Art Nouveau Carole L Chesser CAT 111 - 2009
The Movement •• Art Nouveau began in Europe in the 1890s •• It was also known as Jugenstil, Stile Liberty, and Modernista •• Primarily a Decorative style, it was inspired by Rococo forms and based on sinuous curves •• Art Nouveau was born out of the Industrial Revolution and the new urban lifestyles that came along with it •• It was influenced by the Arts & Crafts movement in England and the US and by the Symbolist movement in France ••In return, it influenced Modernism, De Stijl (or Neoplasticism), Contstructivism, Suprematism, the Bauhaus and Art Deco
Parure de Corsage, Alphonse Mucha c. 1900
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•• The goal of the movement was to raise craft to the level of Fine Art •• its proponents held that art and life were one and the same •• Art Nouveau is often thought of in reference to poster art, but its influence was felt much more broadly, with impact on wrought-iron work, architecture, furniture, jewelry, glasswork and typography •• Originally, Art Nouveau was intended to be popular art, both available to and affordable by everyone, but it became so intricate and extravagant that only the wealthy were able to afford it
Jane Avril, Henri de Toulouse-Lautrec 1893
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Architecture •• Some famous architects who were influential in the Art Nouveau movement were Antoni Gaudi, Louis Sullivan and Victor Horta •• Antoni Gaudi had a nearly maniacal avoidance of straight lines. He did not use flat surfaces and his buildings are recognizable in their assymetry. •• It was Louis Sullivan who coined the phrase “Form follows function” •• Louis Sullivan thought of buildings as being comparable to the human body - with flesh and muscle attached to bone. He is best known for designing the Wainwright Building in St. Louis
Grand Hotel Europa, Bedrich Bendelmayer and Alois Dryak 1903-1905
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•• Victor Horta was a Belgian architecht who studied in Paris •• Some of his more prominent buildings are the Palais des BeasuxArts, the Solvay House, the Max Hallet House, the Tassel house and his own Horta House
"Even I am amazed to see plans, elevations and details spurt forth spontaneously from the ends of my pencils." -Victor Horta
Interior Stairwell, The Horta House, Victor Horta C. 1898
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Poster Art •• Poster Art became prevalent in part due to the advances in printing during the late 1800's •• Some of the most successful poster artists were Alphonse Mucha, Jules Cheret and Henri de Toulouse-Lautrec •• The largest single influence on Art Nouveau graphic art was Japanese art
Gismonda, Alphonse Mucha 1894
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•• Alphonse Mucha published Les Documents decoratifs, a volume of ornamental designs, in 1902 •• His work often features decorative fonts, floral elements and sensual women with cascading hair •• Beginning with her play, Gismonda, Mucha became Sarah Bernhardt's artist •• He is known for his application of painting techniques in poster art
La Dame aux Camelias, Alphonse Mucha 1896
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Furniture •• Art Nouveau designers used traditional materials in new and innovative ways •• Some important designers were Hector Guimard, Gustave Serrurier-Bovy, Emile Galle, and Charles Rennie Mackintosh •• Funiture was designed to continue the architecture of a room •• They integrated multiple purposes into their items, such as the shelves added to the washstand pictured here
Washstand, Charles Rennie Mackintosh 1904
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•• Louis Majorelle, along with Emile Galle and others, organized the Ecole de Nancy in France •• They produced multiple versions of the same piece of furniture •• Elements of nature were still quite important to the movement •• The curvilinear structure behind Art Nouveau was very apparent •• Many woods, such as mohogany, oak and pear, that had previously fallen out of popularity were now used and coveted
Carved and Inlaid "Dragonfly" Table, Emile Galle C. 1900
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Sculpture •• As in other areas of Art Nouveau, butterflies, moths, wasps and other insects were features of sculpture and jewelry •• Some important names were Rene Lalique, Philippe Wolfers, Louis Comfort Tiffany, and Georges Fouquet
Nature, Alphonse Mucha 1899-1900
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•• This Peacock is part of the jewelry shop owned by Georges Fouquet and designed by Alphonse Mucha •• Mucha depicted Sarah Bernhardt wearing jewelry in his posters. Ms. Bernhardt commissioned Fouquet to create a bracelet based on Mucha's drawings
Peacock, Alphonse Mucha 1901
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Bibliography "Anatomy of an Exhibition - Art Nouveau, 1890-1914."” National Gallery of Art. Web. 12 Aug. 2009. . Greenhalgh, Paul, ed. Art nouveau 1890-1914. London: V&A publications, 2000. "Henry van de Velde - Great Buildings Online." Architecture Design Images History 3D Models and more - ArchitectureWeek Great Buildings. Web. 21 Aug. 2009. . Janson, H. W. History of art. New York: Harry N. Abrams, 2001. "Mucha do about something." Travel Trade Gazette UK & Ireland. (June 4, 2001): 40. General OneFile. Gale. Anne Arundel County Public Library. 2 Feb. 2009 "The Great Ones." Art Business News. 28.4 (April 2001): 44. General OneFile. Gale. Anne Arundel County Public Library. 2 Feb. 2009
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