7262 Brief-3 Negotiated Work
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ASSESSMENT BRIEF
Department of Performing and Screen Arts
Bachelor in Performing and Screen Arts Course No. Course Name PASA7262 Film & Television Projects 3b Lecturer (s) All TFTV Tutors Markers All TFTV Tutors Assignment No. & Title 3
Semester 2 Course Co-ordinator Dan Wagner Moderator Athina Tsoulis Course grade % Due Date
Negotiated Work
20th Nov
30%
Year 2009
Return Date 7th Dec
Learning outcome(s): 4. Selectively employ creative techniques, processes and technology to realise a negotiated work. - Effectively apply suitable styles/processes within established production parameters - Interact effectively and professionally with crew, production team and cast to realise the work
Description: To complete this assessment, you must choose one of two options. The intention is to allow you to tailor your work to best suit your needs/workload (including both the realities of your schedule and your end-product requirements). Your specialist tutor will mark this assignment based on evidence obtained by their own (and/or peer) observation of your work during the project, your interactions with others (including peers, tutors and public), and the final product. PART 1 (50%) Choose from two options: 1ST CHOICE if your major is…
you can choose EITHER…
Surround Sound Project
Sound Editing Productio n
Created Work
Camera
2ND CHOICE
in the role of…
and be assessed 50% for…
Post Sound Designer
technical execution
Editor
technical execution
Key Creative Role / HOD
key creative role / technical execution
OR
you can choose…
(Studio 3) in the role of …
Recordi st Show Reel AND Studio Three
Editor PM/AD
and be assessed 50% for…
Technical Execution (Studio Three) and Key Creative Role (Show Reel)
DOP
DEFINITIONS • Technical Execution includes: the precision with which you perform your tasks and the quality of the work you turn in (dailies, edited/mixed final product, paperwork). • If you initiated the project (such as an Experimental Film or a Music Video), or are creating a Show Reel, your assessment is about the Key Creative Role you’re playing in creating, designing and shepherding the project through to meet your vision. • If the project was initiated by someone else, your assessment is on your role as HOD in overseeing the technical requirements in your specialty.
-1-
24914635.doc
DEADLINES • Monday 14th September: This is your ABSOLUTE deadline to decide what you’re going to do, to negotiate with your tutor what that will entail and then lock-in your choice. If you are keen and wish to choose beforehand, so much the better. • Monday 16th November: All projects must be in some broadcast form (Compile Master, DVD, ProTools surround session) by this date.
PART 2 (50%) Everyone will be assessed on their professionalism and project participation, regardless of choice. Criteria that will influence the mark include the effort you put in to the project, your overall work ethic, your time management and the quality of your collaboration.
SCREENING DATE All projects will be screened on the next-to-last Friday of the school year (20th November).
MARKING CRITERIA 1. Applied suitable styles/processes within established production parameters (50%) 2. Interacted effectively and professionally with crew, production team and cast to realise the work (50%). Including (but not limited to) •
the effort you put in to the project,
•
your overall work ethic,
•
your time management and
•
the quality of your collaboration.
Your specialist tutor must sign below for your project to be approved. Then, please make one copy of the section below for yourself and give the original to Dan Wagner (Course Coordinator)
-------------------------------------------------------------------------------------------------------------------------------Student Name: _________________________________________________ Project Choice (circle one):
surround sound
created work
showreel/studio three
Describe the project and your participation in it:
Tutor Approval Signature: ____________________________ Date Signed:________________ -2-
24914635.doc
Department of Performing and Screen Arts
Bachelor in Performing and Screen Arts Course No. Course Name PASA7262 Film & Television Projects 3b Lecturer (s) All TFTV Tutors Markers All TFTV Tutors Assignment No. & Title 3
Semester 2 Course Co-ordinator Dan Wagner Moderator Athina Tsoulis Course grade % Due Date
Negotiated Work
20th Nov
30%
Year 2009
Return Date 7th Dec
Learning outcome(s): 4. Selectively employ creative techniques, processes and technology to realise a negotiated work. - Effectively apply suitable styles/processes within established production parameters - Interact effectively and professionally with crew, production team and cast to realise the work
Description: To complete this assessment, you must choose one of two options. The intention is to allow you to tailor your work to best suit your needs/workload (including both the realities of your schedule and your end-product requirements). Your specialist tutor will mark this assignment based on evidence obtained by their own (and/or peer) observation of your work during the project, your interactions with others (including peers, tutors and public), and the final product. PART 1 (50%) Choose from two options: 1ST CHOICE if your major is…
you can choose EITHER…
Surround Sound Project
Sound Editing Productio n
Created Work
Camera
2ND CHOICE
in the role of…
and be assessed 50% for…
Post Sound Designer
technical execution
Editor
technical execution
Key Creative Role / HOD
key creative role / technical execution
OR
you can choose…
(Studio 3) in the role of …
Recordi st Show Reel AND Studio Three
Editor PM/AD
and be assessed 50% for…
Technical Execution (Studio Three) and Key Creative Role (Show Reel)
DOP
DEFINITIONS • Technical Execution includes: the precision with which you perform your tasks and the quality of the work you turn in (dailies, edited/mixed final product, paperwork). • If you initiated the project (such as an Experimental Film or a Music Video), or are creating a Show Reel, your assessment is about the Key Creative Role you’re playing in creating, designing and shepherding the project through to meet your vision. • If the project was initiated by someone else, your assessment is on your role as HOD in overseeing the technical requirements in your specialty.
-1-
24914635.doc
DEADLINES • Monday 14th September: This is your ABSOLUTE deadline to decide what you’re going to do, to negotiate with your tutor what that will entail and then lock-in your choice. If you are keen and wish to choose beforehand, so much the better. • Monday 16th November: All projects must be in some broadcast form (Compile Master, DVD, ProTools surround session) by this date.
PART 2 (50%) Everyone will be assessed on their professionalism and project participation, regardless of choice. Criteria that will influence the mark include the effort you put in to the project, your overall work ethic, your time management and the quality of your collaboration.
SCREENING DATE All projects will be screened on the next-to-last Friday of the school year (20th November).
MARKING CRITERIA 1. Applied suitable styles/processes within established production parameters (50%) 2. Interacted effectively and professionally with crew, production team and cast to realise the work (50%). Including (but not limited to) •
the effort you put in to the project,
•
your overall work ethic,
•
your time management and
•
the quality of your collaboration.
Your specialist tutor must sign below for your project to be approved. Then, please make one copy of the section below for yourself and give the original to Dan Wagner (Course Coordinator)
-------------------------------------------------------------------------------------------------------------------------------Student Name: _________________________________________________ Project Choice (circle one):
surround sound
created work
showreel/studio three
Describe the project and your participation in it:
Tutor Approval Signature: ____________________________ Date Signed:________________ -2-
24914635.doc
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