣﻲﺧﻮﺍﻧﻨﺪ‪2 ،‬ﺭﻛﻌﺖ ﻧﻤﺎﺯ ﺧﻮﺍﻧﺪﻡ‬ ‫ﻭ ﺑﻌﺪ ﺭﻓﺘﻢ ﺳﺮﻛﺎﺭ؛ ﺗﻮﻱ ﻧﻤﺎﺯ ﺑﻪ ﺗﻨﻬﺎ ﭼﻴﺰﻱ ﻛﻪ ﻓﻜﺮ ﻧﻤﻲﻛﺮﺩﻡ؛ ﺧﺪﺍ‪ ،‬ﺑﻬﺸﺖ‪،‬‬ ‫ﺟﻬﻨﻢ ﻭ ﺍﻳﻦ ﺣﺮﻑﻫﺎ ﺑﻮﺩ‪ .‬ﺭﻛﻌﺖ ﺍﻭﻝ ﺑﻪ ﻗﺮﻣﺰﻱ ﺧﻮﺷــﺮﻧﮓ ﮔﻞﻫﺎﻱ ﻗﺎﻟﻲ‬ ‫ﺭﻭﺑﻪﺭﻭﻳﻢ ﻭ ﻋﺪﻡ ﺗﻨﺎﺳﺒﺶ ﺑﺎ ﺑﺮگﻫﺎﻱ ﺭﻳﺰ ﻛﺮﻣﻲﺍﺵ ﻓﻜﺮ ﻣﻲﻛﺮﺩﻡ ﻭ ﺍﻳﻨﻜﻪ‬ ‫ﻗﺴﻄﻲ ﺧﺮﻳﺪﻣﺶ ﻳﺎ ﻧﻘﺪ؟ ﺭﻛﻌﺖ ﺩﻭﻡ ﻫﻢ ﺑﻪ ﺍﻳﻨﻜﻪ ﺍﺻﻼ ﺍﻳﻦ ﻓﺮﺵ ﻣﺎﻝ ﺟﻬﻴﺰﻳﻪ‬ ‫ﻣﺮﻳﻢ ﺑﻮﺩ ﻭ ﻛﻠﻲ ﺑﻪ ﺧﻮﺩﻡ ﻓﺤــﺶ ﺩﺍﺩﻡ ﻛﻪ ﭼﻘﺪﺭ ﺑﻪ ﭼﻴﺰﻫﺎﻱ ﻣﺰﺧﺮﻓﻲ ﻓﻜﺮ‬ ‫ﻣﻲﻛﺮﺩﻡ ﻭ ﺍﻻﻥ ﺗﻮﻱ ﻭﺍﮔﻦ ﭘﻨﺠﻢ ﻣﺘﺮﻭ ﺩﺭ ﺍﻳﺴﺘﮕﺎﻩ ﺧﻴﺎﻡ ﺑﻪ ﺍﻳﻦ ﻓﻜﺮ ﻣﻲﻛﻨﻢ‬ ‫ﻛﻪ ﺗﻮﻱ ﺧﻮﺍﺏﻭﺑﻴﺪﺍﺭﻱ ﺳﺎﻋﺖ ‪ 4:30‬ﺩﻗﻴﻘﻪ ﭼﻄﻮﺭ ﺗﻮﺍﻧﺴﺘﻢ ﺑﻪ ﺍﻳﻦ ﻫﻤﻪ ﭼﻴﺰ‬ ‫ﻓﻜﺮ ﻛﻨﻢ‪.‬‬ ‫ﺩﺳﺘﻢ ﺭﺍ ﻣﺜﻞ ﻛﺴﻲ ﻛﻪ ﺑﺨﻮﺍﻫﺪ ﺳﺎﻋﺘﺶ ﺭﺍ ﺑﺒﻴﻨﺪ ﻛﺶ ﻣﻲﺩﻫﻢ ﺗﺎ ﺳﺎﻋﺘﻲ ﻛﻪ‬ ‫ﻣﺮﻳﻢ ﺑﺮﺍﻱ ﺗﻮﻟﺪﻡ ﺧﺮﻳﺪﻩ؛ ﺍﺯ ﺯﻳﺮ ﺁﺳﺘﻴﻦ ﭘﻴﺮﺍﻫﻨﻢ ﺑﻴﺮﻭﻥ ﺑﻴﺎﻳﺪ‪ .‬ﺩﻗﻴﻘﺎ ﺳﺎﻋﺖ ‪8‬‬ ‫ﺭﻭﻱ ﺻﻨﺪﻟﻲ ﺍﺗﺎﻕ ﻛﺎﺭﭘﺮﺩﺍﺯﻱ ﻧﺸﺴﺘﻪﺍﻡ ﻭ ﺩﺍﺭﻡ ﭼﺎﻱ ﺟﻮﺷﻴﺪﻩﺍﻱ ﺭﺍ ﻛﻪ ﭘﺮ ﺍﺯ ﻫﻞ‬ ‫ﺍﺳﺖ‪ ،‬ﺳﺮ ﻣﻲﻛﺸﻢ ﻭ ﭼﻨﺪ ﺩﻗﻴﻘﻪ ﻳﻚ ﺑﺎﺭ ﺩﺳﺘﻢ ﺭﺍ ﺯﻳﺮ ﭼﺎﻧﻪﺍﻡ ﺳﺘﻮﻥ ﻣﻲﻛﻨﻢ ﻭ ﺑﺎ‬ ‫ﺩﻗﺖ ﺑﻪ ﭼﺮﺕﻭﭘﺮﺕﻫﺎﻱ ﻋﻈﻴﻤﻲ ﮔﻮﺵ ﻣﻲﺩﻫﻢ‪.‬‬ ‫ﺳﻌﻲ ﻣﻲﻛﻨﻢ ﺗﻮ ﺍﻳﻦ ﭼﻨﺪ ﺩﻗﻴﻘﻪ ﺗﺎ ﺍﻳﺴﺘﮕﺎﻩ ﻣﻮﻟﻮﻱ ﺑﺮﺍﻱ ﺟﺒﺮﺍﻥ ﺍﻣﺮﻭﺯ ﺻﺒﺢ؛ ﺑﻪ‬ ‫ﺧﺪﺍ‪ ،‬ﺧﻮﺩﻡ ﻭ ﺍﻳﻦ ﭼﻴﺰﻫﺎ ﻓﻜﺮ ﻛﻨﻢ ﺍﻣﺎ ﻧﻤﻲﺩﺍﻧﻢ ﺍﺯ ﻛﺠﺎ ﺷﺮﻭﻉ ﻛﻨﻢ‪ .‬ﻣﻲﺧﻮﺍﻫﻢ‬ ‫ﺍﺯ ﻛﺎﺭﻫﺎﻱ ﺩﻳﺮﻭﺯﻡ ﺷﺮﻭﻉ ﻛﻨﻢ ﻛﻪ ﻳﺎﺩﻡ ﻣﻲﺍﻓﺘﺪ ﺳﺎﻋﺖ ‪ 9:30‬ﺩﻗﻴﻘﻪ ﺍﻣﺸﺐ‬ ‫ﻳﻚ ﺁﺩﻡ ﭼﺎﻕ ﻭ ﭘﺸﻤﺎﻟﻮ ﺑﺎ ﻗﺪ ‪ 150‬ﺳﺎﻧﺘﻲﻣﺘﺮ ﻣﻲﺁﻳﺪ ﺩﺭ ﺧﺎﻧﻪ ﻭ ﺑﺎ ﺻﺪﺍﻳﻲ ﻛﻪ‬ ‫ﻓﻘﻂ ﻣﺎﻝ ﺁﺩﻡﻫﺎﻱ ﺑﺎﻻﻱ ‪130‬ﻛﻴﻠﻮﺳﺖ؛ ﻣﻲﮔﻮﻳﺪ‪ :‬ﺁﻗﺎ ﺍﺣﻤﺪﻱ‪ ،‬ﺑﻲﺯﺣﻤﺖ‬ ‫ﭘﻮﻝ ﺷﺎﺭژ!‬ ‫ﻣﻦ ﻫﻢ ﻛﻪ ﺑﺎ ﻟﺒﺎﺱ ﺧﻮﺍﺏ ﺟﻠﻮﻳﺶ ﻭﺍﻳﺴﺎﺩﻡ‪ ،‬ﻣﻲﺭﻭﻡ ﻭ ﺑﺮﺍﻱ ﭼﻨﺪﻣﻴﻦ ﻣﺎﻩ ﭘﻴﺎﭘﻲ‬ ‫ﭘﻮﻟﻲ ﺭﺍ ﻛﻪ ﺑﺮﺍﻱ ﺧﺮﻳﺪﻥ ﮔﻮﺷﻮﺍﺭﻩ ﺑﺮﺍﻱ ﻣﺮﻳﻢ ﻛﻨﺎﺭ ﮔﺬﺍﺷﺘﻪﺍﻡ‪ ،‬ﻛﻒ ﺩﺳﺖﻫﺎﻱ‬ ‫ﭘﻒﻛﺮﺩﻩﺍﺵ ﻣﻲﮔﺬﺍﺭﻡ‪.‬‬ ‫ﺑﻌﺪﺵ ﻳﺎﺩﻡ ﻣﻲﺍﻓﺘﺪ ﻛﻪ ﺩﻳﺸــﺐ ﻣﻴﻼﺩ‪ ،‬ﻣﺜﻞ ﭘﺴــﺮ ﺑﭽﻪﻫﺎﻱ ‪7‬ﺳﺎﻟﻪﺍﻱ ﻛﻪ‬ ‫ﺑﺨﻮﺍﻫﻨﺪ ﻧﻘﺎﺷﻲﺷﺎﻥ ﺭﺍ ﺑﻪ ﭘﺪﺭﺷﺎﻥ ﻧﺸــﺎﻥ ﺩﻫﻨﺪ؛ ﺁﻣﺪ ﻭ ﺑﺎ ﻟﻬﺠﻪﺍﻱ ﻛﻪ ﻣﺎﻝ‬ ‫ﻫﻤﺎﻥ ﺑﭽﻪﻫﺎﺳﺖ‪ ،‬ﮔﻔﺖ‪ :‬ﺑﺎﺑﺎ ﺑﺒﻴﻦ؛ ﻗﺸﻨﮕﻪ؟ ﻭ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﭼﻴﺰﻱ ﻛﻪ ﺑﻲﺷﺒﺎﻫﺖ‬ ‫ﺑﻪ ﺩﺭﺧﺖ ﺍﻛﺎﻟﻴﭙﺘﻮﺱ ﺧﺸﻚ ﺷﺪﻩ ﻭﺳﻂ ﻣﺠﺘﻤﻊ ﻧﺒﻮﺩ؛ ﮔﻔﺖ‪ :‬ﺍﻳﻦ ﺧﺎﻧﻮﻣﻪ‬ ‫ﺭﻳﺎﺿﻴﻤﻮﻧﻪ؛ ﻣﻌﻠﻮﻣﻪ ﻛﻪ ﺩﺍﺭﻩ ﻣﻲﺧﻨﺪﻩ؟‬ ‫ﻭ ﻣﻦ ﺭﺍ ﻛﻪ ﻧﻘﺎﺷــﻲ ﺭﺍ ﺑﺮﻋﻜﺲ ﮔﺮﻓﺘﻪ ﺑﻮﺩﻡ ﻣﺠﺒﻮﺭ ﻛﺮﺩ؛ ﺩﻧﺒﺎﻝ ﺩﻫﺎﻥ ﻣﻌﻠﻢ‬ ‫ﺭﻳﺎﺿﻲﺷﺎﻥ ﺑﮕﺮﺩﻡ‪.‬‬ ‫ﻣﻲﺧﻮﺍﻫﻢ ﻣﺎﺭﻙ ﺭﻭﻱ ﻛﺎﭘﺸــﻦ ﭘﺴــﺮ ﺟﻮﺍﻧﻲ ﺭﺍ ﻛﻪ ﻫﻨﺪﺯﻓﺮﻱ ﺗﻮ ﮔﻮﺷﺶ‬ ‫ﺍﺳﺖ ﺑﺨﻮﺍﻧﻢ ﻛﻪ ﻣﺮﺩ ﻣﺴﻨﻲ ﺑﻴﻦ ﻣﻦ ﻭ ﺟﻮﺍﻥ ﻣﻲﺍﻳﺴﺘﺪ‪ .‬ﺻﺪﺍﻱ ﺭﻳﺰ ﺑﺮﺧﻮﺭﺩ‬ ‫ﺩﺍﻧﻪﻫﺎﻱ ﺗﺴﺒﻴﺤﺶ ﺩﺭ ﺻﺪﺍﻱ ﺯﻧﮓ ﻣﻮﺑﺎﻳﻞ ﺩﺧﺘﺮﻱ ﻛﻪ ﻛﻨﺎﺭﻡ ﻧﺸﺴﺘﻪ ﻣﺤﻮ‬ ‫ﻣﻲﺷﻮﺩ‪ .‬ﺻﺪﺍﻱ ﺟﺮ ﻭ ﺑﺤﺚ ‪2‬ﺟﻮﺍﻥ ﻛﻨﺎﺭ ﺩﺭ ﻣﺘﺮﻭ ﺩﺍﺭﺩ ﺑﺎﻻ ﻣﻲﮔﻴﺮﺩ ﻛﻪ ﺍﺯ ﻳﻜﻲ‬ ‫ﺍﺯ ﺳﻮﺭﺍﺥﻫﺎﻱ ﻭﺍﮔﻦ ﻣﺘﺮﻭ ﺻﺪﺍﻱ ﺯﻧﻲ ﻣﻲﮔﻮﻳﺪ ﺑﻪ ﺍﻳﺴﺘﮕﺎﻩ ﻣﻮﻟﻮﻱ ﺭﺳﻴﺪﻩﺍﻳﻢ‪.‬‬ ‫ﺑﺪﻭﻥ ﺍﻳﻨﻜﻪ ﺑﺘﻮﺍﻧﻢ ﻣﺎﺭﻙ ﻟﺒﺎﺱ ﺟﻮﺍﻥ ﺭﺍ ﺑﺨﻮﺍﻧﻢ؛ ﺑﻠﻨﺪ ﻣﻲﺷﻮﻡ ﻭ ﻣﺜﻞ ﺁﺩﻡﻫﺎﻳﻲ‬ ‫ﻛﻪ ﻳﻚ ﭼﻴﺰﻱ ﻳﺎﺩﺷﺎﻥ ﺭﻓﺘﻪ ﺑﺎﺷــﺪ؛ ﺍﺯ ﭘﻠﻪﻫﺎﻱ ﺍﻳﺴﺘﮕﺎﻩ ﻣﻮﻟﻮﻱ ﺑﺎﻻ ﻣﻲﺭﻭﻡ؛‬ ‫ﺩﺭﺳﺖ ﻣﺜﻞ ﻫﻤﻪ ﺁﺩﻡﻫﺎﻱ ﺩﻧﻴﺎ‪.‬‬

‫ﺑﺎﺯﺗﺎﺏ ﻭﻳﮋﻩ‬ ‫ﺭﺳﺎﻟﻪﺩﺭﺑﺎﺏﻧﻮﺳﺘﺎﻟﮋﻱ‬ ‫ﻛﻴﻤﻴـﺎ‪ /‬ﻣﻦ ‪ 15‬ﺳـﺎﻟﻢ ﺍﺳـﺖ ﻭ ﺑﻌﻀـﻲ ﭼﻴﺰﻫﺎﻳﻲ ﺭﺍ ﻛﻪ ﺷـﻤﺎ‬ ‫ﻣﻲﻧﻮﻳﺴﻴﺪ ﻧﻤﻲﻓﻬﻤﻢ‪ .‬ﻣﺜﻞ ﺍﻳﻦ ﻛﻠﻤﻪ »ﻧﻮﺳﺘﺎﻟﮋﻱ« ﻛﻪ ﺧﻴﻠﻲ ﻫﻢ‬ ‫ﻣﻲﻧﻮﻳﺴﻴﺪ‪ ،‬ﻳﻌﻨﻲ ﭼﻲ؟‬

‫ﻧﻮﺳﺘﺎﻟﮋﻱ )‪ (nostalgia‬ﻛﻠﻤﻪﺍﻱ ﺍﺳــﺖ ﻛﻪ ﺍﻳﻦ ﺳﺎﻝﻫﺎ ﻭ ﺑﻌﺪ ﺍﺯ‬ ‫ﺩﻭﻣﻴﻦ ﺍﻧﻘﻼﺏ ﺻﻨﻌﺘﻲ ﺑﺸــﺮ )ﻳﻌﻨﻲ ﻇﻬﻮﺭ ﻛﺎﻣﭙﻴﻮﺗﺮﻫﺎﻱ ﺷــﺨﺼﻲ‪،‬‬ ‫ﺍﻳﻨﺘﺮﻧﺖ ﻭ ﺩﻳﺠﻴﺘﺎﻟﻲ ﺷﺪﻥ ﻫﻤﻪ ﭼﻴﺰ( ﺣﺴﺎﺑﻲ ﭘﺮﻛﺎﺭﺑﺮﺩ ﺷﺪﻩ ﻭ ﻣﺜﻼ‬ ‫ﻳﻚ ﺟﺴﺖﻭﺟﻮﻱ ﺳﺎﺩﻩ ﺩﺭ ﺳﺎﻳﺖ ‪ imdb‬ﻧﺸﺎﻥ ﻣﻲﺩﻫﺪ ﻛﻪ ‪ 893‬ﻓﻴﻠﻢ‬ ‫ﻭ ﺳﺮﻳﺎﻝ ﺑﺎ ﻫﻤﻴﻦ ﻋﻨﻮﺍﻥ ﺳﺎﺧﺘﻪ ﺷﺪﻩ‪.‬‬ ‫ﺩﺭ ﺍﺻﻞ ﻟﻐﺖ ﻧﻮﺳــﺘﺎﻟﮋﻱ ﺍﻭﻟﻴﻦ ﺑﺎﺭ ﺩﺭ ﻛﺘﺎﺏ »ﺍﻭﺩﻳﺴﻪ« ﻫﻮﻣﺮ ﺑﻪ ﻛﺎﺭ‬ ‫ﺭﻓﺖ‪ .‬ﺩﺍﺳﺘﺎﻥ ﺍﻳﻦ ﻛﺘﺎﺏ‪ ،‬ﻣﺎﺟﺮﺍﻱ ﺍﻭﺩﻳﺴﻪ‪ ،‬ﭘﻬﻠﻮﺍﻥ ﻳﻮﻧﺎﻧﻲ ﺍﺳﺖ ﻛﻪ ﺩﺭ‬ ‫ﺟﻨﮓ ﺗﺮﻭﺍ ﺣﻘﻪ ﺍﺳــﺐ ﭼﻮﺑﻲ ﺭﺍ ﺑﻪ ﻛﺎﺭ ﺑﺮﺩﻩ ﺍﺳﺖ ﻭ ﺣﺎﻻ ﻣﻲﺧﻮﺍﻫﺪ ﺑﻪ‬ ‫ﺧﺎﻧﻪ ﺑﺮﮔﺮﺩﺩ؛ ﺍﻣﺎ ﻣﺪﺍﻡ ﻣﺸﻜﻼﺗﻲ ﺳﺮ ﺭﺍﻫﺶ ﺑﻪ ﻭﺟﻮﺩ ﻣﻲﺁﻳﺪ ﻛﻪ ﻣﺎﻧﻊ‬ ‫ﺭﺳﻴﺪﻧﺶ ﺑﻪ ﻣﻘﺼﺪ ﻭ ﻣﻘﺼﻮﺩ )ﻳﻌﻨﻲ ﺧﺎﻧﻪ ﻭ ﺯﺍﺩﮔﺎﻫﺶ( ﻣﻲﺷﻮﺩ‪ .‬ﻫﻮﻣﺮ‬ ‫ﺑﻪ ﺍﻳﻦ ﺣﺎﻟﺖ ﻣﻲﮔﻮﻳﺪ ﻧﻮﺳــﺘﺎﻟﮋﻱ؛ ﺗﺮﻛﻴــﺐ ‪ 2‬ﻭﺍژﻩ ﻳﻮﻧﺎﻧﻲ ‪nostos‬‬ ‫)ﺑﺎﺯﮔﺸﺖ ﺑﻪ ﺧﺎﻧﻪ( ﻭ ‪) algia‬ﺩﺭﺩ(‪ .‬ﺍﻳﻦ ﻟﻐﺖ ﺭﺍ ﻳﻚ ﭘﺰﺷﻚ ﺳﻮﺋﻴﺴﻲ‬ ‫ﺩﺭ ﻗﺮﻥ ‪ 17‬ﺑﺮﺍﻱ ﺗﻮﺻﻴﻒ ﻣﺸــﻜﻼﺕ ﻧﻈﺎﻣﻴﺎﻥ ﺳﻮﺋﻴﺴﻲ ﻛﻪ ﺩﺭ ﺧﺎﺭﺝ‬ ‫ﻛﺸــﻮﺭ ﺧﺪﻣﺖ ﻣﻲﻛﺮﺩﻧﺪ ﺑﻪ ﻛﺎﺭ ﺑﺮﺩ‪.‬ژﺍﻥ ژﺍﻙ ﺭﻭﺳــﻮ‪ ،‬ﺍﻳــﻦ ﻭﺍژﻩ ﺭﺍ ﺍﺯ‬ ‫ﭘﺰﺷﻜﻲ ﺑﻪ ﻓﻠﺴــﻔﻪ ﺑﺮﺩ ﻭ ﻣﻴﻞ ﺁﺩﻡﻫﺎ ﺑﺮﺍﻱ ﺑﺎﺯﮔﺸﺖ ﺑﻪ ﻣﻮﻗﻌﻴﺖﻫﺎﻱ‬

‫ﺁﺷﻨﺎﻱ ﮔﺬﺷﺘﻪ ﺭﺍ ﻧﻮﺳﺘﺎﻟﮋﻱ ﺍﺳﻢ ﮔﺬﺍﺷــﺖ‪ .‬ﺩﺭ ﻋﺼﺮ ﻃﻼﻳﻲ ﺍﺩﺑﻴﺎﺕ‬ ‫ﺍﻧﮕﻠﻴﺲ )ﻳﻌﻨﻲ ﻋﻬﺪ ﻣﻠﻜﻪ ﻭﻳﻜﺘﻮﺭﻳﺎ(‪ ،‬ﻟﺮﺩ ﺑﺎﻳﺮﻭﻥ ﻭ ﺑﻘﻴﻪ‪ ،‬ﻧﻮﺳــﺘﺎﻟﮋﻱ‬ ‫ﺭﺍ ﻳﻚ ﺍﺻﻄﻼﺡ ﺍﺩﺑﻲ ﻛﺮﺩﻧﺪ‪ .‬ﺟﺎﻣﻌﻪ ﺷﻨﺎﺱﻫﺎ ﻗﻀﻴﻪ ﺭﺍ ﺑﻪ »ﺑﻲ ﻭﻃﻨﻲ‬ ‫ﺟﻐﺮﺍﻓﻴﺎﻳﻲ«ﺗﻌﺒﻴﺮ ﻛﺮﺩﻧﺪ ﻭ ﺁﺩﻡﻫﺎﻱ ﺁﺭﺯﻭ ﺑﻪ ﺩﻝ ﺁﻥ ﺭﺍ ﺑﻪ ﻣﻌﻨﺎﻱ ﺧﺎﻃﺮﻩ‬ ‫ﺑﺎﺯﻱ ﺭﻭﺍﺝ ﺩﺍﺩﻧﺪ)ﻣﻲﺑﻴﻨﻴﺪ ﻛﻪ ﻧﻤﻲﺷﻮﺩ ﺑﺮﺍﻱ ﻧﻮﺳﺘﺎﻟﮋﻱ ﻳﻚ ﻣﻌﺎﺩﻝ‬ ‫ﺩﺭﺳﺖ ﻭ ﺩﺭﻣﺎﻥ ﮔﺬﺍﺷﺖ‪(.‬‬ ‫ﺗﻮﻱ ﻣﻤﻠﻜﺖ ﺧﻮﺩﻣﺎﻥ ﻫﻢ ﻧﻮﺳﺘﺎﻟﮋﻱ ﻃﺮﻓﺪﺍﺭﺍﻥ ﭘﺮﻭﭘﺎ ﻗﺮﺹ ﺧﻮﺩﺵ ﺭﺍ‬ ‫ﺩﺍﺭﺩ‪ .‬ﺍﺻﻼ ﻣﻜﺘﺒﻲ ﻫﺴﺖ ﺩﺭ ﺩﺍﺳﺘﺎﻥﻧﻮﻳﺴﻲ ﻣﻌﺎﺻﺮ ﺑﺎ ﻋﻨﻮﺍﻥ »ﻣﻜﺘﺐ‬ ‫ﺗﻬﺮﺍﻥ« ﻛﻪ ﺩﺭ ﺁﻥ ﻣﺎ ﺑﻪ ﺟﺎﻱ ﺩﺍﺳــﺘﺎﻥ‪ ،‬ﺑﺎ ﺩﺍﺳﺘﺎﻥ‪ -‬ﺧﺎﻃﺮﻩ ﻣﻮﺍﺟﻬﻴﻢ؛‬ ‫ﺩﺍﺳــﺘﺎﻥ‪ -‬ﺧﺎﻃﺮﻩﻫﺎﻱ ﻧﻮﺳــﺘﺎﻟﮋﻳﻚ ﺍﺯ ﺭﻭﺯﮔﺎﺭﺍﻥ ﻭ ﺧﺎﻃﺮﺍﺕ ﺧﻮﺏ ﻭ‬ ‫ﺧﻮﺷﻲ ﻛﻪ ﺯﻣﺎﻧﻲ ﺑﻮﺩﻩﺍﻧﺪ ﻭ ﺣﺎﻻ ﺑﻪ ﻫﺮ ﺩﻟﻴﻠﻲ‪ ،‬ﺩﻳﮕﺮ ﻧﻴﺴﺘﻨﺪ‪.‬‬ ‫ﻫﻤﻪ ﺁﺩﻡﻫﺎ ﺑﺮﺍﻱ ﺧﻮﺩﺷﺎﻥ ﻧﻮﺳــﺘﺎﻟﮋﻱ ﺩﺍﺭﻧﺪ؛ ﺩﻭﺭﺍﻥ ﻛﻮﺩﻛﻲ‪ ،‬ﺩﻭﺭﺍﻥ‬ ‫ﻣﺪﺭﺳــﻪ ﻭ ﺩﻭﺭﻩ ﺳــﺮﺑﺎﺯﻱ) ﺩﺭ ﻣﻮﺭﺩ ﺁﻗﺎﻳﺎﻥ( ﻣﻌﻤﻮﻻ ﺑﻴﺸﺘﺮﻳﻦ ﺣﺠﻢ‬ ‫ﻧﻮﺳﺘﺎﻟﮋﻱ ﺭﺍ ﺩﺍﺭﻧﺪ‪ .‬ﻣﻨﺘﻬﺎ ﮔﺎﻫﻲ ﻣﻲﺷﻮﺩ ﻛﻪ ﺗﺠﺮﺑﻴﺎﺕ ﻭ ﺧﺎﻃﺮﺍﺕ ﻳﻚ‬ ‫ﮔﺮﻭﻩ ﻳﺎ ﻧﺴﻞ‪ ،‬ﺁﻥﻗﺪﺭ ﺷﺒﻴﻪ ﺑﻪ ﻫﻢ ﻣﻲﺷﻮﺩ ﻛﻪ ﻧﻮﺳﺘﺎﻟﮋﻱﻫﺎﻱ ﺁﻥ ﻧﺴﻞ‬ ‫ﻫﻢ ﺷﺒﻴﻪ ﻫﻢ ﻣﻲﺷﻮﺩ‪ .‬ﻣﺜﻼ ﻧﻮﺳﺘﺎﻟﮋﻱ ﻛﺎﺭﺗﻮﻥﻫﺎﻱ ﺩﻭﺭﺍﻥ ﻛﻮﺩﻛﻲ )ﻛﻪ‬ ‫ﻣﺎ ﺩﺭ ﺷﻤﺎﺭﻩ ‪ 97‬ﺑﻪ ﺁﻥ ﭘﺮﺩﺍﺧﺘﻴﻢ( ﻳﺎ ﻧﻮﺳﺘﺎﻟﮋﻱ ﻣﺪﺭﺳﻪ ﺭﻓﺘﻦ ﺩﺭ ﺩﻫﻪ‬ ‫‪) 60‬ﻛﻪ ﻣﻮﺿﻮﻉ ﻭﻳﮋﻩ ﺷﻤﺎﺭﻩ ‪ 183‬ﺑﻮﺩ(‪ .‬ﻣﺎ ﺩﺭ ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ ﺳﻌﻲ‬ ‫ﻣﻲﻛﻨﻴﻢ ﮔﺎﻫﻲ ﺩﺭﺑﺎﺭﻩ ﺍﻳﻦ ﻧﻮﺳﺘﺎﻟﮋﻱﻫﺎ ﺣﺮﻑ ﺑﺰﻧﻴﻢ‪.‬‬ ‫ﺍﺣﺴﺎﻥ ﺭﺿﺎﻳﻲ‬

‫ﻫﻔﺘﻪﻧﺎﻣﻪ ﻓﺮﻫﻨﮕﻲ – ﺍﺟﺘﻤﺎﻋﻲ ﺟﻮﺍﻧﺎﻥ‬ ‫ﺷﻤﺎﺭﻩ ‪ 2 -190‬ﺁﺫﺭ ﻣﺎﻩ ‪1387‬‬

‫ﺻﺎﺣﺐ ﺍﻣﺘﻴﺎﺯ‪ :‬ﻣﺆﺳﺴﻪ ﻫﻤﺸﻬﺮﻱ‬ ‫ﻧﺸﺎﻧﻲ‪ :‬ﺗﻬﺮﺍﻥ – ﺧﻴﺎﺑﺎﻥ ﺁﻓﺮﻳﻘﺎ ‪ -‬ﺧﻴﺎﺑﺎﻥ ﮔﻠﺸﻬﺮ‪-‬‬ ‫ﺳﺎﺧﺘﻤﺎﻥ ﺁﻱﺗﻚ ‪ -‬ﻃﺒﻘﻪ ﺷﺸﻢ‬ ‫ﺗﻠﻔﻦﺗﻤﺎﺱ‪22016403 :‬‬ ‫ﭼﺎپ‪ :‬ﻫﻤﺸﻬﺮﻱ‬ ‫ﺭﻭﺍﺑﻂ ﻋﻤﻮﻣﻲ ﻭ ﺍﺷﺘﺮﺍﻙ‪22020979 :‬‬ ‫ﺁﮔﻬﻲ‪23023536 :‬‬

‫ﮔﺮﻭﻩﻣﺠﻼﺕﻫﻤﺸﻬﺮﻱ‬

‫ﻋﻠﻲ ﻗﻨﻮﺍﺗﻲ‪ :‬ﻃﺮﺍﺡ ﻭ ﻣﺪﻳﺮ ﻃﺮﺡ ﺗﻮﺳﻌﻪ ﻣﺠﻼﺕ ﻫﻤﺸﻬﺮﻱ‬ ‫ﺳﻴﺪﺍﺣﺴﺎﻥ ﺟﺎﻫﺪ‪ :‬ﻗﺎﺋﻢﻣﻘﺎﻡ ﺍﺟﺮﺍﻳﻲ‬ ‫ﺣﻤﻴﺪ ﺑﺎﺑﺎﻭﻧﺪ‪:‬ﺳﺮﺩﺑﻴﺮ ﺍﺭﺷﺪ ﻣﺤﺘﻮﺍﻳﻲ‬ ‫ﻣﺴﻌﻮﺩ ﺷﺎﻫﻤﺮﺍﺩﻱ‪:‬ﺑﺎﺯﺍﺭ ﻳﺎﺑﻲ ﻭ ﺗﻮﺳﻌﻪ ﺑﺎﺯﺍﺭ‬ ‫ﺣﺒﻴﺐﺍﷲ ﺣﺒﻴﺒﻲﻓﻬﻴﻢ‪ ،‬ﻋﻠﻲ ﻛﺎﺷﻔﻲﭘﻮﺭ‪ :‬ﻃﺮﺡ ﻭ ﺑﺮﻧﺎﻣﻪ‬ ‫ﻋﻠﻲ ﻫﺎﺷﻤﻲ ﺷﻬﺮﻛﻲ‪ :‬ﻣﺪﻳﺮ ﺍﺭﺷﺪ ﻫﻨﺮﻱ‬ ‫ﺟﻮﺍﺩ ﻣﻨﺘﻈﺮﻱ‪ :‬ﺩﺑﻴﺮ ﺍﺭﺷﺪ ﻋﻜﺲ‬ ‫ﻧﻔﻴﺴﻪ ﻣﺮﺷﺪﺯﺍﺩﻩ‪ ،‬ﺣﺎﻣﺪ ﺳﻠﻴﻤﺎﻧﻲ ‪ :‬ﺍﻣﻮﺭ ﻓﺮﻫﻨﮕﻲ‬ ‫ﻣﺤﻤﺪ ﻧﻈﺮﻱ‪ :‬ﺍﻧﻔﻮﺭﻣﺎﺗﻴﻚ‬ ‫ﭘﻴﻤﺎﻧﻪ ﺻﻔﺎﺋﻲ ﺗﻬﺮﺍﻧﻲ‪ :‬ﻣﺪﻳﺮ ﻓﻨﻲ‬

‫ﻧﺎﻣﻪﻫﺎ‬

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‫ﻛﻮﺗﺎﻩ ﺍﺯ ﻣﻴﺎﻥ ﻧﺎﻣﻪﻫﺎ‬ ‫ﺍﻣﻴﺪ ﻣﺤﻤﻮﺩ ﺯﺍﺩﻩ‬ ‫ﻣﺮﺣﻮﻡ ﺩﻛﺘﺮ ﻃﺎﻫﺮﻩ ﺻﻔﺎﺭﺯﺍﺩﻩ ﺍﺯ ﺍﻗﻮﺍﻡ ﻧﺰﺩﻳﻚ ﭘﺪﺭ ﻣﻦ ﺑﻮﺩﻧﺪ )ﺧﺎﻟﻪ ﭘﺪﺭﻡ(‪.‬‬ ‫ﺍﻳﻦ ﻃﻮﺭ ﻛﻪ ﻣﺎ ﻣﻲﺩﺍﻧﻴﻢ ﻭ ﺍﻳﺸﺎﻥ ﻫﻢ ﺩﺭ ﺳﻔﺮ ﺳــﺎﻝ ﮔﺬﺷﺘﻪﺷﺎﻥ ﺑﻪ ﺯﺍﺩﮔﺎﻩ‬ ‫ﺧﻮﺩ‪-‬ﻳﻌﻨﻲ ﺳﻴﺮﺟﺎﻥ‪ -‬ﮔﻔﺘﻪ ﺑﻮﺩﻧﺪ‪ ،‬ﺑﺮﺧﻼﻑ ﻧﻮﺷﺘﻪ ﺷﻤﺎ ﺗﺮﺟﻤﻪ ﻧﻬﺞﺍﻟﺒﻼﻏﻪ‬ ‫ﻛﺎﻣﻞ ﺷﺪﻩ ﻭ ﺍﻻﻥ ﺩﺭ ﺩﺳﺖ ﺍﻧﺘﺸﺎﺭ ﺍﺳﺖ )ﺑﻬﺎﺭ ﺍﻣﺴﺎﻝ ﺑﻪ ﻧﺎﺷﺮ ﺳﭙﺮﺩﻩ ﺷﺪﻩ ﺍﻣﺎ‬ ‫ﺑﻪ ﺩﻻﻳﻠﻲ ﺩﻳﺮ ﻣﻨﺘﺸﺮ ﺧﻮﺍﻫﺪ ﺷﺪ(‪.‬ﻣﻦ ﻭ ﻫﻤﺸﻬﺮﻳﺎﻧﻢ ﺑﺴﻴﺎﺭ ﻣﺘﺎﺳﻒ ﺷﺪﻳﻢ ﻛﻪ‬ ‫ﭼﻨﻴﻦ ﺷﺨﺼﻴﺖ ﺑﺰﺭﮔﻲ ﺭﺍ ﺍﺯ ﺩﺳﺖ ﺩﺍﺩﻳﻢ‪ .‬ﻣﻦ ﻛﻪ ﺍﺯ ﺍﻗﻮﺍﻡ ﺍﻳﺸﺎﻥ ﺑﻮﺩﻡ ﻭ ﻫﻨﻮﺯ ﺑﻪ‬ ‫ﺷﻨﺎﺧﺖ ﻛﺎﻣﻞ ﺍﺯ ﺍﻳﺸﺎﻥ ﻧﺮﺳﻴﺪﻩ ﺑﻮﺩﻡ ﭼﻪ ﺑﺮﺳﺪ ﺑﻪ ﺑﻘﻴﻪ! ﺩﻛﺘﺮ ﺻﻔﺎﺭﺯﺍﺩﻩ ﺧﻴﻠﻲ‬ ‫ﻛﻢ ﺷﻨﺎﺧﺘﻪ ﺷﺪ ﻭ ﺍﻳﻦ ﻭﺍﻗﻌﺎ ﻇﻠﻢ ﺑﻮﺩ‪.‬ﻛﺎﺵ ﺯﻭﺩﺗﺮ ﭼﻨﻴﻦ ﺷﺨﺼﻴﺖ ﺑﺰﺭﮔﻲ ﺭﺍ‬ ‫ﺩﺭﻙ ﻣﻲﻛﺮﺩﻳﻢ‪ .‬ﺍﻳﺸﺎﻥ ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﭘﺲ ﺍﺯ ‪ 13‬ﺳﺎﻝ ﺑﻪ ﺯﺍﺩﮔﺎﻩ ﺧﻮﺩ ﺁﻣﺪﻧﺪ ﻭ‬ ‫ﺍﻳﻦ ﺗﺎﺧﻴﺮ ﭼﻘﺪﺭ ﺍﻧﺘﻈﺎﺭ ﺑﻪ ﻫﻤﺮﺍﻩ ﺩﺍﺷﺖ‪ .‬ﻛﺎﺵ ﭘﻴﻜﺮ ﺍﻳﺸﺎﻥ ﺩﺭ ﺯﺍﺩﮔﺎﻩ ﺧﻮﺩ ﺁﺭﺍﻡ‬ ‫ﻣﻲﮔﺮﻓﺖ ﺗﺎ ﺍﻓﺘﺨﺎﺭ ﻭ ﺍﻟﮕﻮﻳﻲ ﺑﺮﺍﻱ ﺷﻬﺮ ﻣﻦ ﻭ ﻣﺮﺩﻣﺎﻧﺶ ﺑﺎﺷﺪ‪ .‬ﻛﺎﺵ‪...‬‬ ‫ﺣﺎﻣﺪ ﻣﻴﺮﺯﺍﻳﻲ‬ ‫ﺩﺳﺖ ﻣﺮﻳﺰﺍﺩ‪ ،‬ﺁﻗﺎ‪ ،‬ﻭﺍﻗﻌﺎ ﺩﺳﺖ ﻣﺮﻳﺰﺍﺩ! ﻣﺎ ﺧﻴﻠﻲ ﺍﺯ ﺩﻳﺪﻥ ﺍﻳﻦ ﺗﺼﻮﻳﺮﺳﺎﺯﻱﻫﺎﻱ‬ ‫ﺻﻔﺤﻪ ﻣﻮﻓﻘﻴﺖ‪ ،‬ﻣﺤﻈﻮﻅ ﻭ ﻣﺴﺮﻭﺭ ﻣﻲﺷﻮﻳﻢ‪ .‬ﻭﺍﻗﻌﺎ ﻋﺎﻟﻲ ﻭ ﭘﺮﻫﻴﺠﺎﻧﻨﺪ‪ .‬ﺍﺯ‬ ‫ﺭﻧﮓﻫﺎ ﺧﻴﻠﻲ ﺧﻮﺏ ﺍﺳﺘﻔﺎﺩﻩ ﻣﻲﺷﻮﺩ ﻭ ﺍﺻﻼ ﻓﻜﺮ ﻣﻲﻛﻨﻢ ﺗﺎ ﺍﻻﻥ ﺍﻳﻦ ﭼﻨﻴﻦ‬ ‫ﺗﺼﻮﻳﺮﺳــﺎﺯﻱﻫﺎﻳﻲ ﺩﺭ ﻣﺠﻠﻪ ﻭﺟﻮﺩ ﻧﺪﺍﺷﺘﻪ‪ .‬ﺭﺍﺳﺘﻲ‪ ،‬ﺍﺳــﻢ ﺗﺼﻮﻳﺮﺳﺎﺯ ﺍﻳﻦ‬ ‫ﺻﻔﺤﺎﺕ ﭼﻴﺴﺖ؟ ﺑﻪ ﻫﺮ ﺣﺎﻝ ﺍﺯ ﻛﺴﻲ ﻛﻪ ﺍﻳﻦ ﻃﺮﺡﻫﺎ ﺭﺍ ﻣﻲﻛﺸﺪ‪ ،‬ﺍﺯ ﻃﺮﻑ‬ ‫ﺑﻨﺪﻩ ﺗﺸﻜﺮ ﻛﻨﻴﺪ‪.‬‬

‫ﺯ‪ 1‬ﻫﻔﺘﻪ ﺩﻳﮕﺮ‬

‫ﻗﻴﻤﺖ ﺟﺪﻳﺪ ﺍ‬

‫‪ 400‬ﺗﻮﻣﺎﻥ‬

‫ﻗﺪﻳﻤﻲﻫﺎ ﺭﺳﻢ ﺩﺍﺷﺘﻨﺪ ﻛﻪ ﺩﺭ ﻣﻮﻗﻊ ﺩﺍﺩﻥ ﺧﺒﺮ ﺑﺪ‪ ،‬ﻣﻘﺪﻣﻪﭼﻴﻨﻲ ﻛﻨﻨﺪ‬ ‫ﻭ ﺧﺒـﺮ ﺭﺍ ﺁﺭﺍﻡ ﺁﺭﺍﻡ ﻭ ﻃﻮﺭﻱ ﻛﻪ ﺑﺪﻱ ﻭ ﺗﻠﺨﻲﺍﺵ ﻛﻢ ﺑﺸـﻮﺩ‪ ،‬ﺑﻪ ﻃﺮﻑ‬ ‫ﻣﻘﺎﺑﻞ ﺑﺪﻫﻨﺪ ﻭ ﻭﺳﻂ ﺣﺮﻑ ﻫﻢ ﻛﻠﻲ ﺳﺮ ﺳﻼﻣﺘﻲ ﻭ ﺩﻝ ﺗﺴﻠﻲ ﺑﺪﻫﻨﺪ‪.‬‬ ‫ﺍﻟﺒﺘﻪ ﻣﺎ ﻛﻪ ﺣﺎﻻ ﭼﻨﺪﺍﻥ ﻗﺪﻳﻤﻲ ﺑﻪ ﺣﺴـﺎﺏ ﻧﻤﻲﺁﻳﻴﻢ ﻭ ﺍﺳـﻤﻤﺎﻥ ﻫﻢ‬ ‫»ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ« ﺍﺳﺖ‪ ،‬ﻣﻲﺧﻮﺍﻫﻴﻢ ﻫﻤﻴﻦ ﺭﺳﻢ ﻭ ﺳﻨﺖ ﭘﺴﻨﺪﻳﺪﻩ‬ ‫ﭘﻴﺮﻣﺮﺩﻫﺎ ﺭﺍ ﺍﺩﺍﻣﻪ ﺑﺪﻫﻴﻢ ﻭ ﺑﺎ ﻳﻚ ﻣﻘﺪﻣﻪﭼﻴﻨﻲ ﻳﻚﻣﺎﻫﻪ‪ ،‬ﺧﺒﺮ ﺑﺪﻱ ﺭﺍ‬ ‫ﺑﻪ ﺷﻤﺎ ﺑﺪﻫﻴﻢ ﻛﻪ ﺧﺪﺍ ﻛﻨﺪ ﺧﻴﻠﻲ ﻧﺎﺭﺍﺣﺘﺘﺎﻥ ﻧﻜﻨﺪ ﻭ ﺍﻣﺎ ﻣﻘﺪﻣﻪﭼﻴﻨﻲ‪:‬‬ ‫ﻫﻤﺎﻥﻃﻮﺭ ﻛﻪ ﺧﻮﺩﺗﺎﻥ ﺩﺭ ﺟﺮﻳﺎﻥ ﻫﺴـﺘﻴﺪ ﻭ ﺍﮔﺮ ﻫﻢ ﻧﺒﻮﺩﻩﺍﻳﺪ‪ ،‬ﺍﻻﻥ ﺑﺎ‬ ‫ﺧﻮﺍﻧﺪﻥ ﺍﻳﻦ ﻳﺎﺩﺩﺍﺷﺖ ﺩﺭ ﺟﺮﻳﺎﻥ ﻗﺮﺍﺭ ﻣﻲﮔﻴﺮﻳﺪ‪ ،‬ﻣﻘﻮﻟﻪﺍﻱ ﻫﺴﺖ ﺑﻪ‬ ‫ﺍﺳﻢ »ﺗﻮﺭﻡ« ﻛﻪ ﻫﻤﻴﻦﻃﻮﺭ ﺩﺍﺭﺩ ﺑﻴﺪﺍﺩ ﻣﻲﻛﻨﺪ ﻭ ﭘﺪﺭ ﺻﻐﻴﺮ ﻭ ﻛﺒﻴﺮ ﺭﺍ‬ ‫ﺩﺭﻣﻲﺁﻭﺭﺩ ﻭ ﺗﺎﺯﻩ ﻛﺸـﻮﺭ ﻣﺎ ﻫﻢ ﭼﻬﺎﺭﻣﻴﻦ ﻧﺮﺥ ﺗﻮﺭﻡ ﺭﺍ ﺩﺭ ﺩﻧﻴﺎ ﺩﺍﺭﺩ ﻭ‬ ‫ﻢ ﻗﻄﻌﻲ ﺑﺮﻕ ﻭ ﻫﻮﺍ ﻫﻢ ﻛﻪ ﺑﺲ‬ ‫ﺍﻣﺴﺎﻝ ﻫﻢ ﻛﻪ ﻫﻢ ﻛﻢﺁﺑﻲ ﺑﻮﺩﻩ ﻭ ﻫﻢ‬

‫ﻧﺎﺟﻮﺍﻧﻤﺮﺩﺍﻧﻪ ﺳﺮﺩ ﺍﺳﺖ‪ .‬ﺗﻮﻱ ﻫﻤﭽﻴﻦ ﻭﺿﻌﻴﺘﻲ‪ ،‬ﻣﺎ ﺍﮔﺮ ﺑﻌﺪ ﺍﺯ ‪ 2‬ﺳﺎﻝ‬ ‫ﻗﻴﻤﺖ ﺭﺍ ﺛﺎﺑﺖ ﻧﮕﻪ ﺩﺍﺷﺘﻦ‪ ،‬ﻳﻚ ﺍﻓﺰﺍﻳﺶ ﻣﺨﺘﺼﺮ ﻧﻤﻮﺭﻱ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﻢ‪،‬‬ ‫ﺷﻤﺎ ﺧﻮﺍﻧﻨﺪﻩ ﻫﻤﺮﺍﻩ ﻭ ﻫﻤﺪﻝ ﻛﻪ ﺧﻴﻠﻲ ﻧﺎﺭﺍﺣﺖ ﻧﻤﻲﺷﻮﻱ‪ ،‬ﻣﻲﺷﻮﻱ؟‬ ‫ﺗﺎﺯﻩ ﺍﮔﺮ ﺧﺪﺍﻱ ﻧﻜﺮﺩﻩ ﻧﺎﺭﺍﺣﺖ ﻫﻢ ﺑﺸـﻮﻱ‪ ،‬ﻣﺎ ﻓﻜﺮ ﻧﺎﺭﺍﺣﺘﻲ ﺷـﻤﺎ ﺭﺍ‬ ‫ﻫﻢ ﻛﺮﺩﻩﺍﻳﻢ‪ 25 .‬ﺩﺭﺻﺪ ﺗﺨﻔﻴﻒ ﮔﺬﺍﺷـﺘﻪﺍﻳﻢ ﺑﺮﺍﻱ ﺍﺷـﺘﺮﺍﻙ‪ .‬ﺗﺎﺯﻩ‬ ‫ﻣﺸـﺘﺮﻙﻫﺎﻱ ﻗﺪﻳﻤﻲ ﻫﻢ ﺍﺻﻼ ﻭ ﺍﺑﺪﺍ ﻣﺸـﻤﻮﻝ ﺍﻳﻦ ﻃـﺮﺡ ﺍﻓﺰﺍﻳﺶ‬ ‫ﻗﻴﻤﺖ ﻧﻤﻲﺷﻮﻧﺪ‪ .‬ﺧﻮﺏ ﺍﺳﺖ؟ ﺭﺍﺿﻲ ﺷﺪﻳﺪ؟ ﺣﺎﻻ ﺑﺎﺯ ﻫﻢ ﺍﮔﺮ ﺩﻟﺘﺎﻥ‬ ‫ﺑﻪ »ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ« ‪ 400‬ﺗﻮﻣﺎﻧﻲ ﺭﺍﺿﻲ ﻧﻤﻲﺷﻮﺩ‪ ،‬ﻣﻲﺗﻮﺍﻧﻴﺪ ﺗﺎ ﺯﻣﺎﻥ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻣﻄﺒﻮﻋﺎﺕ )ﻛﻪ ﺟﺎﻥ ﻣﻲﺩﻫﺪ ﺑﺮﺍﻱ ﺗﺠﺪﻳﺪ ﺩﻳﺪﺍﺭ‪ ،‬ﺍﺷﺘﺮﺍﻙ‬ ‫ﮔﺮﻓﺘﻦ ﻭ ﺗﺨﻔﻴﻒ ‪ 25‬ﺩﺭﺻﺪﻱ( ﺑﻠﻪ ﺗﺎ ﺁﻥ ﻣﻮﻗﻊ ﻫﻲ ﺑﺮﻭﻳﺪ ﻭ ﻣﺠﻠﻪ ‪300‬‬ ‫ﺗﻮﻣﺎﻧﻲ ﺑﺨﺮﻳﺪ‪ .‬ﺍﻥﺷﺎءﺍﷲ ﻛﻪ ﺳﺮ ﺷﻤﺎ ﺳـﻼﻣﺖ ﺑﺎﺷﺪ ﻭ ﻣﻴﺰﺍﻥ ﻣﻬﺮ ﻭ‬ ‫ﻣﺤﺒﺘﺘﺎﻥ ﺑﻪ ﻣﺎ ﺩﭼﺎﺭ ﺗﻮﺭﻡ ﺑﺸﻮﺩ‪.‬‬

‫ﺁﻗﺎﻱﺭﻭﺯﺑﻪﺳﺨﺎﻭﺗﻤﻨﺪﻱﺯﺣﻤﺖﺗﺼﻮﻳﺮﺳﺎﺯﻱﺻﻔﺤﺎﺕﻣﻮﻓﻘﻴﺖﺭﺍﻣﻲﻛﺸﻨﺪ‪.‬‬

‫ﻥ‪.‬ﻭ‬ ‫ﺗﺸﻜﺮ ﻭﻳﮋﻩ ﺑﻪ ﺧﺎﻃﺮ ﭘﺮﻭﻧﺪﻩ ﻳﺎﺭﺍﻥ ﺩﺑﺴﺘﺎﻧﻲ ﻣﻦ‪ .‬ﺑﺎﻳﺪ ﺑﮕﻮﻳﻢ ﻛﻪ ﻣﻦ ﺭﺍ ﺍﺯ ﻳﻚ‬ ‫ﺍﺷﺘﺒﺎﻩ ﺗﺎﺭﻳﺨﻲ ﺩﺭﺁﻭﺭﺩﻳﺪ؛ ﺁﻥ ﻫﻢ ﺍﻳﻦ ﺑﻮﺩ ﻛﻪ ﻣﻦ ﺍﻳﻦ ﻫﻤﻪ ﻣﺪﺕ ﻛﻮﻛﺐﺧﺎﻧﻢ‬ ‫ﺭﺍ ﺍﺷﺘﺒﺎﻩ ﮔﺮﻓﺘﻪ ﺑﻮﺩﻡ ﻭ ﺑﺎ ﺩﻳﺪﻥ ﺁﻥ ﻋﻜﺲ ﺳﻔﺮﻩ ﺑﻪ ﻳﺎﺩﻣﺎﻧﺪﻧﻲ ﻛﻮﻛﺐ ﺧﺎﻧﻢ ﻭ‬ ‫ﺗﻮﺿﻴﺤﺎﺕ ﺷﻤﺎ‪ ،‬ﺑﻪ ﻋﻮﺿﻲ ﮔﺮﻓﺘﻪ ﺷﺪﻥ ﻛﻮﻛﺐ ﺧﺎﻧﻢ ﺑﻪﻣﺪﺕ ‪ 12-13‬ﺳﺎﻝ‬ ‫ﻭ ﺑﻪ ﺍﺷﺘﺒﺎﻩ ﺗﺎﺭﻳﺨﻲ ﺧﻮﺩﻡ ﻣﻲﺧﻨﺪﻳﺪﻡ‪ .‬ﻧﮕﻮ ﺗﺎ ﺍﻻﻥ ﻓﻜﺮ ﻣﻲﻛﺮﺩﻡ ﺧﺎﻧﻢ ﺑﭽﻪ‬ ‫ﺑﻐﻞ ﻭﺳﻂ ﻋﻜﺲ‪ ،‬ﻛﻮﻛﺐ ﺧﺎﻧﻢ ﺍﺳﺖ‪ .‬ﺍﻻﻥ ﻣﻌﻠﻮﻡ ﺷﺪ ﻛﻪ ﺁﻥ ﻣﻮﻗﻊ ﻣﻦ ﭼﻘﺪﺭ‬ ‫ﺣﻮﺍﺳﻢ ﺟﻤﻊ ﺩﺭﺱ ﺑﻮﺩﻩ!‬

‫ﭘﻴﺸﻨﻬﺎﺩ‬ ‫ﻡ‪.‬ﺣﺎﺟﻲ ﻣﻴﺮﺯﺍ ﻣﺤﻤﺪ‬ ‫ﺑﻪ ﻧﻈﺮﻡ ﻳﻚ ﭘﺮﻭﻧﺪﻩ ﻣﻔﺼﻞ ﺩﺭ ﺑﺎﺭﻩ ﮔﺮﻳﻢ‪ ،‬ﺧﻴﻠﻲ ﻣﻲﺗﻮﺍﻧﺪ ﺟﺎﻟﺐ ﺑﺎﺷﺪ! ﺍﻳﻨﻜﻪ‬ ‫ﺗﻔﺎﻭﺕ ﮔﺮﻳﻢ ﺑﺎ ﺁﺭﺍﻳﺶ ﭼﻴﺴﺖ ﻭ ﭼﺮﺍ ﺩﺭ ﺳﻴﻨﻤﺎ ﻭ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﺎ‪ ،‬ﮔﺮﻳﻢ ﺟﺎﻳﺶ‬ ‫ﺭﺍ ﺑﻪ ﺁﺭﺍﻳﺶ ﻏﻠﻴﻆ ﺩﺍﺩﻩ ﺍﺳﺖ؟ ﭼﺮﺍ ﺑﺎﺯﻳﮕﺮﺍﻥ ﻣﺎ ﻓﺎﺭﻍ ﺍﺯ ﺷﺨﺼﻴﺖ ﻭ ﺣﺎﻟﺘﻲ ﻛﻪ‬ ‫ﺩﺍﺭﻧﺪ ﻓﻘﻂ ﺁﺭﺍﻳﺶ ﻣﻲﺷﻮﻧﺪ )ﻧﻤﻮﻧﻪ ﺑﺎﺭﺯ ﺁﻥ‪» :‬ﺭﻭﺯ ﺣﺴﺮﺕ«(‪.‬‬

‫ﻧﺎﻣﻪﻫﺎﻱ ﺷﻤﺎ ﺭﺍ ﻫﻢ ﺧﻮﺍﻧﺪﻳﻢ‪:‬‬ ‫ﺍﻛﺒﺮ ﺷـﻤﺲ‪ ،‬ﺵ‪ .‬ﻧﻮﺭﻳﺎﻥ‪ ،‬ﻓﺎﻃﻤﻪ ﻛﻴﺎ‪ ،‬ﺳـﻌﻴﺪﻩ‪ ،‬ﺍﺣﻤﺪﺭﺿﺎ ﺍﺑﻮﻃﺎﻟﺒﻲ‪ ،‬ﺑﺎﻣﺪﺍﺩ‬ ‫ﺻﺎﻟﺤﻲ‪ ،‬ﻣﻬﺴﺎ ﺩﺍﺳـﺎ‪ ،‬ﻣﺤﻤﺪ ﺳـﻌﻴﺪﻱ‪ ،‬ﻣﻮﻧﺎ ﺍﺣﺘﺸـﺎﻣﻲ‪ ،‬ﻣﺤﻤﺪﺭﺿﺎ ﻓﺮﺯﺍﻡ‪،‬‬ ‫ﻓﺮﻫﺎﺩ ﻧﺎﺟﻲ )ﺍﺳﺎﻣﻲ ﺑﺮﻧﺪﮔﺎﻥ ﻣﺴـﺎﺑﻘﻪ ﺩﺍﺳﺘﺎﻥﻧﻮﻳﺴﻲ ﻫﻤﺰﻣﺎﻥ ﺑﺎ ﺑﺮﮔﺰﺍﺭﻱ‬ ‫ﺟﺸـﻦ ﺍﻋﻼﻡ ﻣﻲﺷـﻮﺩ(‪ ،‬ﺣﺎﻣﺪ ﺻﺪﻳﻘﻲ‪ ،‬ﺁﻗﺎ ﺣﺴـﻴﻦ‪ ،‬ﭘﺮﻳﺴـﺎ‪.‬ﻥ )ﺑﻪ ﺯﻭﺩﻱ‬ ‫ﺩﺭ ﭘﺮﻭﻧﺪﻩ ﻟﻐﺖﻧﺎﻣﻪﻫﺎ ﺑﺮﺍﻳﺘﺎﻥ ﻣﻲﻧﻮﻳﺴـﻴﻢ(‪ ،‬ﺑﻬﻨﺎﻡ‪ ،‬ﺻﺎﻟﺢ ﻫﻮﺷـﻤﻨﺪ‪ ،‬ﻛﻴﺎﻧﺎ‬ ‫ﺷـﺎﺩﺭﻭ‪ ،‬ﻣﻬﺮﺩﺍﺩ ﻓﺮ‪ ،‬ﺍﻓﺨﻢ ﺍﺑﺮﺍﻫﻴﻤﻲ‪ ،‬ﺡ‪.‬ﺑﻴﻨﺎ‪ ،‬ﻓﺮﻱ‪ ،‬ﺍ‪.‬ﻧﺠﻔﻲ‪ ،‬ﺗﺮﺍﻧﻪ ﺍﻧﺼﺎﺭﻳﺎﻥ‪،‬‬ ‫ﺳﻴﺪﺣﺴﻴﻦ ﺍﻣﺎﻡ‪ ،‬ﻳﻮﺳﻒ ﻧﺎﺻﺮﻱ‪ ،‬ﺯﺍﻫﺪ ﻣﻮﺳﻮﻱ )ﻛﺎﺭﻫﺎﻱ ﺁﻣﺎﺩﻩﺳﺎﺯﻱ ﺳﻲﺩﻱ‬ ‫ﺩﺭ ﺣﺎﻝ ﺍﻧﺠﺎﻡ ﺍﺳـﺖ( ﺩﺍﻭﻭﺩ ﻗﻠﻲﺯﺍﺩﻩ )ﺍﻱ ﺁﻗﺎ! ﻛﻢﻛﺎﺭﻱ ﭼﻴﻪ؟ ﻣﺎﺟﺪﻱ ﺟﺪﻱ‬ ‫ﻣﺸﻐﻮﻝ ﻛﺎﺭ ﻫﺴﺘﻴﻢ(‪ ،‬ﻉ‪ .‬ﻛﺎﻭﻳﺎﻧﻲ‪ ،‬ﺯ‪.‬ﻫﻮﻳﺪﺍﻓﺮ‪ ،‬ﺷﺎﺩﻱ ﺧﺎﻧﻢ‪ ،‬ﻫﻮﻣﻦ ﻣﻴﺮﺯﺍﻳﻲ‪،‬‬ ‫ﺗﻴﺮﺩﺍﺩ ﺍﺷﻜﺎﻥ‪ ،‬ﺍﻣﻴﻦ ﻓﻼﺣﻲ‪ ،‬ﻧﺼﺮﺍﻟﻠﻬﻲ‪ ،‬ﺁ‪.‬ﺭﺍﺩ‪ ،‬ﻣﻨﺼﻮﺭ ﻛﻤﺎﻟﻲ‪ ،‬ﺯﻳﻨﺐ ﻣﻮﺳﻲ‪،‬‬ ‫ﻋﻠﻲ ﻭﺯﻳﻨﻲ‪ ،‬ﻣﻬﺴﺎﻥ‪ ،‬ﻓﺮﻫﺎﺩ ﻣﺤﻲﭘﻮﺭ‪ ،‬ﻳﺎﺱ ﺷﺮﻕ )ﺁﻧﻐﻮﺭﻩ ﻣﺪﻝ ﻧﻴﺴﺖ‪ ،‬ﺟﻨﺲ‬ ‫ﭘﺎﺭﭼﻪ ﺍﺳﺖ(‪ ،‬ﻡ‪ .‬ﻣﺤﺒﻲ ﻭ ﻣﺤﻤﺪﺭﺿﺎ ﻓﺮﺍﻫﺎﻧﻲ‪.‬‬

‫ﺑﺎﺯﻫﻢ ﻭﻋﺪﻩ ﺩﻳﺪﺍﺭﻣﺎ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻣﻄﺒﻮﻋﺎﺕ‬

‫ﭘﻨﺠﺸﻨﺒﻪ ﻭ ﺟﻤﻌﻪ ﻣﻨﺘﻈﺮﺗﺎﻥ ﻫﺴﺘﻴﻢ‬ ‫ﺍﻳﻨﺠﺎ ﺗﺤﺮﻳﺮﻳﻪ ﺍﺳــﺖ؛ ﺻﺪﺍﻱ ﻣﺎ ﺭﺍ ﺍﺯ ‪ 2‬ﻗﺪﻣﻲ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻣﻄﺒﻮﻋﺎﺕ‬ ‫ﻣﻲﺷﻨﻮﻳﺪ‪ .‬ﺍﮔﺮ ﭘﻨﺞﺷــﻨﺒﻪ ﺍﻳﻦ ﺷﻤﺎﺭﻩ ﻫﻤﺸــﻬﺮﻱﺟﻮﺍﻥ ﺩﺳﺖﺗﺎﻥ‬ ‫ﺭﺳــﻴﺪﻩ ﻭ ﺩﺍﺭﻳﺪ ﺍﻳﻦ ﻣﻄﻠﺐ ﺭﺍ ﻣﻲﺧﻮﺍﻧﻴﺪ‪ ،‬ﺑﻪ ﺍﻳﻦ ﻣﻌﻨﻲ ﺍﺳــﺖ ﻛﻪ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻣﻄﺒﻮﻋﺎﺕ ﻓﺮﺻﺖ ﺩﺍﺭﻳﺪ ﻭ ﻣﻲﺗﻮﺍﻧﻴﺪ‬ ‫ﻫﻨﻮﺯ ‪ 3 ،2‬ﺭﻭﺯ ﺗﺎ ﭘﺎﻳﺎﻥ‬ ‫ﻩ‬ ‫ﺳــﺮﻱ ﺑﻪ ﻣﺎ ﺑﺰﻧﻴﺪ ﺗﺎ ﻫﻢ ﻣــﺎ ﺭﺍ ﺧﻮﺷــﺤﺎﻝ ﻛﻨﻴﺪ ﻭ ﻫــﻢ ﺧﻮﺩﺗﺎﻥ ﺑﺎ‬ ‫ﮔﺮﻓﺘﻦ ﻳﻚ ﺍﺷﺘﺮﺍﻙ ﻓﺮﺩ ﺍﻋﻼ ) ﻳﻌﻨﻲ ﺑﺎ ﺗﺨﻔﻴﻒ ‪ 25‬ﺩﺭﺻﺪ( ﺣﺴﺎﺑﻲ‬ ‫ﺧﻮﺵﺑﻪﺣﺎﻟﺘﺎﻥ ﺷﻮﺩ‪.‬‬ ‫ﺍﻣﺎ ﺩﻳﮕﺮ ﺷﻨﻴﺪﻩﻫﺎ ﺣﺎﻛﻲ ﺍﺯ ﺁﻥ ﺍﺳﺖ ﻛﻪ ﺍﻣﺴﺎﻝ ﻃﻮﻝ ﻏﺮﻓﻪ ﻫﻤﺸﻬﺮﻱ‬ ‫ﺟﻮﺍﻥ ﺍﺯ ‪ 45‬ﺳــﺎﻧﺘﻲﻣﺘﺮ ﺑﻪ ‪ 145‬ﺳــﺎﻧﺘﻲﻣﺘﺮ )ﺩﺭ ﺑﻌﻀﻲ ﻧﺴﺦ ‪245‬‬ ‫ﺳــﺎﻧﺘﻲﻣﺘﺮ ﻫﻢ ﺁﻣﺪﻩ( ﺍﻓﺰﺍﻳﺶ ﻳﺎﻓﺘﻪ ﻭ ﺧﻮﺍﻧﻨﺪﻩﻫﺎ ﻣﻲﺗﻮﺍﻧﻨﺪ ﺑﻪ ﺟﺎﻱ‬ ‫ﺗﺼﺎﺣﺐ ﻏﺮﻓﻪﻫﺎﻱ ﺩﻭﺳﺖ ﻭ ﺑﺮﺍﺩﺭ ﻫﻤﺴﺎﻳﻪ‪ ،‬ﺍﺯ ﻓﻀﺎﻱ ﻏﺮﻓﻪ ﺧﻮﺩﻣﺎﻥ‬ ‫ﺑﺮﺍﻱ ﺍﻳﺴﺘﺎﺩﻥ ﺍﺳﺘﻔﺎﺩﻩ ﻛﻨﻨﺪ‪.‬‬ ‫ﭘﺲ ﺑﺸــﺘﺎﺑﻴﺪ ﻛﻪ ﺍﺯ ﺍﻳﻦ ﻓﺮﺻﺖﻫﺎ ﻣﻌﻠﻮﻡ ﻧﻴﺴــﺖ ﺑــﺎﺯ ﻫﻢ ﻧﺼﻴﺒﻤﺎﻥ‬ ‫ﺑﺸﻮﺩ‪ .‬ﺑﭽﻪﻫﺎﻱ ﺗﺤﺮﻳﺮﻳﻪ ﻫﻢ ﺍﺯ ﺣﺎﻻ ﺩﺍﺭﻧﺪ ﺧﻮﺩﺷﺎﻥ ﺭﺍ ﺑﺮﺍﻱ ﺣﻀﻮﺭ ﺩﺭ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﮔﺮﻡ ﻣﻲﻛﻨﻨﺪ ﻭ ﻋﻀﻼﺗﺸﺎﻥ ﺭﺍ ﺗﻘﻮﻳﺖ ﻣﻲﻛﻨﻨﺪ ﺗﺎ ﺩﺭ ﻣﻘﺎﺑﻞ‬

‫ﺧﻮﺍﻧﻨﺪﻩﻫﺎ ﻛﻢ ﻧﻴﺎﻭﺭﻧﺪ‪.‬‬ ‫ﺑﻪ ﺟﺰ ﺧﺎﻧﻢﻫﺎ ﺣﺴــﻨﺎ ﻣﺮﺍﺩﻱ ﻭ ﺍﻧﺴﻴﻪ ﺷﻬﺮﺳــﺘﺎﻧﻜﻲ ﻛﻪ ﻣﺴﺆﻭﻻﻥ‬ ‫ﻏﺮﻓﻪ ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ ﻫﺴﺘﻨﺪ‪ ،‬ﺑﭽﻪﻫﺎﻱ ﺩﻳﮕﺮ ﻃﺒﻖ ﺟﺪﻭﻝ ﺭﻭﺑﻪﺭﻭ‪،‬‬ ‫ﻋﺼﺮﻫﺎ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻫﺴﺘﻨﺪ‪ .‬ﭘﻨﺠﺸﻨﺒﻪ ﻭ ﺟﻤﻌﻪ ﻫﻢ؛ ﺑﻴﺸﺘﺮ ﺍﻋﻀﺎﻱ‬ ‫ﺗﺤﺮﻳﺮﻳﻪ )ﻣﺨﺼﻮﺻﺎ ﻛﺴﺎﻧﻲ ﻛﻪ ﺍﺳﻤﺸﺎﻥ ﺭﺍ ﺩﺭ ﺟﺪﻭﻝ ﻧﻤﻲﺑﻴﻨﻴﺪ ﻣﺜﻞ‬ ‫ﺟﻮﺍﺩ ﺭﺳﻮﻟﻲ‪ ،‬ﺍﺣﺴــﺎﻥ ﻧﺎﻇﻢﺑﻜﺎﻳﻲ ﻭ ‪ (...‬ﻣﻲﺁﻳﻨﺪ‪ ،‬ﭼﻴﭙﺲ ﻭ ﻣﺎﺳﺖ‬ ‫ﻳﺎﺩﺗﺎﻥ ﻧﺮﻭﺩ‪.‬‬ ‫ﭘﻨﺠﺸﻨﺒﻪ‪ 30‬ﺁﺑﺎﻥ‬

‫ﺑﻴﺸﺘﺮ ﺑﭽﻪﻫﺎ ﺩﺭ ﻏﺮﻓﻪ ﺣﺎﺿﺮﻧﺪ‬

‫ﺟﻤﻌﻪ ‪ 1‬ﺁﺫﺭ‬

‫ﺍﻳﻀ ًﺎ ﻣﺜﻞ ﭘﻨﺠﺸﻨﺒﻪ‬

‫ﺷﻨﺒﻪ ‪ 2‬ﺁﺫﺭ‬

‫ﻣﺤﻤﺪﺭﺿﺎ ﺩﻭﺳـﺖﻣﺤﻤﺪﻱ‪ ،‬ﺣﺒﻴﺒﻪ‬ ‫ﺟﻌﻔﺮﻳـﺎﻥ‪ ،‬ﻣﻨﺼﻮﺭﻩ ﻣﺼﻄﻔـﻲﺯﺍﺩﻩ‪،‬‬ ‫ﻋﻠﻲ ﺑﻪﭘﮋﻭﻩ‬

‫ﻫﻤﭽﻨﺎﻥ ﺩﺭﺑﺎﺭﻩ ﺟﺸﻦ ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ‬ ‫ﻣﻬﻠﺖ ﺷﺮﻛﺖ ﺩﺭ ﻣﺴﺎﺑﻘﻪ ﺟﺸﻦ ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ‬ ‫ﺗﺎ ﭘﺎﻳﺎﻥ ﺁﺑﺎﻥ ﺑﻮﺩ ﻳﻌﻨﻲ ﺩﻳﮕﺮ ﻓﺮﺻﺖﺗﺎﻥ ﺗﻤﺎﻡ‬ ‫ﺷﺪﻩﺍﺳﺖ ﻭ ﺑﺎﻳﺪ ﻣﻨﺘﻈﺮ ﺍﻃﻼﻋﻴﻪﻫﺎﻱ ﺑﻌﺪﻱ‬ ‫ﺟﺸﻦ ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ ﺑﺎﺷﻴﺪ‪.‬‬ ‫ﺍﻳﻦ ﻃﺮﺡ ﻫﻢ ﻛﺎﺭ ﺧﺎﻧﻢ ﺯﻳﻨﺐ ﻧﻈﺮﻱ ﻳﻜﻲ ﺍﺯ‬ ‫ﺧﻮﺍﻧﻨﺪﻩ ﻫﺎﻱ ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ ﺍﺳﺖ ﻛﻪ ﺑﺮﺍﻳﻤﺎﻥ‬ ‫‪ 10‬ﺩﺍﺳﺘﺎﻧﻚ ﻓﺮﺳﺘﺎﺩﻩ ﻭ ﻫﺮﺩﺍﺳﺘﺎﻥ ﻫﻢ ﻳﻚ‬ ‫ﺗﺼﻮﻳﺮﺳﺎﺯﻱ ﺍﻳﻦ ﺷﻜﻠﻲ ﺩﺍﺭﺩ‪ .‬ﻓﻜﺮ ﻣﻲﻛﻨﻴﺪ ﺍﻳﻦ‬ ‫ﻛﻼﻍﻫﺎ ﭼﻪﻛﺎﺭﻩ ﻫﺴﺘﻨﺪ؟ ﺍﻳﻦ ﻛﻼﻍﻫﺎ ﻧﻤﺎﺩﻱ‬ ‫ﺍﺯ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﺩﻭﺳﺖﺩﺍﺷﺘﻨﻲ ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ‬ ‫ﻫﺴﺘﻨﺪ ﻛﻪ ﺑﺎ ﺍﻳﻦ ﭼﺸﻢﻫﺎﻱ ﮔﺮﻳﺎﻥ ﺩﺭ ﺍﻧﺘﻈﺎﺭ‬ ‫ﺷﺮﻭﻉ ﺟﺸﻦ ﻫﻤﺸﻬﺮﻱ ﺟﻮﺍﻥ ﻫﺴﺘﻨﺪ!‬