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Conferences on Sounds
#
Name
1. :|
IASA 2019 - 50th Annual Conference
Location/count ry
Time
Call for paper
Netherlands Institute for Sound and Vision, in Hilversum, Netherlands.
Monday 30th September Thursday 3rd October 2019
The deadline for submissions is 22nd February 2019
IAML Congress 2019 (Kraków, Poland)
14-19 July, 2019
Birmingham City University, UK
July 2–4, 2019
http://2019.ias a-web.org/keydates
The 50th Annual Conference of the International Association of Sound and Audiovisual Archives (IASA) 2
https://www.iaml.info/
1st Analytical Approaches to World Music Special Topics Symposium (AAWM 2019) The first Special Topics Symposium, AAWM 2019, will meet jointly with the 9th International Workshop on Folk Music Analysis (FMA 2019). The special topic of this symposium is “Computational Approaches to World Music Analysis.” AAWM 2019 welcomes submissions that examine world musical traditions from any analytical or theoretical perspective that relates to this topic, including (but not limited to): · Computational and mathematical ethnomusicology
is March 1, 2019
· Computational analysis systems for non-western and folk musics · New methods for music transcription · Cognitive and related empirical models of world music · Methodological and representational issues and models
Mathematics and Computation in Music 2019 The art in mathematics, the science in music https://mcm19.etsisi.upm.es/home
The June Universida 18-21, d 2019 Politécnica de Madrid, Madrid, Spain.
The deadline for all types of submissio n is: JANUARY 15th, 2019 Notificatio n of Acceptan ce: MARCH 5th, 2019 Early Registrati on Dates:
until MAY 1st, 2019 Conferenc e Dates: JUNE 18-21, 2019
University of Vienna, Austria
30 - 31 May (with pre-conferenc e workshops on 29 May and an ‘un-conferenc e’ day on 1 June)
Málaga, Spain
May 23 at 10 PM – May 30 at 1 AM UTC+02
The Music Encoding Initiative (MEI) is a community-driven effort to define guidelines for encoding musical documents in a machine-readable structure. MEI closely mirrors work done by text scholars in the Text Encoding Initiative (TEI) and while the two encoding initiatives are not formally related, they share many common characteristics and development practices. MEI, like TEI, is an umbrella term to simultaneously describe an organization, a research community, and a markup language. It brings together specialists from various music research communities, including technologists, librarians, historians, and theorists in a common effort to discuss and define best practices for representing a broad range of musical documents and structures. The results of these discussions are then formalized into the MEI schema, a core set of rules for recording physical and intellectual characteristics of music notation documents. This schema is developed and maintained by the M EI Technical Team.
Sound and Music Computing http://www.smcnetwork.org/#smc
Sound and Music Computing (SMC) research approaches the whole sound and music communication chain from a multidisciplinary point of view. By
16 December 2018.
combining scientific, technological and artistic methodologies it aims at understanding, modelling and generating sound and music through computational approaches. https://www.facebook.com/events/444818476056056/
http://www.arsc-audio.org/index.php
ARSC is unique in bringing together private individuals and institutional professionals. Archivists, librarians, and curators representing many of the world’s leading audiovisual repositories participate in ARSC alongside record collectors, record dealers, researchers, historians, discographers, musicians, engineers, producers, reviewers, and broadcasters.
26th International Congress on Sound & Vibration
Berlin, German
May 22-23, 2019
Portland, Oregon
May 8-11, 2019
The Benson, a historic hotel in downtown Portland
Abstract Deadline: 1 December 2018 Extended deadline 31 January 2019
Ongoing? https://docs.g oogle.com/for ms/d/e/1FAIp QLSdmhE9o QmoZbBOFv NI3MH-RqRf 18NTF1eJ2D aMJgVRG8X nH-w/viewfor m
This congress is a leading event in the area of acoustics and vibration and provides an important opportunity for scientists and engineers to share their latest research results and exchange ideas on theories, technologies and applications in these fields. The congress will feature a broad range of high-level technical papers from across the world: distinguished plenary lectures will present recent developments in important topics of sound and vibration and include discussions about future trends. Montréal is an exciting, vibrating and welcoming destination. It’s a city where delegates can enjoy a rich diversity of culture, museums, art galleries, night-life, gastronomy, shopping and sport, not to mention the International Jazz Festival right before the conference. Cosmopolitan Montréal offers something to suit every delegate!
Notification of Acceptance of Abstracts: 28 February 2019 Deadline for Full-Length Submission : 31 March 2019 Notification of Acceptance of Full-Length Papers: 1 May 2019
Monash University, Melbourne, Australia. 23-27 July 2019
The fifth International Conference on Technologies for Music Notation and Representation. ● Alternatives to common practice notation, including microtonal and electronic music notations; ● Performer perspectives on technologies around notation ● Digital archiving and dissemination of notations ● Composer and/or performer engagement with the technology for and representation of notation· ● Interactions between new notation technologies and performance ● Notations for other performing arts ● psychological impacts of new technologies for notation ● Critical and aesthetic engagement with technologies for notation ● Notating electronic music/notation for controllers ● Technological developments in notation and representation for pedagogy ● Notation and gameplay ● Notation and live coding ● Ontology of the score
Deadline for submissio ns: 30 January, 2019 Notificatio n will be 15 March, 2019. Revisions will be due 1 May, 2019. https://www. monash.edu/t enor2019/ho me
● Modular/generative real-time scores based on audience and/or performer input ● Web/network-based notational approaches
Celebrating 20 years of Excellence in Piano Teaching and Learning Inspiring Creativity and Innovation: Past, Present and Future The Frances Clark Center invites you to be an exhibitor at The National Conference on Keyboard Pedagogy,
Westin Lombard Yorktown Center in Lombard, Illinois. Join us in reaching more than 700 independent and institutionally affiliated keyboard educators.
July 24-27, 2019
Deadline for Submission : April 15, 2019 at 11:59PM Pacific Time http://www. keyboardpe dagogy.org /national-co nference-in fo2/2019po sters
#
Name
1. :|
IASA 2019 - 50th Annual Conference
Location/count ry
Time
Call for paper
Netherlands Institute for Sound and Vision, in Hilversum, Netherlands.
Monday 30th September Thursday 3rd October 2019
The deadline for submissions is 22nd February 2019
IAML Congress 2019 (Kraków, Poland)
14-19 July, 2019
Birmingham City University, UK
July 2–4, 2019
http://2019.ias a-web.org/keydates
The 50th Annual Conference of the International Association of Sound and Audiovisual Archives (IASA) 2
https://www.iaml.info/
1st Analytical Approaches to World Music Special Topics Symposium (AAWM 2019) The first Special Topics Symposium, AAWM 2019, will meet jointly with the 9th International Workshop on Folk Music Analysis (FMA 2019). The special topic of this symposium is “Computational Approaches to World Music Analysis.” AAWM 2019 welcomes submissions that examine world musical traditions from any analytical or theoretical perspective that relates to this topic, including (but not limited to): · Computational and mathematical ethnomusicology
is March 1, 2019
· Computational analysis systems for non-western and folk musics · New methods for music transcription · Cognitive and related empirical models of world music · Methodological and representational issues and models
Mathematics and Computation in Music 2019 The art in mathematics, the science in music https://mcm19.etsisi.upm.es/home
The June Universida 18-21, d 2019 Politécnica de Madrid, Madrid, Spain.
The deadline for all types of submissio n is: JANUARY 15th, 2019 Notificatio n of Acceptan ce: MARCH 5th, 2019 Early Registrati on Dates:
until MAY 1st, 2019 Conferenc e Dates: JUNE 18-21, 2019
University of Vienna, Austria
30 - 31 May (with pre-conferenc e workshops on 29 May and an ‘un-conferenc e’ day on 1 June)
Málaga, Spain
May 23 at 10 PM – May 30 at 1 AM UTC+02
The Music Encoding Initiative (MEI) is a community-driven effort to define guidelines for encoding musical documents in a machine-readable structure. MEI closely mirrors work done by text scholars in the Text Encoding Initiative (TEI) and while the two encoding initiatives are not formally related, they share many common characteristics and development practices. MEI, like TEI, is an umbrella term to simultaneously describe an organization, a research community, and a markup language. It brings together specialists from various music research communities, including technologists, librarians, historians, and theorists in a common effort to discuss and define best practices for representing a broad range of musical documents and structures. The results of these discussions are then formalized into the MEI schema, a core set of rules for recording physical and intellectual characteristics of music notation documents. This schema is developed and maintained by the M EI Technical Team.
Sound and Music Computing http://www.smcnetwork.org/#smc
Sound and Music Computing (SMC) research approaches the whole sound and music communication chain from a multidisciplinary point of view. By
16 December 2018.
combining scientific, technological and artistic methodologies it aims at understanding, modelling and generating sound and music through computational approaches. https://www.facebook.com/events/444818476056056/
http://www.arsc-audio.org/index.php
ARSC is unique in bringing together private individuals and institutional professionals. Archivists, librarians, and curators representing many of the world’s leading audiovisual repositories participate in ARSC alongside record collectors, record dealers, researchers, historians, discographers, musicians, engineers, producers, reviewers, and broadcasters.
26th International Congress on Sound & Vibration
Berlin, German
May 22-23, 2019
Portland, Oregon
May 8-11, 2019
The Benson, a historic hotel in downtown Portland
Abstract Deadline: 1 December 2018 Extended deadline 31 January 2019
Ongoing? https://docs.g oogle.com/for ms/d/e/1FAIp QLSdmhE9o QmoZbBOFv NI3MH-RqRf 18NTF1eJ2D aMJgVRG8X nH-w/viewfor m
This congress is a leading event in the area of acoustics and vibration and provides an important opportunity for scientists and engineers to share their latest research results and exchange ideas on theories, technologies and applications in these fields. The congress will feature a broad range of high-level technical papers from across the world: distinguished plenary lectures will present recent developments in important topics of sound and vibration and include discussions about future trends. Montréal is an exciting, vibrating and welcoming destination. It’s a city where delegates can enjoy a rich diversity of culture, museums, art galleries, night-life, gastronomy, shopping and sport, not to mention the International Jazz Festival right before the conference. Cosmopolitan Montréal offers something to suit every delegate!
Notification of Acceptance of Abstracts: 28 February 2019 Deadline for Full-Length Submission : 31 March 2019 Notification of Acceptance of Full-Length Papers: 1 May 2019
Monash University, Melbourne, Australia. 23-27 July 2019
The fifth International Conference on Technologies for Music Notation and Representation. ● Alternatives to common practice notation, including microtonal and electronic music notations; ● Performer perspectives on technologies around notation ● Digital archiving and dissemination of notations ● Composer and/or performer engagement with the technology for and representation of notation· ● Interactions between new notation technologies and performance ● Notations for other performing arts ● psychological impacts of new technologies for notation ● Critical and aesthetic engagement with technologies for notation ● Notating electronic music/notation for controllers ● Technological developments in notation and representation for pedagogy ● Notation and gameplay ● Notation and live coding ● Ontology of the score
Deadline for submissio ns: 30 January, 2019 Notificatio n will be 15 March, 2019. Revisions will be due 1 May, 2019. https://www. monash.edu/t enor2019/ho me
● Modular/generative real-time scores based on audience and/or performer input ● Web/network-based notational approaches
Celebrating 20 years of Excellence in Piano Teaching and Learning Inspiring Creativity and Innovation: Past, Present and Future The Frances Clark Center invites you to be an exhibitor at The National Conference on Keyboard Pedagogy,
Westin Lombard Yorktown Center in Lombard, Illinois. Join us in reaching more than 700 independent and institutionally affiliated keyboard educators.
July 24-27, 2019
Deadline for Submission : April 15, 2019 at 11:59PM Pacific Time http://www. keyboardpe dagogy.org /national-co nference-in fo2/2019po sters
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