Duet Book Violin Viola 1 20

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Duet Book Designed to be flexible Violin & Cello Or Violin & Viola Violin part is compatible with either cello or viola

1. Prelude to the Te Deum Marc-Antoine Charpentier A                           

Violin

                          

Viola as Bass

6         

  

          

B        11

    



 

   2.

     

      

     



  

C        



  

  

20

    



  

          

 1. 

 

 



        

                   

  

    16

        1.  

 

   

           





2.



    

     

         

2

         

 

          

29    



 



   

   

      1.    2.      34



 

 

      

 



  

E

   



39    

    

    



   



    



   



 

      

                    

   

42    

 

              

         

   

D       

          

24

    

 

    



 







  



  





  



 

 



2. Wedding March           q = 80

Violin





  f  

f

Viola as Bass

          f

Richard Wagner

Lohengrin



                              9

 

f

  f  



f

   

     

17                                            

          

    

25

      

   

   

               

    

 3          

                         

       33

    

    

     

                            41

   















 



 

 



     









  

2

    45

 

 

 









   

 







 

 



   











 

 

 

 

 













f

f

49

    

    53



 

 

 















    

 







 

 





 

 

   

  

     

 

    

     





f

f

58

 

  



3. Wedding March (Short Version)

    

  

    

     

  

           

q = 100

Violin

3

Viola as Bass



3

3

5      3

3

3

3

3

             





 



14



 

 







  



  

3  1.       

 

 



3

     3



     









3

       

 

3

3

3

 

3

     

3

3

                   

10   

Felix Mendelssohn



    

  





  3

        3

3

3

                     3

3

3

3

3

2

  2.  

          

             

   

      

   

18

23    

    28



 

31    









  

        

     

      



   

 

  

     

 





    





 

 

 











   

 

         

   

  

   

     

 

     







  





  

 





 





4. Entrance of the Queen of Sheba

Violin

G F Handel

                                         f

                                              

4

                       

7

        

10

                            

13



        

                    

17

f

p

                      p cresc.

21

                                             

25

p

                                                   

29

f

                                                 

33

p

          

37

f

                        

40

p

f

V.S.

2

Violin

                                        p 48                                44

52                                         

p

f

           

57

          

f

                                             

61

          

65

p

                              

cresc.

                                               

68

f

p

                                               

72

mf

                                               

77

mf cresc.

                 

81

      

f



            

84

                

87

Viola as Bass

4. Entrance of the Queen of Sheba

G F Handel

                                       f 6

 

               

11

        14                                   p   

18

 

23

 

 

          f

p

                               cresc.

                                  

27

  

f

       

                                  f

p

32

36

 

                   

p

                f

                    

39

43

            f

             p

         p

                                     f

47

V.S.

2

Viola as Bass

                                         

51

p

                                          f

55

f

                                       

59

p

                                        

64

cresc.

69

         f

              

p

74

                                                mp                                               

78

mf cresc.

83

 

86

f

                

                                  

            

5. Canon in D

Johann Pachelbel Adapted John Harvey

(Edited as two part canon)

Violin q = 50

                        

6

                       

    

9

 

11



  

14

  



   







    



                    

 



   

     

               

17

                  

18

                   

19





                                   

20

             

22







  

V.S.

Violin 2 24

   

26









 



    

      

                

28

                                 

30

                              

32

 

35













   

        

      

                             

39

      

42



         









                       

46



5. Canon in D

Johann Pachelbel Adapted John Harvey

(Edited as two part canon)

Viola q = 50

  



               



              

7

 

11



  

          

                             

13

   

16

 

19









      

 

  



     

                    

                             

20

                   

21

             22                           

25







      

V.S.

2

  

27



Viola





        

     

29



      

31

  

33



                 

                               

         

36







                

                                

40

    

44

 

47



 

    



 

 

   

 

  

  

       

   



6. Largo From Winter

              Largo q = 40

Violin

    



 

Antonio Vivaldi

   



 

        

pizz

Viola

     3

   



 

    



 

 

 

    

5









 

   









                  



                  

7     





 

 

    



   

 







   







                                  

2

     9



 





 

    



 





 



 

                          11     

 









                                         13





   







                                                  15



 

                  



  

 







       17

                  

arco

 





7. Celebrated Minuet q = 100              

Violin

Viola as Bass



   

5      

Luigi Bocherini Arr. John Harvey

  



   

             pizz.







 

 





                   

                                             9

1.



 



2.





   

 



 

        

                   



13                     

            

 



  





  

17                                                     

         21

     



  

1.



 

  

            

2.



         arco        

             

2

24

                                                            

28 1.                                                          

               33

           

                                      

                          42                                                                    38

             46

                   1.

 

   

                                                                 

      

           

              2.

         

      2.

   

  

D.C. al Fine

   

D.C. al Fine

8a. Gavottes from 3rd Orchestral Suite        

Gavotte 1 Violin

Viola as Bass 6    



q = 150

    

12

    



 



         18

    







           

                    

   

       

      

 

  

 

       



J S Bach

  

       

       

  

  





                23

            



  

 



    

              

   







   

 

    



 

  

       

 

   

    

2    Gavotte                                             29

                                                 35

 

2

      40

      43    



 



  

 

  











 







             

       

   

  















                           

   

      

    



57           



 



    60

   























 







          

46

52    





 

               















   





   



     









 







DC Gavotte 1

 

 





 

 

8b. Air from 3rd Orchestral Suite in D (Air on the G string)

     

Adagio e = 95

Violin

Viola as Bass

    









    





   

          1.      

   

       

  

  2.          7



                            

4

 

 

J S Bach Arr. John Harvey

 

 



   



  

  



  





             10                                                                

  

             13

  



    16

  





 



  

  



           

  

          

 

      18







 





                

  



   

                 

    









 



 

8c. Bourree from 3rd Orch Suite

J S Bach

                                                 q = 130

Violin

Viola as Bass

     6



 



   

 



 

   

                             

11                                           16                                               21                                              26                                

   



      30

  





 





 

 



    

   

          





    

     



  

8d. Gigue from 3rd Orchestral Suite J S Bach

                 Violin                            Viola as Bass                     q.=120

     6

                               

              

           

      

12                                      

  

     

                         

                 18



  

             

                     

  1.               24

30     

  

2.                 

 

 

 

             

   

              

     

          



   

 



 

  

 

 

             

                       

 

36                                       

  

      

                      

2

        



42



  

  

    

         48

      



  



   



  





 

          





     

          

       

54              

 

     

         

       



          

       





  

       

                             60



   

   

                          

    

66                                                      

       70

    





  

  

    1.    

           

  

       2.

    

  

Left Deliberately Blank

9. Dance of the Blessed Spirits Violin

Viola as Bass

         



       

                      

             5

 



Christophe Willibald von Gluck









9       



 

 



  







                       14





   









 





       



 

 

       



                                 19                                      

     24

    

             





  

          

 

10a. Ouverture Fireworks Music     

                       

    

      

q = 100

Violin

Viola as Bass



        6

   



   

  



         

                           

11               

    

G F Handel

           

     

     

                             

          



     

         

22

      

  

  

 

  

   

   



   





  



17                             



    

  

       

  

        



 

2

   

                         

   

                            

27

32      

  

     

    

   

  



                                    

    37

   

41    

   



  



   

            



     



   





    











 

    

   





     

 

 



 



     47



  





                

               

53                

     

  

59               

  

   











   

                 

               

           

3

  

  

                         

                        

            

65                                              



    

 







71                        

 

   

 

                                          77



  

     83

 



 



 

  

                      

   



 

   

                               

4

89                                         



  

        





94         

       98



    

      

 

        



        

 

 

       

     

                 

 





                               103                                                           





    

108                                                   

                            112               

   











            



114                     

   











     

 

 

  





     



10b. Bourree Fireworks Music

Violin

Viola as Bass

Handel

h = 100              

      

                     

6                  

11

 

  



     

               



                    

         

   

   



       

17                          

   

 

   

22       







         

       25

   

 



      





     









         

      



   



   











    



 

10c. Le Paix Fireworks Music

            q. = 50

Violin

         3          

Viola as Bass

       

 

G F Handel

 

                                  

            



5     

  

   



   

  

                                            7                                                                9                

               11

     13    

     15          

                                    



         

            







     

           

                   

 



     

                                                              

10d. La Rejouissance G. F. Handel

From the Fireworks Music

Violin

Viola as Bass

q = 100                                   

        

 

                          

5                  

                   

 

                                          9   1.      

        12

   2.        

            

       

         

         



                    

      



   



             

16                                    

           

           

19            



        

 

     

1.

    

2.          

       

 

10e. Minuets I & II Fireworks Music G F Handel

     

q = 120

Violin

Viola as Bass



  

7        



          





          

    

 

        

    

      

  

13

      

        

  



  

   

  

 

 

  



   



  

    1.

2.

        

 

 

18       

 

   

   

      

  

     

  

24          

   



29      



    



 



     

   

   

          

   

   

  





    

  

   

 

    1.

  2.

    

11a. Menuet

G F Handel

                               q = 100

Violin

Viola as Bass

    











         

8                          

                              17                                                

    

    

   

 

26                  

                                36   

     

    

  

  

  



  

  

  



 

  

 

41     



   

     



  

 

     

  

 

 

2

47                           

 

                            

57                 



         

                           

67        

  

   75

    

    

    



     

 





 







 



         

   D.C.                 







  

     



11b. Air

G F Handel

                          q = 100

Violin

Viola as Bass

      

        5

  

  

   



 

 

  



 

 





               











13

       16

  





   











   



          

 



    

        

    

     

9



  

     

              

       





  





   



      

   







    



 

11c. Bourree G F Handel

  

   

   

       

  

   

   

   

h=120

Violin

Viola as Bass

   6

  

 



  

  















 







  







 

 





10                            

                 16      

   



   

20     



   



   

   



   







      

    

   



   

  

   







       

 





 

11d. Hornpipe G F Handel

   

  

    



q = 140

Violin

Viola as Bass

4   

 

    

     



 



    

     



    

  

 

   

     

       

 

7

11           

  

 

 

14         

  

  

 

 

 







    





          

 





    

  

     

  

     



    







   

     

     



     

  

 

 

Left Deliberately Blank

12a. Overture

Violin

Viola as Bass

G F Handel

             

                          

    

4                                                                8                                    mf   ff  mf   ff  mf                      mf  mf      mf ff ff 13                                       

                             f

     18

   

22      

f

mf

                     mf

        



f

   

 

                               f

                               mf                                 mf

                                                                        26

     

2

30                    

  

                                      

34                    

  

                  

             mf

                               mf

38     

 

 

 

  

 



                  ff

                            ff  42     

      

 

 

     

            

                              

 



 

46

  

   

Optional Link into next movement



  

                   Molto rall.

mf









49                        

   



   





mf







 

 

12b. Hornpipe     





 

    

    

    









    

  

  

h=120

Violin

Viola as Bass

G F Handel



  



 

6                         

   

    

    







 

    

    









    

  

11

  

     17



    

    

  





 

  

  

 



             

    



22                                      27    

   

  



  

   





 









  

                  

 

     

         



     

                                     

32           



   



     

    

   

  



38       

     

   

   





        

Fine.

   

   

        

   



          

     



   

    

    

    





   

   

2

43                                                  



 





  

   





   





  

47                                         



  





  

   















51                                  



  



56      



  





 











 















 





   

                                    











  





  



  

60                                        

   

      64

    











          





     



 

 



   



    

 







69                        

        

     

     





   



    

 









 

     

 

  

  

 

  





D.C. al Fine

12c. Minuet in G G F Handel

     Violin   Viola as Bass

    

8       





17      



   

      



25         



   

32    

       38

   



   



  

  













    











 





   

 

  

    







 

    

   

 

  



 

  

   

   

  













  



  

     

 



    





 

    

 



    

       



 

  

  

   



                   



 

        

     

     



    



 

Left Deliberately Blank

12d. Rigaudon            h=100

Violin

Viola as Bass

         

6          

 

        

   13

1.          

    

    













G F Handel

           







              







          



  



2.

   





    

 





20        



   

  



 



  

      26

 



 

 

         

                   



   



   



   



   

               

1.                        33

               



    



  

2.Fine

  

    

2

      40

    

               







          

      

46                            



         

     53

     

   

      

          

 

    2.

   



 







                   

       

        











              



   



63





1.



59       

  









 

        













1.



   2.

 

D.C. al Fine

12e. Lentement                                Lentement q=100

Violin

Viola as Bass

8      



  

14      

   

             

    

 

  









 

 





 



  

 

 

            

 







 



 

   

27                         

   



 

19               

        



 

      





 

     

 

    

G F Handel

  

   



       



 



   

 

 

              

  



              

        

 D.C.

12f. Bourree G F Handel

   

 

h=120

Violin

Viola as Bass

  1.  

   

4

     8    







  

11    

  





 































 





  













   

2.



      

 

 

  

    

 



  









 

 

 

 

  



1.





    

 





 

 

   2.





12g. Menuet Violin

Viola as Bass

      











   

    5



  













     

































   

































  





   







       













 











 











 





    



     















  





   

17





    







9     

13

G F Handel













  

 

12h. Andante (Menuet) Violin

Viola as Bass

       





     

  

  

   





   





7

G F Handel



   

  

     

  

12

18

 

  

   

  





   29



   



  



  



  





  



  















   





























 



 

 

  

   





    

  

2. Fine

  





  

1.

  





  



 

  







   





   

    









        

24

  

















   

 

























  

D.C.

    

12i. Country Dances G F Handel

                 3               Violin        Dance 1

3

Viola as Bass

3

        







3

3

3





3



 



3   1.          2.                                   

4

3



  

3



3

   

3

      

3



             3        3 3 3 8

   

     



 

2.





Fine

   

 

 

  



 



      







3











3















13 1. 3 3   3                 

 

3



Dance 2

11

    







          3      

1.

3

    

       

 



 

2.

   



2

3    3                     3  3



16

    

3

  

  1.  



   

 

19



3







   

 

 

 

   



2.

 

  



 

3

      

   



   

 



21                   3           1.                    

Dance 1

3

       

3



  2.          3 3 25

   







3

3





3





3



  

   



 1.

3



 



3



  

3                      3

   

                  3 3 3 28

3

 



3











   3        3       2.

D.C al Fine

12j. Coro

Violin

Viola as Bass

     



 



     

 

 

 

  

















  

 

       

 



    

 

  



5



   9

  

     



 

 





 

13      

     











 







   



 

       

 









  

     



       

 





G F Handel

 





 



          

 



 

19                                    

  



 



 



   









      

 

Left Deliberately Blank

13. Serenade Franz Schubert

                                                                             p q = 80

Violin

Viola as Bass

  3    

 3   

5



   10

 

3



15



 3   

  

3

3

   

18

 

  

3

     

      

     

  

 

                                             

    



 3     

  

                                         mf mf



  

  

 

  

    

            3





 

    

 

 

 

   

       

2

      21

3

Schubert Serenade

    

  

   

     3

 

                                          

    26

   f 3

    

    

   



mf

                                     f mf

    31

        

    



mp

                               mp

    35

        

       

    

         

   pp

                      pp

 

14. Ave Maria

Franz Schubert

3  3     3   3  3   3  3   3            

Largo Expressivo e = 80

Violin

Viola as Bass



  

3

3

3

3

3

3

2 3 3    3   3   3    3         

  

3

3

3

3

 



3

3

    

      

     

3

                        3



3

    

  

3

3

     

    





3 3 3  3 3 3 3 3 3 3 3 3                                         

   

3

3

5



 

 3

3

3







3

3





     

3

3

3



3

3

3

3

3



3

3 3

3



 3

3

      3 3

33

3

                       

    8

  

3



7



  

3                         

     

3

 

6





3

                       

     

3

 

3

3

3

    3     33

         

3 3

3

3



3

 

3

             

2

   

      

9

 

    





3 3

3 3

 



3 3 3 3 3 3 3 3 3 3    3   3                                   3

   

  3   

11

3 3



3

 



      





3

3

3 3 3  3 3 3 3 3                                       3

3

    13

3

3

3

3

 



3

    3         

  

3

3

3

3

3

  3



3

3  3   3                                  3

3

3

3

3

3

3

3

3

3

3

15 3 3  3    3   3   3           

  

3

3

3

3

            

    16





3

3

    





 3

3

        

   3 3 3 3 3 3 3 3                              

15. Recuerdos De La Alhambra   

q = 90

Violin

5   







10   



  















                  



   

18





                           3       

15    3   

 





                                  

Viola as Bass





Francisco Tarrega Arr John Harvey



    

21      







     

     

  3   



   

 



  



       













                     26    



 3  



                                  

2

   



31



 









                       

3      

35

    

TO CODA Ø 1.

D. C. al Coda                        

   

38 CODA      

2.

















 





CODA                              43



 



 

     48



 

 



                  



                                                       53

   

pizz.

    pizz.   

16a. Prince of Denmark's March      

q = 100

Violin

   



Jeremiah Clarke Arr John Harvey

      

                6                                                   12 2.           1.                                    

Viola as Bass

   

    

  



   



18

  

 

          

 

24                     

 

 

30

  

   

   

  

40

   







 

  

 

   

    

   

 

 



 

  



 

 

  





 

2.

              

                 36

   

                                       

                 1.       

   











     







 

 



 





 







16b. Trumpet Song

Jeremiah Clarke Arr John Harvey

From the Island Princess q = 100        

Violin

Viola as Bass

5    

  



   

     

   

        

 

      

 



    

       

      

9

    

       

 







     

  

        

 















       



   









 















   

        





       

  

13                 



   



 

     

 

17. Grand March from Aida     

Violin

Viola as Bass

        

    

      

    

 

       

3

5                 

   

 

      

 

 

      

9

  

  

       

          

3

G. Verdi arr. John Harvey

          

3



       3



 

3          

  3                       

 

  

 

 

13                                                           f 17    

3

 

     

  

3

f

    

                   20

3



3

      



  

     

3



      

  3                         

 

  

 

 



3

    

2

     24

         

   

       3

       

3

 





     

     





  

28                          3 3                                        3 32                                3                               f

    36

3

    

         



3







     

            43

   

 

 





3

   

3



      

    

        

     

40

 

    



 

 

     

 

3



     

    







 

3

      

     

 

 

f

  

     

3



   

  



18. Wedding March from Figaro                

Violin

         



  

W A Mozart

    

                     5                                 

Viola as Bass







 

                9                                          

 1.   14



  19





  24



 

  

  

29



   





  

                                                                                                                                                    2.    

    

 

  

 



        



     

  



        



  

   

       



 

 

     

             

 

         

         

   



19. Arioso from Cantata - BWV 156 J S Bach

  

Adagio e = 100

                        Viola as Bass    Violin

                              

                                                                       4

7                                                               

10                                                                      

  

                              3 3 3 3 3                                               13



                        16

   18







        

    

                      

                              

20. Chanson De Matin                          p dolce mf dim                                

A

Allegretto q = 84

Violin

Viola as Bass

 9   

mf



    

     

poco cresc

17         

cresc

cresc

    

 

25

         f

dim

      

poco cresc

     

Edward Elgar Op 15 No 2 Arr John Harvey

 



         

p

        pp

  

pp

           

       pp                    pp B              mf pp                  pp mf 



      



 

        

        

 



   

      

accel & cresc

 



                    

33                                 f p                              p 41         

   

 

                  f cresc                             f cresc C Tempo primo Allargando 50                                     

 

      

ff



pp

 

       

 

  

p

  

poco cresc

2

58           

      

65

     cresc

cresc

     73





   81

f

   

      

 

        



 

 



   pp

 

      



     

  

 

        

 

  

  

 



   

    

accel & cresc

  

 

             pp                    pp

A tempo

  

pp

                       pp D    

 

      

           cresc f

       

  







                               cresc f     90                                                                     E 97                            

   

    104

pp molto cresc

  pp molto cresc      

         mf

dim.

dim.





 

 



     

       

 

  

f

p

 

p



f



 

 

pizz f pizz

 

f


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